✖ Via Life ― Hosted by Google: “Full frame of movie audience wearing special 3D glasses to view film “Bwana Devil” which was shot with new “natural vision” 3 dimensional technology.” photo by J.R. Eyerman, Paramount Theater, Hollywood, California, November 26, 1952.

This photo is well known, though it’s origin is not. It appears on the cover of the English translation of Guy Debord La Société du Spectacle (The Society of the Spectacle, tr. by Fredy Perlman and Jon Supak, Black & Red, 1970; available online). It was originally taken by Life photographer J.R. Eyerman (1906-1985) at “the premiere screening of film ‘Bwana Devil,’ directed by Arch Oboler, the 1st full-length, color 3D (aka ‘Natural Vision’) motion picture” (Life.com). I don’t know for sure if it ever appeared in Life Magazine itself, though it was later used in 1984 on the cover of the brochure that accompanied an exhibition of photographs from Life Magazine held at the International Center of Photography (New York) and entitled: The Second Decade, 1946-1955 (Boston: Little, Brown, 1984; used copies still available online).

Here’s what Thomas Y. Levin has to say about this photo in his essay “Dismantling the Spectacle: The cinema of Guy Debord”

This picture, taken by J.R. Eyerman, has since become a veritable cliché not only for the alienation of late consumer culture but also for the ten years following World War II: it appears, for example, on T-Shirts, bags, and buttons as well as on the cover of the brochure that accompanied an exhibition of photographs from Life magazine held at the International Center of Photography (New York) and entitled: The Second Decade, 1946-1955. Few realize, however, that this depiction of the latest stage in the drive towards cinematic verisimilitude exists in at least two versions: the one, employed for the cover of the Society of the Spectacle (Detroit, Black & Red, 1970, repr. 1977 and 1983), depicts its elegantly attired audience in a virtually trance-like state of absorption, their faces grim, their lips pursed, in the other shot of the same audience, however, the 3-D spectators are laughing, their expressions of hilarity conveying the pleasure of an uproarious, active spectatorship.

(‘Dismantling the spectacle. The Cinema of Guy Debord’, in On the passage of a few people through a rather brief moment in time. The Situationist International 1957-1972, MIT Press : Cambridge 1989, pp. 72-123; available online at the Media Art Net website.

I first found the reference to this photo via Beetle In A Box Tumblr blog, though it needs some correction : the photo did not appeared in any of Life Magazine November issues of 1952.



• Oct 06, 2010 link notes tagged: art  photograph  photographer  film  movie  cinema  3D  vintage  BW  crowd  audience  spectator  spectacle  Debord  entertainment  America  50s  technology  vision  Debord  society 
art painting painter america still_life life death representation fruit bone object light anatomy apple bruce_kurland
✖ Via Smithsonian American Art Museum: “Bone, Cup and Crab Apple” by Bruce Kurland, oil on fiberboard, 8 1/8 x 10 in 1972.
Bruce Kurland painted this still life while he was living in the town of Curriers in Wyoming County, New York. He felt that the city offered dismal prospects for a representational painter and moved to the countryside, where he painted images that focused on simple objects “being revealed by light.” Here, the dried bone, shriveled crab apple, and rusty cup emphasize the transformation of both natural and manmade materials over time. The dark, empty background highlights the delicacy and transitory nature of these strange objects. (more over at the Lucie Foundation Center for American Art)

About Bruce Kurland:

Bruce Kurland began painting in the late 1950s and studied at the Art Students League and the National Academy School of Fine Arts in New York. He spent almost twenty years living a “nineteenth-century life” in Wyoming County, New York, where he was inspired by the dramatic open vistas of the countryside. His small paintings show still lifes in miniature and often include unconventional items, from wilting flowers to old bones and dead mice. (more)

First spotted via On the Sunny Side of the Sunny Side up



• Sep 26, 2010 link notes  [via] tagged: art  painting  painter  America  still life  life  death  representation  fruit  bone  object  light  anatomy  apple  Bruce Kurland 
art film movie cinema critic history america united_states television show roger_ebert
✖ Via

Roger Ebert’s Journal: “Roger Ebert presents At the Movies” September 10th, 2010

“Roger Ebert Presents At the Movies,” a weekly half-hour film review program, was announced today by its producers, Chaz and Roger Ebert. The program continues the 35-year-old run of a reviewing format first introduced by Gene Siskel and Ebert and later by Ebert and Richard Roeper.

It will return to its birthplace, launching nationally on public television with presenting station WTTW Chicago, where it began in 1975 as “Opening Soon at a Theater Near You” and then in 1976 as “Sneak Previews,” became the highest rated entertainment show in PBS history. The original format moved into syndication as “At the Movies” in 1982 with Tribune Entertainment and a quarter-century with Buena Vista Television.

The Eberts said the new program will air in January 2011, and in addition to reviewing new movies will expand into coverage of New Media, special segments on classics, on-demand viewing and genres, and an extended website. It will use the copyrighted “Thumbs Up/Thumbs Down”® format made famous by Siskel & Ebert. (read on)



• Sep 17, 2010 link notes tagged: art  film  movie  cinema  critic  history  America  United-States  television  show  Roger Ebert 
art photography photographer teenager america vintage 40s bw theater love movie film cinema romance united_states
✖ Via Life ― Hosted by Google: “Teenagers “necking” in a movie theater” photographed by Nina Leen, Webster Groves, MO, US, December 11, 1944 [click for hi-res]
Nina Leen fascination with the world veiwed through a camera lens extends to both the human and animal kingdom. Born in Russia, Leen grew up in Germany, Italy, and Switzerland, where she achieved acclaim as an animal photographer. Upon first arriving in the United States in 1939, her reporter’s eye led to a series of wryly amusing works on the habits and rituals of her newly adopted homeland. Her series on, “A Teenager Monopolizes the Telephone,” or her descriptions and images of “The American Male,” are timeless evocations of symbols of modern American society. (read on)

Read The New York Times obituary for Nina Leen. Browse her “teenagers” series for Life Magazine.



• Sep 14, 2010 link notes tagged: art  photography  photographer  teenager  America  vintage  40s  BW  theater  love  movie  film  cinema  romance  United-States 

Fiction’s about what it is to be a fucking human being. If you operate, which most of us do, from the premise that there are things about the contemporary U.S. that make it distinctively hard to be a real human being, then maybe half of fiction’s job is to dramatize what it is that makes it tough. The other half is to dramatize the fact that we still “are” human beings, now. Or can be. This isn’t that it’s fiction’s duty to edify or teach, or to make us good little Christians or Republicans; I’m not trying to line up behind Tolstoy or Gardner. I just think that fiction that isn’t exploring what it means to be human today isn’t art.
✖ Via “An Interview With David Foster Wallace” by Larry McCaffery, Review of Contemporary Fiction, 13.2, Summer 1993, 127–150. [PDF]

• Sep 13, 2010 link notes tagged: art  novel  book  author  Foster Wallace  contemporary  modernity  United-States  America  human  becoming  interview  suicide 

Maybe dullness is associated with psychic pain, because something that’s dull or opaque fails to provide enough stimulation to distract people from some other, deeper type of pain that is always there, if only in an ambient low-level way, and which most of us spend nearly all our time and energy trying to distract ourselves from.
✖ Via The Pale King by David Foster Wallace, Little Brown [to be published]

The above quote can be find D.T. Max short essay “The Unfinished. David Foster Wallace’s struggle to surpass “Infinite Jest.”” which was published in The New Yorker, March 9, 2009.

David Foster Wallace committed suicide on September 12, 2008.



• Sep 12, 2010 link notes tagged: art  author  novel  book  posthumous  dullness  pain  dull  stimulation  shock  distraction  lost  entertainment  modernity  21st century  America  Foster Wallace  creation  depression  drug  suicide  death 
art photographer photograph bw vintage history bw mythology representation icon politic america united_states kennedy president loneliness
✖ Via Iconic Photos: “The Loneliest Job” July 18th, 2010

About the photo:

George Tames covered Washington D.C for four decades (1945-1985) and is best remembered for one, “The Loneliest Job,” a photograph of President John F. Kennedy looking out of the south window of the oval office. Tames took the photograph through the door of the Oval Office, after Kennedy thought he had left. From behind, it looks as if he is carrying the weight of the world. Kennedy – who had a bad back – simply was reading the newspapers standing up, as he often preferred to do.[…]

Although the photo was taken on Feb. 10, 1961 — just a few months into Kennedy administration — the image would later take on a more symbolic meaning as the Kennedy presidency waded into difficult waters. During the Cuban Missile Crisis, the New York Times christened the photo, “The loneliest job in the world.” The photo was a favourite of President Clinton, who hang it in the Treaty Room, the presidential private office on the second floor of the White House. The West Wing recreated it for its opening segment (below). (more)

This photo is part of the George Tames Collection hosted by The New York Times Agency. George Tames was a photographer for The New York Times from 1945 to 1985.



• Sep 10, 2010 link notes tagged: art  photographer  photograph  BW  vintage  history  BW  mythology  representation  icon  politic  America  United-States  Kennedy  president  loneliness 

Beverly Hills, CA (August 25, 2010) — The Board of Governors of the Academy of Motion Picture Arts and Sciences voted last night to present the Irving G. Thalberg Memorial Award to producer-director Francis Ford Coppola and Honorary Awards to historian and preservationist Kevin Brownlow, director Jean-Luc Godard and actor Eli Wallach. All four awards will be presented at the Academy’s 2nd Annual Governors Awards dinner on Saturday, November 13, at the Grand Ballroom at Hollywood & Highland Center®.
✖ Via The Academy of Motion Picture Arts and Sciences: “Brownlow, Coppola, Godard and Wallach to Receive Academy’s Governors Awards”, press release, August 25, 2010

Will Godard travel all the way there to get his award ? This kind of award? That will be interesting to see.



• Sep 06, 2010 link notes tagged: art  movie  cinema  film  filmmaker  Godard  award  Oscars  irony  French  United-States  America  history 
art serigraphy propaganda tourism america vintage artist illustration landscape wpa
✖ Via Prints & Photographs Division, Library of Congress By The People For The People. Posters From The WPA : “See America” by Frank S. Nicholson (artist), [between 1936 and 1939]. Library of Congress Prints and Photographs Division. Reproduction Number: LC-USZC2-831 DLC. Digital ID.

Previously on Skandalon



• Aug 15, 2010 link notes tagged: art  serigraphy  propaganda  tourism  America  vintage  artist  illustration  landscape  WPA 
art photograph magazine celebrity star famous america counter_culture critic revolution politic representation capitalism irony simulacrum product consumption girl woman pin_up
✖ Via The Thought Experiment: Sharon Tate in Esquire, December 1967. Photo by William Helburn

Excerpt from the magazine:

The little red book which contains hightlights from The thought of Mao Tse-tung is the most influential volume in the world today. It is also extremely dull and entirely unmemorable. To resolve this paradox, we, a handful of editors in authority who follow the capitalist road, thought useful to illustrate certain key passages in such a way that they are more likely to stick in the mind. The visual aid is Sharon Tate and, to give credit where credit, God knows, is due, she will soon be seen in the Twentieth Century-Fox motion picture, Valley of the Dolls.

The Thought Experiment is a blog run by Elizabeth Lamanna:

This animal is a thought experiment. I will try to keep it upbeat and interesting, but it may occasionally swing through bat country, go off broadway, or veer into vapidity as I attempt to disentangle what feels like the crushing simultaneity of where my choices have lead my life.

I realized about a month from turning thirty that I had spent the past year acting like I was going to be audited, as if, casting my memory back through the past ten years, I panicked. Maybe not without reason. Throughout this last decade, I’ve jumped a few ships, burned a few bridges, worded up, partied down, hung loose, and obeyed my thirst, and been just about rolled under by the waves almost as many times as I deserved. The final countdown of my twenties suddenly woke me up to the fact that somewhere along the way, I’d lost track of myself. (more)


• Aug 14, 2010 link notes tagged: art  photograph  magazine  celebrity  star  famous  America  counter-culture  critic  revolution  politic  representation  capitalism  irony  simulacrum  product  consumption  girl  woman  pin-up 

America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can’t ascribe our fall from grace to any single event or set of circumstances. You can’t lose what you lacked at conception.
✖ Via American Tabloid by James Ellroy, New York: Ivy Books, 1995, p. 1

• Aug 05, 2010 link notes tagged: communication  art  novel  author  America  history  community  lost  lack  missing  origin  Eden  innocence  fall  grace  Bible  mythology  foundation  nation  politic  Leviathan  Ellroy  representation 

In March 2003, Rumsfeld engaged in a little bit of amateur philosophizing about the relationship between the known and the unknown: “There are known knowns. These are things we know that we know. There are known unknowns. That is to say, there are things that we know we don’t know. But there are also unknown unknowns. There are things we don’t know we don’t know.” What he forgot to add was the crucial fourth term: the “unknown knowns,” the things we don’t know that we know-which is precisely, the Freudian unconscious, the “knowledge which doesn’t know itself,” as Lacan used to say. If Rumsfeld thinks that the main dangers in the confrontation with Iraq were the “unknown unknowns,” that is, the threats from Saddam whose nature we cannot even suspect, then the Abu Ghraib scandal shows that the main dangers lie in the “unknown knowns” - the disavowed beliefs, suppositions and obscene practices we pretend not to know about, even though they form the background of our public values. Thus, Bush was wrong. What we get when we see the photos of humiliated Iraqi prisoners is precisely a direct insight into “American values,” into the core of an obscene enjoyment that sustains the American way of life.
✖ Via “What Rumsfeld Doesn’t Know That He Knows About Abu Ghraib” by Slavoj Zizek, May 21st, 2004

First heard of this text via Errol Morris Twitter account. Errol Morris is still thinking about the Dunning-Kruger effect.



• May 08, 2010 link notes tagged: Agamben  America  Freud  Iraq  United-States  communication  homo sacer  ignorance  knowledge  life  philosophy  science  self  torture  unconscious  value  zombie  cognitive bias  Dunning-Kruger 
✖ Via LIFE - Hosted by Google: Vol. 68, no 18, May 15, 1970

It happened 40 years ago: the Kent State shooting. Four unarmed college students were shot dead by the National Guard. Learn more about it on Wikipedia.



• May 04, 2010 link notes tagged: history  protest  America  United-States  students  killing  politic  revolution  war  University  news  army  government 

Anyway, not feeling too guilty about this, the real purpose of my job is to make capital markets more efficient and ultimately provide the U.S. consumer with more efficient ways to leverage and finance himself, so there is a humble, noble and ethical reason for my job ;) amazing how good I am in convincing myself !!!
✖ Via Reuters: “Goldman’s “Fabulous” Fab’s conflicted love letters” by Steve Eder and Karey Wutkowski, Apr 25, 2010

Here are some more excerpts from Fabrice Tourre’s email:

“The SEC’s complaint only included Tourre referring to himself as “fabulous Fab” and talking about “standing in the middle of all these complex, highly leveraged, exotic trades he created without necessarily understanding all of the implications of those monstrosities!!!”

“When I think that I had some input into the creation of this product (which by the way is a product of pure intellectual masturbation, the type of thing which you invent telling yourself: “Well, what if we created a “thing”, which has no purpose, which is absolutely conceptual and highly theoretical and which nobody knows how to price?”) it sickens the heart to see it shot down in mid-flight… It’s a little like Frankenstein turning against his own investor ;)”

Fabrice Tourre

” is a London-based Executive Director at Goldman Sachs who was charged by the SEC on 16 April 2010 in a $1 billion landmark fraud case.” (wikipedia)

You may remember Jerome Kerviel’s case.



• Apr 27, 2010 link notes tagged: technology  economy  capital  capitalism  bank  money  news  America  fraud  destruction  lost  loser 
[Flash 9 is required to listen to audio.]
✖ Via NPR’s “Fresh Air” radio program : Interview with Don DeLillo by Terry Gross, October 2sd, 1997. Part 01 of 02.

Listen to it in RealPlayer streaming here or on YouTube (thanks to the great Donologist channel). Learn more about Terry Gross. Part 02 coming tomorrow.



• Apr 15, 2010 link notes tagged: America  United-States  art  author  bomb  community  fiction  history  interview  novel  reality  technology  terrorism  DeLillo 

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