art philosophy illustration illustrator simpsons book kant socrates wittgenstein marx barthes sartre nietzsche foucault
✖ Via Felix Petruska photostream on Flickr: “Philosophes”, uploaded on July 9th, 2009

This illustration was created by Felix Petruska for the cover of the Spanish translation (Blackie Books, 2009) of The Simpsons and Philosophy (Open Court Publishers, 2001).

Felix Petruska is a Barcelona based illustrator and designer. Check his blog and browse his Flickr’s albums.



• Sep 19, 2010 link notes tagged: art  philosophy  illustration  illustrator  Simpsons  book  Kant  Socrates  Wittgenstein  Marx  Barthes  Sartre  Nietzsche  Foucault 
art illustration self_portrait collection delillo author book artist ressource humor critic punk  reblog
✖ Via Bloomsbury Auction: Portrait of the Artist ― The Burt Britton Collection, no. 82. Don DeLILLO (American, b. 1936 Self-portrait titled “Perennial street punk”. pen and pencil on paper, 8 1/4 x 8 1/2 inches (210 x 215 mm), signed, Britton, p. 33

About The Burt Britton Collection of artists’ self-portraits:

Picking up a bartending shift at the Village Vanguard, the famous New York jazz joint where he usually worked the door, Burt Britton found himself alone at last-call with just one final patron, Norman Mailer. After pouring the esteemed author a final drink, the question was put to Burt, “What do you want from me, Kid?” Exasperated at the end of the long shift, Burt inexplicably responded, “draw me your self-portrait,” handed him a piece of folded paper, and that, simply put, is how it all began.

That night in the mid-Sixties Mailer produced and gave to Britton an amazing object of self-expression, the first of hundreds to come, a self-portrait of the author more revealing than 1000 words. Inspired by Mailer’s product, Britton started to collect. Still at the Vanguard, he gathered self-portraits by Miles Davis and Herbie Hancock after landmark 1966 concerts, he even got a portrait from a New York high-school basketball phenomenon, Lew Alcindor, later the champion Kareem Abdul-Jabbar. Moving to the legendary Strand bookstore in about 1968, Britton encountered novelists, poets, journalists, and critics, both the highly regarded and those just starting out. He would respectfully ask local and visiting literary luminaries such as Truman Capote, Tennessee Williams and Jorge Luis Borges to add their self-portrait to his album with the same democratic spirit that he offered the young John Irving, just months away from the fame that came with The World According to Garp. (Bloomsbury’s auction catalogue : PDF)

Bloomsbury’s catalogue contains every items in the Burt Britton Collection along with details and explanations about the Collection in general and some specific explanations about each self-portrait as well. Alternatively, one can browse the collection over at the Bloomsbury Auctions official website. Back in 2009, there was a story about this collection in The New York Times: “Self-Portraits Speak More Than Words” by James Barron, September 23th, 2009.

Previously on Skandalon : Don DeLillo



• Sep 18, 2010 link notes reblogged from leugenio  [via] tagged: art  illustration  self-portrait  collection  DeLillo  author  book  artist  ressource  humor  critic  punk 

Fiction’s about what it is to be a fucking human being. If you operate, which most of us do, from the premise that there are things about the contemporary U.S. that make it distinctively hard to be a real human being, then maybe half of fiction’s job is to dramatize what it is that makes it tough. The other half is to dramatize the fact that we still “are” human beings, now. Or can be. This isn’t that it’s fiction’s duty to edify or teach, or to make us good little Christians or Republicans; I’m not trying to line up behind Tolstoy or Gardner. I just think that fiction that isn’t exploring what it means to be human today isn’t art.
✖ Via “An Interview With David Foster Wallace” by Larry McCaffery, Review of Contemporary Fiction, 13.2, Summer 1993, 127–150. [PDF]

• Sep 13, 2010 link notes tagged: art  novel  book  author  Foster Wallace  contemporary  modernity  United-States  America  human  becoming  interview  suicide 

Maybe dullness is associated with psychic pain, because something that’s dull or opaque fails to provide enough stimulation to distract people from some other, deeper type of pain that is always there, if only in an ambient low-level way, and which most of us spend nearly all our time and energy trying to distract ourselves from.
✖ Via The Pale King by David Foster Wallace, Little Brown [to be published]

The above quote can be find D.T. Max short essay “The Unfinished. David Foster Wallace’s struggle to surpass “Infinite Jest.”” which was published in The New Yorker, March 9, 2009.

David Foster Wallace committed suicide on September 12, 2008.



• Sep 12, 2010 link notes tagged: art  author  novel  book  posthumous  dullness  pain  dull  stimulation  shock  distraction  lost  entertainment  modernity  21st century  America  Foster Wallace  creation  depression  drug  suicide  death 

―What is a philosopher?
—That is perhaps an anachronistic question. But I will give a modern response. In the past one might have said it is a man who stands in wonder; today I would say, borrowing words from Georges Bataille, it is someone who is afraid.
✖ Via The Infinite Conversation by Maurice Blanchot, trans. Susan Hanson, Minneapolis: University of Minnesota Press, 1993, p. 49.

Here’s the original French version:

―Qu’est-ce qu’un philosophe?
―Voilà une question anachronique, peut-être. Mais j’y ferai une réponse moderne. Jadis l’on disait : c’est un homme qui s’étonne; aujourd’hui, je dirai, empruntant ce mot à Georges Bataille : c’est quelqu’un qui a peur. (L’entretien infini, éd. Gallimard, Paris, p. 70)


• Sep 05, 2010 link notes reblogged from georgesbataille  [via] tagged: art  book  author  Blanchot  Bataille  philosophy  wonder  fear  anguish  philosopher 
art comic illustration book woman women nude erotism cartoon dream fantasy girl
✖ Via Little Ego by Vittorio Giardino, Nantier Beall Minoustchine Publishing, 1989, 48 p.
Vittorio Giardino (born December 24, 1946), is an Italian comic artist. Giardino was born in Bologna, where he graduated in electrical engineering in 1969. At the age of 30, he decided to leave his job and devote himself to comics. Two years later his first short story Pax Romana was published in La Città Futura, a weekly magazine published by the Federazione Giovanile Comunista Italiana and edited by Luigi Bernardi. […] Starting in 1984, Giardino produced a number of short stories for the Italian magazine Comic Art, where he introduced Little Ego, a young and sexy girl inspired by Winsor McKay’s Little Nemo who stars in one-page dreamy erotic stories. (wikipedia)

Milo Manara meets Little Nemo



• Sep 04, 2010 link notes tagged: art  comic  illustration  book  woman  women  nude  erotism  cartoon  dream  fantasy  girl 
art science technology book photographer photography food meat recipes chef restaurant blumenthal
✖ Via Domic Davies: “Saddle of venison” from the Fat Duck Cookbook

Domic Davies is responsible for the photographies displayed in the famous Big Fat Cookbook:

In this enormous, beautiful book, we hear the full story of the meteoric rise of Heston Blumenthal and The Fat Duck, birthplace of snail porridge and bacon-and-egg ice cream, and encounter the passion, perfection and weird science behind the man and the restaurant.

Heston Blumenthal is widely acknowledged to be a genius, and The Fat Duck has twice been voted the Best Restaurant in the World by a peer group of top chefs. But he is entirely self-taught, and the story of his restaurant has broken every rule in the book. His success has been borne out of his pure obsession, endless invention and a childish curiosity into how things work – whether it’s how smell affects taste, what different flavours mean to us on a biological level, or how temperature is distributed in the centre of a soufflé. (from the editor’s website)

See more excerpt from the book over at Daily Icon. Visit The Fat Duck official website (before being a book, it’s a three-Michelin-starred restaurant in the UK). Learn more about chef Heston Blumenthal on Wikipedia. If you can’t afford the full version of this book (it sells at around 150$ dollars on Amazon) don’t worry : there’s a lowered-price edition of it, selling at around 30$:

The cookbook hailed by the Los Angeles Times as a “showstopper” and by Jeffrey Steingarten of Vogue as “the most glorious spectacle of the season…like no other book I have seen in the past twenty years” is now available in a reduced-price edition. With a reduced trim size but an identical interior, this lavishly illustrated, stunningly designed, and gorgeously photographed masterpiece takes you inside the head of maverick restaurateur Heston Blumenthal. Separated into three sections (History; Recipes; Science), the book chronicles Blumenthal’s improbable rise to fame and, for the first time, offers a mouth-watering and eye-popping selection of recipes from his award-winning restaurant. He also explains the science behind his culinary masterpieces, the technology and implements that make his alchemical dishes come to life. Designed by acclaimed artist Dave McKean—and filled with photographs by Dominic Davies—this artfully rendered celebration of one of the world’s most innovative and renowned chefs is a foodie’s dream. (Amazon)

In any case, be sure to take a look at the Big Fat Undertaking blog: someone actually attempting to do more with this book than looking at the picture.



• Sep 01, 2010 link notes tagged: art  science  technology  book  photographer  photography  food  meat  recipes  chef  restaurant  Blumenthal 

Our purpose is to find out whether innocence, the moment it becomes involved in action, can avoid committing murder.  We can only act in terms of our own time, among the people who surround us.  We shall know nothing until we know whether we have the right to kill our fellow men, or the right to let them be killed.  In that every action today leads to murder, direct or indirect, we cannot act until we know whether or why we have the right to kill.
✖ Via The Rebel. An Essay on Man in Revolt by Albert Camus, tr. by Anthony Bower, “Introduction” (L’Homme révolté, Gallimard, Paris, 1951, p. 14).

An electronic version of this English translation can be found over at Radical eBook Archive (along with many others).



• Aug 30, 2010 link notes tagged: art  book  essay  author  philosophy  modernity  revolution  murder  innocence  Camus 
✖ Via Curious George Takes A Job by Margaret & H. A. Rey, 1947, cover, p. 36 and p. 37
As George is recovering in the hospital, The Man with the Yellow Hat see a newspaper story on it, and alerts the hospital that he would come get him. As George is waiting to be discharged, he finds a bottle of ether, opens it, and the fumes make him high, then dizzy, then knocked him out cold. When The Man and the nurse find him, they had to throw him in the shower to wake him up. (wikipedia)

Scans of the book were found at thisMySpace page. I first became aware of this strip via Etherealisation.



• Aug 28, 2010 link notes tagged: art  comic  illustration  children  book  story  monkey  animal  classic  culture  popular  drug  ether  lost  sleep 
art cooking food book design technology flavor recipes meat bbq photography anatomy object science
✖ Via Modernist Cuisine. The Art And Science of Cooking by Dr. Nathan Myhrvold, Chris Young and Maxime Bilet, The Cooking Lab, 2010, 2400 pages (6 volumes) [click for hi-res]
In Modernist Cuisine: The Art and Science of Cooking, Nathan Myhrvold, Chris Young, and Maxime Bilet—scientists, inventors, and accomplished cooks in their own right—have created a six-volume 2,400-page set that reveals science-inspired techniques for preparing food that ranges from the otherworldly to the sublime. The authors—and their 20-person team at The Cooking Lab—have achieved astounding new flavors and textures by using tools such as water baths, homogenizers, centrifuges, and ingredients such as hydrocolloids, emulsifiers, and enzymes. It is a work destined to reinvent cooking. (About)

Download a 20 pages preview of the book (PDF). Learn more about the authors (Myhrvold was the first chief technology officer at Microsoft : check his wikipedia page). The 6 volumes are all sold together. They can be pre-ordered on Amazon for a meer 500$



• Aug 28, 2010 link notes tagged: art  cooking  food  book  design  technology  flavor  recipes  meat  BBQ  photography  anatomy  object  science 

Humans like to believe they control the tools they use, even if Socrates, Marshall McLuhan and Ivan Illich are among those who have argued that often they do not. From the alphabet to clocks and printing, every major new technology has profoundly altered the way in which humans think. The digital gadgets on which we now depend, Mr Carr explains, have already begun rewiring our brains.
✖ Via The Economist: “Fast forward. Fear of a fried future” book review for Nicholas Carr’s essay The Shallows: How the Internet is Changing the Way We Think, Read and Remember, Norton, 2010, 276 pages

An excerpt from this book was published in Wired magazine back in May:

There’s nothing wrong with absorbing information quickly and in bits and pieces. We’ve always skimmed newspapers more than we’ve read them, and we routinely run our eyes over books and magazines to get the gist of a piece of writing and decide whether it warrants more thorough reading. The ability to scan and browse is as important as the ability to read deeply and think attentively. The problem is that skimming is becoming our dominant mode of thought. Once a means to an end, a way to identify information for further study, it’s becoming an end in itself—our preferred method of both learning and analysis. (Wired: “The Web Shatters Focus, Rewires Brains” by Nicholas Carr, May 24th, 2010)

About Nicholas Carr:

Nicholas Carr writes on the social, economic, and business implications of technology. He is the author of the 2008 Wall Street Journal bestseller The Big Switch: Rewiring the World, from Edison to Google, which is “widely considered to be the most influential book so far on the cloud computing movement,” according the Christian Science Monitor. His earlier book, Does IT Matter?, published in 2004, “lays out the simple truths of the economics of information technology in a lucid way, with cogent examples and clear analysis,” said the New York Times. He is working on a new book, The Shallows: What the Internet Is Doing to Our Brains, which will be published in 2010. Carr’s books have been translated into more than a dozen languages. (Bio)

Three things: 1) It’s yet another good reason to try and differentiate between information and knowledge (one could say that information is to knowledge what grapes are to wine : its raw material); 2) It would be a mistake to think that gadgets or the Internet are changing our brain configuration. Not because it’s wrong, but because it’s an incomplete statement. What then, should one ask, caused the gadgets to change? What caused the Internet? 3) The form of this post can be understand as an illustration of what the content of the post is about.



• Aug 25, 2010 link notes tagged: technology  communication  gadget  Internet  epistemology  order  medium  media  tool  McLuhan  apparatus  brain  knowledge  information  determinism  cause  effect  book  author 

When one individual inflicts bodily injury upon another such injury that death results, we call the deed manslaughter; when the assailant knew in advance that the injury would be fatal, we call his deed murder. But when society [1] places hundreds of proletarians in such a position that they inevitably meet a too early and an unnatural death, one which is quite as much a death by violence as that by the sword or bullet; when it deprives thousands of the necessaries of life, places them under conditions in which they cannot live — forces them, through the strong arm of the law, to remain in such conditions until that death ensues which is the inevitable consequence — knows that these thousands of victims must perish, and yet permits these conditions to remain, its deed is murder just as surely as the deed of the single individual; disguised, malicious murder, murder against which none can defend himself, which does not seem what it is, because no man sees the murderer, because the death of the victim seems a natural one, since the offence is more one of omission than of commission. But murder it remains.
✖ Via Condition of the Working Class in England, by Frederick Engels, ch. VII: “Results”, 1845
First published in Leipzig in 1845. The English edition (authorised by Engels) was published in 1887 in New York and in London in 1891. Source: Panther Edition, 1969, from text provided by the Institute of Marxism-Leninism, Moscow. Transcribed by Tim Delaney in 1998. (more)

A similar (not identical) argument motivates various “murder by proxy” theories regarding mass murders. See for example Going Postal by Mark Ames (2005) and the documentary Murder by Proxy. How America Went Postal.



• Aug 22, 2010 link notes tagged: communication  society  community  murder  mass murder  killer  murderer  killing spree  proxy  murder by proxy  blame  bias  determinism  book  author  responsability  representation 
art illustration comic humor technology book ebook ipad vintage history time obsolescence evolution devolution
✖ Via Techno Tuesday: “Desire”

Techno Tuesday is a comic drawn by Andy Rementer:

Andy Rementer is a creative person based in Philadelphia. He received a bachelors degree from The University of the Arts in 2004. From 2005 to 2007 he worked for Fabrica, while living in Treviso, a small town in northern Italy. He currently divides his time between graphic design, cartooning and illustration. […] Aside from doodling Andy enjoys Italian meals, playing the banjo and drinking coffee. (more)

Check his personal website for more of his work.



• Aug 11, 2010 link notes tagged: art  illustration  comic  humor  technology  book  ebook  iPad  vintage  history  time  obsolescence  evolution  devolution 
art illustration girl pin_up vintage book cover design
✖ Via Au Carrefour Étrange: Un siècle de pin-up by Jacques Sternberg, Paris: Planète, 1971

A used copy of this book can be found over at Abebooks and eBay.



• Aug 08, 2010 link notes tagged: art  illustration  girl  pin-up  vintage  book  cover  design 

As part of its mission to make the world’s books searchable and discoverable, Google has digitized over five hundred ancient Greek and Latin books. We present them here downloadable as zip files of images and plain text, and as links to Google Books web pages where you can read them online in full or download PDFs. This collection was selected by Prof. Greg Crane and Alison Babeu of Tufts University, and compiled by Will Brockman and Jon Orwant of Google.
✖ Via Google Books

Read more about it over at Inside Google Books: “Google releases 500 scans of Ancient Greek and Latin texts for research” by Will Brockman, Software Engineer, June 25, 2010



• Aug 08, 2010 link notes tagged: technology  communication  book  ancient  Greek  Latin  classic  Google  Google Books  ressource  archive  Internet  online  digital 

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