art communcation vintage engraving illustration ancient leviathan god jesus religion monster mythology satan evil hobbes symbol
✖ Via

RedReplicant photostream on Flickr: “God the Father fishing for Leviathan”, 12th Century: Herrad of Landsberg’s Hortus deliciarum: 19th C reproduction drawings. In the Public Domain.

This is a very unusual depiction of God the Father using Christ, who is strung on a line of Old Testament prophets who predicted the messiah, as the hook to ensnare Satan or “Leviathan.” Herrad was a nun and scholar whose book interpreted the history of the world. It is more than likely that she illustrated the book in addition to authoring it.



• Jul 27, 2010 link notes tagged: art  communcation  vintage  engraving  illustration  ancient  Leviathan  God  Jesus  religion  monster  mythology  Satan  Evil  Hobbes  symbol 
art engraving classic gustave_dor monster sea god evil satan destruction hobbes leviathan representation
✖ Via

Wikimedia Commons: “Destruction of Leviathan”, 1865 engraving by Gustave Doré.



• Jul 20, 2010 link notes tagged: art  engraving  classic  Gustave Doré  monster  sea  god  evil  satan  destruction  Hobbes  Leviathan  representation 
art poem poet history united_states statue_of_liberty liberty representation immigration lost loser land hope community hobbes leviathan monster politic novel author communication
✖ Via Library of Congress ― From Haven to Home: “The New Colossus” [titled “Sonnet” in notebook] by Emma Lazarus, 1883, manuscript poem, bound in journal.
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tossed to me,
I lift my lamp beside the golden door!”

The Statue of Liberty as a female counterpart of Hobbes’ Leviathan (Lazarus’ poem is mentioned in Auster’s novel Leviathan); the United-States as the land of the “wretched refuse”. Is this the “community of those who are without community” (“all of us, from now on” writes Jean-Luc Nancy) ? Read more about Lazarus’ poem on wikipedia.

About the exhibition From Haven to Home:

From Haven to Home is a Library of Congress exhibition marking 350 years of Jewish life in America. The exhibition features more than two hundred treasures of American Judaica from the collections of the Library of Congress, augmented by a selection of important loans from other cooperating cultural institutions. (more)


• Jul 12, 2010 link notes tagged: art  poem  poet  history  United-States  Statue of Liberty  liberty  representation  immigration  lost  loser  land  hope  community  Hobbes  Leviathan  monster  politic  novel  author  communication 
art communication illustration illustrator design poster cover book author novel state power politic community hobbes violence auster freedom terror terrorism loser united_states
✖ Via

David Vivó photostream on Flickr: personal project, Paul Auster’s “Leviathan” book cover / 120x185 mm



• Jul 11, 2010 link notes tagged: art  communication  illustration  illustrator  design  poster  cover  book  author  novel  state  power  politic  community  Hobbes  violence  Auster  freedom  terror  terrorism  loser  United-States 

The ‘dark’ writer of the bourgeoisie, such as Machiavelli, Hobbes, and Mandeville, always had an appeal for Max Horkheimer, who was influenced by Schopenhauer early in his career. These writers still thought in a constructive way; and there were lines leading from their disharmonies to Marx’s social theory. The ‘black’ writer of the bourgeoisie, foremost among them the Marquis de Sade and Nietzsche, broke these ties. In their blackest book, Dialectic of Enlightenment, Horkheimer and Theodor Adorno joined with these writers to conceptualize the Enlightenment’s process of self-destruction. On their analysis, it is no longer possible to place hope in the liberating force of enlightenment. Inspired by Benjamin’s now ironic hope of the hopeless, they still did not want to relinquish the now paradoxical labor of conceptualization. We no longer share this mood, this attitude. And yet under the sign of a Nietzsche revitalized by poststructuralism, moods and attitudes are spreading that are confusingly like those of Horkheimer and Adorno. I would like to forestall this confusion.
✖ Via The Philosophical Discourse of Modernity by Jürgen Habermas, MIT Press, 1996, p. 106

Machiavelli, Hobbes, and Mandeville are “dark” writers (why?). Marquis de Sade and Nietzsche? Even darker : they are the “black” writers of the bourgeoisie. And Habermas? Habermas must be white.



• Jul 07, 2010 link notes tagged: communication  modernity  philosophy  Habermas  Hobbes  critic  critical theory  poststructuralism  Nietzsche  Sade  Machiavelli  Mandeville  Adorno  Horkheimer  hope  confusion  Enlightenment 

He would rage and he would cry, my lost soldier. And I said to him, “There are two of you, don’t you see? One that kills and one that loves.” And he said to me, “I don’t know whether I am animal or a god.” But you are both.
✖ Via Apocalypse Now Redux, Francis Ford Coppola, [1979]2001

The entire script of the Redux version is available here.



• Jul 03, 2010 link notes tagged: art  communication  film  movie  filmmaker  war  soldier  lost  kill  death  love  relation  relationship  violence  horror  Hobbes  communitas  Esposito 

So the community does you no damn good!
✖ Via The New York Times: “The Anosognosic’s Dilemma: Something’s Wrong but You’ll Never Know What It Is (Part 5)” by Errol Morris, June 24th, 2010

Who ever said that community was supposed to do good things for you? Really? I’m aware that most of us think that way, but where is this idea coming from? And what about another idea : community is a problem, not a solution. Consider this:

(…) what is meant by this word body politic, and how it signifieth not the concord, but the union of many men.

We are together, yes, but not necessarily because we love or agree with each other. This quote is taken from the book Elements of Law by Thomas Hobbes, chap. 8, §7, 1650.



• Jun 29, 2010 link notes tagged: Esposito  beliefs  communication  communitas  community  humanism  unity  body  politic  concord  love  together  Hobbes  Leviathan 

skandalon


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