art illustration illustrator critic evolution technology apparatus human time perspective universe
✖ Via Techno Tuesday: “How Far We’ve Come”

Previously on Skandalon: Andy Rementer



• Sep 24, 2010 link notes tagged: art  illustration  illustrator  critic  evolution  technology  apparatus  human  time  perspective  universe 
art photography photographer photograph object technology apparatus camera anatomy piece fragment decomposition separation part whole system element
✖ Via Benn Innes: “Polaroid SX-70” from the Separations series, c-print, 30”x40”, 2008
Studio series focusing on disused electronics, as well as flora and fauna.

About Benn Innes:

Born in Knoxville, TN, Ben Innes now works, eats and sleeps in Minneapolis, MN. He gained his BFA in photography from the Minneapolis College Of Art and Design in the spring of 2009. (About)

First spotted via Coudal Partners.



• Aug 27, 2010 link notes tagged: art  photography  photographer  photograph  object  technology  apparatus  camera  anatomy  piece  fragment  decomposition  separation  part  whole  system  element 

Humans like to believe they control the tools they use, even if Socrates, Marshall McLuhan and Ivan Illich are among those who have argued that often they do not. From the alphabet to clocks and printing, every major new technology has profoundly altered the way in which humans think. The digital gadgets on which we now depend, Mr Carr explains, have already begun rewiring our brains.
✖ Via The Economist: “Fast forward. Fear of a fried future” book review for Nicholas Carr’s essay The Shallows: How the Internet is Changing the Way We Think, Read and Remember, Norton, 2010, 276 pages

An excerpt from this book was published in Wired magazine back in May:

There’s nothing wrong with absorbing information quickly and in bits and pieces. We’ve always skimmed newspapers more than we’ve read them, and we routinely run our eyes over books and magazines to get the gist of a piece of writing and decide whether it warrants more thorough reading. The ability to scan and browse is as important as the ability to read deeply and think attentively. The problem is that skimming is becoming our dominant mode of thought. Once a means to an end, a way to identify information for further study, it’s becoming an end in itself—our preferred method of both learning and analysis. (Wired: “The Web Shatters Focus, Rewires Brains” by Nicholas Carr, May 24th, 2010)

About Nicholas Carr:

Nicholas Carr writes on the social, economic, and business implications of technology. He is the author of the 2008 Wall Street Journal bestseller The Big Switch: Rewiring the World, from Edison to Google, which is “widely considered to be the most influential book so far on the cloud computing movement,” according the Christian Science Monitor. His earlier book, Does IT Matter?, published in 2004, “lays out the simple truths of the economics of information technology in a lucid way, with cogent examples and clear analysis,” said the New York Times. He is working on a new book, The Shallows: What the Internet Is Doing to Our Brains, which will be published in 2010. Carr’s books have been translated into more than a dozen languages. (Bio)

Three things: 1) It’s yet another good reason to try and differentiate between information and knowledge (one could say that information is to knowledge what grapes are to wine : its raw material); 2) It would be a mistake to think that gadgets or the Internet are changing our brain configuration. Not because it’s wrong, but because it’s an incomplete statement. What then, should one ask, caused the gadgets to change? What caused the Internet? 3) The form of this post can be understand as an illustration of what the content of the post is about.



• Aug 25, 2010 link notes tagged: technology  communication  gadget  Internet  epistemology  order  medium  media  tool  McLuhan  apparatus  brain  knowledge  information  determinism  cause  effect  book  author 
technology phone iphone loneliness alone comic cartoon humor critic solitude network social media community society apparatus illustrator artist
✖ Via Techno Tuesday: “All Alone With A Camera Phone”

Previously on Skandalon



• Aug 24, 2010 link notes tagged: technology  phone  iPhone  loneliness  alone  comic  cartoon  humor  critic  solitude  network  social  media  community  society  apparatus  illustrator  artist 
✖ Via California is a place: Honey Pie still photography by Zackary Canepari

About the Honey Pie project:

Her lips are full pink. Her teal green eyes are intense and inviting. Her black eyeliner accentuates her high cheekbones and her strawberry hair complements her light African skin. Her metallic halter dress holds her supple thighs and pushes on her round breast. She is the result of careful attention and workmanship. When you see her up close, you can’t help but stare. At $6000, she’s certainly not a cheap date. For creator Matt McMullen, she’s a work of art. For everyone else, she’s a Real Doll.

California is a place also produced a video of their visit to the Real Doll factory. Read an interview with Matt McMullen over at the MONK Magazine. Visit the official website of Real Doll and learn more about those on wikipedia.

California is a place is produced, directed, and shot by Drea Cooper & Zackary Canepari. Full credit for the Honey Pie project :

On Camera: Matt McMullen
Produced by: Zackary Canepari & Drea Cooper
Directed by: Drea Cooper & Zackary Canepari
Cinematography by: Drea Cooper & Zackary Canepari
Edited by: Drea Cooper
Still Photographer: Zackary Canepari
Music Composed & Produced by: Dave Janusko and Skyrider

The photos above were taken by Zackary Canepari : visit his blog and official website for more of his work.



• Jul 19, 2010 link notes tagged: art  technology  communication  doll  Real Doll  body  anatomy  object  consumption  female  woman  girl  together  sex  apparatus  loneliness  love  relation  relationship  simulacrum  representation  photograph  photographer  fragment  creature  monster  creation  surrogate 
technology communication iphone object node network ecosystem ecology industry apparatus data vizualisation diagram representation
✖ Via Ben Millen: iPhone Taxonomy
“These are not maps in any conventional sense, but rather diagramatic representations of the interconnected space of technology, capital, instrumental value, exchange value, social and environmental impact that surround the device. The first diagram focuses primarily on the physical device, and the existence of the device as an object in our world. The second examines the placement of the device with respect to the individual and society.” (more)

About Ben Millen:

“Ben Millen is a Canadian industrial designer and engineer. He is a graduate of the Environmental Design/ Industrial Design master’s program at the University of Calgary and holds a degree in Systems Engineering from the University of Guelph.” (more)

First spotted via Kottke



• Jun 07, 2010 link notes tagged: technology  communication  iPhone  object  node  network  ecosystem  ecology  industry  apparatus  data  vizualisation  diagram  representation 

The term ‘MacGuffin’ was coined by Hitchcock’s Scottish friend, screenwriter Angus MacPhail, for something that sets the film’s plot revolving around it. It’s really just an excuse and a diversion. In a whimsical anecdote told by Hitchcock, he compared the MacGuffin to a mythical ‘apparatus for trapping lions in the Scottish Highlands’. In other words, it could be anything - or nothing - at all. In Notorious, it’s just a lot of fizz: uranium-ore hidden in [wine] bottles. In North by Northwest, it’s ‘government secrets’, whatever they may be. (Hitchcock considered that this was his ‘best’ MacGuffin, because virtually non-existent.) Actually North by Northwest turns out to be one vast MacGuffin, being full of ‘nothings’ like the ‘O’ in Roger O. Thornhill’s name, or the empty prairie, or the non-existent agent named Kaplan. In effect, the function of a MacGuffin is like the ‘meaning’ of a poem - which T.S. Eliot compared to the bone
thrown by a burglar to distract the watchdog of the mind while the poem goes about its own, deeper business. Hitchcock’s most prescient MacGuffin is in Torn Curtain, whose ‘Gamma Five’ project, concerning an anti-missile missile, anticipated by more than a decade President Reagan’s ‘Star Wars’ project.
✖ Via The Alfred Hitchcock Story by Ken Mogg, UK edition, 1999, p. 101 [Amazon]

More over at Ken Mogg site. Wikipedia entry for the MacGuffin.

In a sense, a MacGuffin is a mean (an apparatus) as well as an end. Or at least it pretends to be the goal, or the aim of a narrative, it’s conclusion whereas it’s never shown. It’s representing something that is never represented. Maybe it could be understand as the simulacrum capable of sustaining a journey with no end.



• May 15, 2010 link notes tagged: art  technology  apparatus  sense  representation  mean  end  movie  cinema  film  auhtor  book  plot  teleology  Agamben  MacGuffin 

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