Alfred Gescheidt is a professional photographer born in Queens, New York on December 19, 1926. He won a scholarship to the Art Students’ League and studied with Will Barnet and Harry Sternberg. He served briefly in the Navy during World War II, then went to the University of New Mexico and studied with Raymond Johnson. He decided to become a photographer and transferred to the Los Angeles Art Center School and here studied with George Hoyningen-Huene. In the 1950s he documented life on city streets and beaches of America. (Escape Into Life: Alfred Geischeidt)
• Oct 21, 2010 link notes tagged: art photograph photographer photomontage hack manipulation image simulacrum meat woman girl face anatomy BW vintage
• Oct 19, 2010 link notes tagged: art photograph photographer fall falling lost young youth body sky sunset space
x-ray delta one photostream on FLickr: “Shopping by TV” from the Populuxe album.
• Oct 19, 2010 link notes tagged: art vintage ad technology communication television future past evolution consumption shopping girls woman
Born in Tokyo in 1931. After graduation from Tokyo University of Education, joined Ajinomoto in 1956. Went freelance in 1961. In addition to engaging in the full spectrum of graphic design, served as art director of the Japan World Exposition in Osaka (1970), International Ocean Exposition in Okinawa (1975), and International Exposition of Science and Technology in Tsukuba (1985). Also created the symbol for the International Garden and Greenery Exposition in Osaka (1990). Pioneered new forms of communicative expression enabled by new technologies. (more over at Change Thought)
• Oct 18, 2010 link notes tagged: art design designer poster color
This is the first year of Colton’s map publishing business. Ristow says that Colton published his first map in 1833, Burr’s map of New York State; this U.S. map must be as early. The graphic style is similar to Burr’s Universal Atlas maps, engraved the following year. With six detailed and elegant inset maps showing the environs of Albany, Boston, New York, Cincinnati, Philadelphia, and Baltimore & Washington; plus a small inset map of South Part of Florida. Outline color, folded into dark teal leather covers 13.5x8 with “Burr’s Map of the United States Published By J.H. Colton & Co. New York” and a decorative border stamped in gilt. Prime meridians: Greenwich and Washington.
About this collection:
The David Rumsey Map Collection was started over 25 years ago and contains more than 150,000 maps. The collection focuses on rare 18th and 19th century maps of North and South America, although it also has maps of the World, Asia, Africa, Europe, and Oceania. The collection includes atlases, wall maps, globes, school geographies, pocket maps, books of exploration, maritime charts, and a variety of cartographic materials including pocket, wall, children’s, and manuscript maps. Items range in date from about 1700 to 1950s.
Digitization of the collection began in 1996 and there are now over 21,000 items online, with new additions added regularly. The site is free and open to the public. Here viewers have access not only to high resolution images of maps that are extensively cataloged, but also to a variety of tools that allow to users to compare, analyze, and view items in new and experimental ways. (About)
• Oct 07, 2010 link notes tagged: art communication history technology geography space United-States history vintage representation collection ressource map territory frontier Rumsey Map Collection
XKCD updated his famous Online Communities map (the first one was released in 2007). Tumblr appears North of the Photoblogs island, in the Sea of Opinions. About this map:
Communities rise and fall, and total membership numbers are no longer a good measure of a community’s current size and health. This updated map uses size to represent total social activity in a community ― that is, how much talking, playing, sharing, or other socializing happens there. This meant some comparing of apples and oranges, but I did my best and tried to be consistent.
Estimates are based on the best numbers I could find, but involved a great deal of guesswork, statistical inference, random sampling, nonrandom sampling, a 20,000-cell spreadsheet, emailing, cajoling, tea-leaf reading, goat sacrifices, and gut instinct (i.e. making things up).
Sources of data include Google and Bing, Wikipedia, Alexa, Big-Boards.com, StumbleUpon, Wordpress, Askimet, every website statistics page I could find, press releases, news articles, and individual site employees. Tanks in particular to folks at Last.fm, LiveJournal, Reddit, and The New York Times, as well as sysadmins at a number of sites who shared statistics on condition of anonymity.
• Oct 06, 2010 link notes [via] tagged: art technology design poster data visualization map representation social community Internet statistics illustrator XKCD humor Tumblr census
This photo is well known, though it’s origin is not. It appears on the cover of the English translation of Guy Debord La Société du Spectacle (The Society of the Spectacle, tr. by Fredy Perlman and Jon Supak, Black & Red, 1970; available online). It was originally taken by Life photographer J.R. Eyerman (1906-1985) at “the premiere screening of film ‘Bwana Devil,’ directed by Arch Oboler, the 1st full-length, color 3D (aka ‘Natural Vision’) motion picture” (Life.com). I don’t know for sure if it ever appeared in Life Magazine itself, though it was later used in 1984 on the cover of the brochure that accompanied an exhibition of photographs from Life Magazine held at the International Center of Photography (New York) and entitled: The Second Decade, 1946-1955 (Boston: Little, Brown, 1984; used copies still available online).
Here’s what Thomas Y. Levin has to say about this photo in his essay “Dismantling the Spectacle: The cinema of Guy Debord”
This picture, taken by J.R. Eyerman, has since become a veritable cliché not only for the alienation of late consumer culture but also for the ten years following World War II: it appears, for example, on T-Shirts, bags, and buttons as well as on the cover of the brochure that accompanied an exhibition of photographs from Life magazine held at the International Center of Photography (New York) and entitled: The Second Decade, 1946-1955. Few realize, however, that this depiction of the latest stage in the drive towards cinematic verisimilitude exists in at least two versions: the one, employed for the cover of the Society of the Spectacle (Detroit, Black & Red, 1970, repr. 1977 and 1983), depicts its elegantly attired audience in a virtually trance-like state of absorption, their faces grim, their lips pursed, in the other shot of the same audience, however, the 3-D spectators are laughing, their expressions of hilarity conveying the pleasure of an uproarious, active spectatorship.
(‘Dismantling the spectacle. The Cinema of Guy Debord’, in On the passage of a few people through a rather brief moment in time. The Situationist International 1957-1972, MIT Press : Cambridge 1989, pp. 72-123; available online at the Media Art Net website.
I first found the reference to this photo via Beetle In A Box Tumblr blog, though it needs some correction : the photo did not appeared in any of Life Magazine November issues of 1952.
• Oct 06, 2010 link notes tagged: art photograph photographer film movie cinema 3D vintage BW crowd audience spectator spectacle Debord entertainment America 50s technology vision Debord society
About Nathan Durfee:
Nathan Durfee was born in the small town of Bethel, Vermont on June 26, 1983. Nathan’s artistic aspirations first showed themselves in the classroom: a self-described “doodler,” moments of boredom became sketches and designs in notebook margins. After spending his high school years in Nevada, he migrated South to attend the Savannah College of Art and Design to become a traditional portrait artist. As his current work boldly exhibits, Nathan instead decided to take his art in a unique, wholly personalized, direction. […]
His fanciful, often abstract, subjects share an organic connection with his informal school-day sketching. While working, he says, “I try to keep that wandering state of mind—as I start laying down brush strokes, a narrative begins to develop. I keep molding and polishing the story until I’m happy with it, and in most cases it’s something completely different than what I started out with.” (read more)
Visit Nathan Durfee official website.
• Oct 05, 2010 link notes tagged: art illustration painting painter animal dream wandering fish landscape flying creation boredom
Generator of color schemes and palettes to create good-looking and well balanced and harmonic web pages and any other color design. This is the brand new, rewritten version of the previous color generator. The application is moved to its own domain since this version. (Webdesigners)
Color Scheme Designer 3 is part of the Webdesigners tools series.
See also Adobe’s Küler and the Multicolor Search Lab
• Oct 04, 2010 link notes tagged: art technology color web application design generator palette
Lee Price graduated from the Moore College of Art in 1990 with a Bachelor of Fine Arts, Painting. It’s interesting to note that he (she?) took private studies with Alyssa Monk.
• Oct 04, 2010 link notes reblogged from buddybradleyblog [via] tagged: art painting photorealism hyperrealism realism painter woman water bath food body nude bodies and water
…meanwhile, my work will continue to appear weekly in the observer for david mitchell’s column - here is this week’s illustration, out on sunday.
Here’s the related Observer’s article.
• Oct 03, 2010 link notes [via] tagged: art illustration illustrator student education grades university customer product humor critic decadence
This is Frank Grießhammer’s personal collection of adapters. See more at his Adapter Museum online.
Frank Grießhammer was born in 1983, and has studied in Saarbrücken, Florence and The Hague. He graduated in 2008 in communications design from HBKsaar, with the thesis project Kiosk Fonts, a platform for student writing projects. (Linotype.com)
First spotted via Stüff Stuff.
• Oct 03, 2010 link notes [via] tagged: art design poster museum collection epistemology order typology class classification artefact technology adapter interface translation

