Strange tales of silent destruction and partial fragmentation in Grasso’s work. Here’s what Ed Schad (curator and independant writer working over at ArtSlant) had to say about it:

“Ben Grasso, like many contemporary painters, takes decay as his subject matter, but unlike those painters (often eager to watch the world burn), Grasso seems to follow the enthusiasm of his brushstrokes and the buoyancy of his color into realms laced with whimsy and imagination. His houses are in shreds and crumbling, you see a white flag of surrender, he dashes off a couple of shacks in the jungle, but Grasso doesn’t believe that these ruins denote the end of things — flickers of light shimmer and whirls of white burst into the air.” (read more)