Humans like to believe they control the tools they use, even if Socrates, Marshall McLuhan and Ivan Illich are among those who have argued that often they do not. From the alphabet to clocks and printing, every major new technology has profoundly altered the way in which humans think. The digital gadgets on which we now depend, Mr Carr explains, have already begun rewiring our brains.
✖ Via The Economist: “Fast forward. Fear of a fried future” book review for Nicholas Carr’s essay The Shallows: How the Internet is Changing the Way We Think, Read and Remember, Norton, 2010, 276 pages

An excerpt from this book was published in Wired magazine back in May:

There’s nothing wrong with absorbing information quickly and in bits and pieces. We’ve always skimmed newspapers more than we’ve read them, and we routinely run our eyes over books and magazines to get the gist of a piece of writing and decide whether it warrants more thorough reading. The ability to scan and browse is as important as the ability to read deeply and think attentively. The problem is that skimming is becoming our dominant mode of thought. Once a means to an end, a way to identify information for further study, it’s becoming an end in itself—our preferred method of both learning and analysis. (Wired: “The Web Shatters Focus, Rewires Brains” by Nicholas Carr, May 24th, 2010)

About Nicholas Carr:

Nicholas Carr writes on the social, economic, and business implications of technology. He is the author of the 2008 Wall Street Journal bestseller The Big Switch: Rewiring the World, from Edison to Google, which is “widely considered to be the most influential book so far on the cloud computing movement,” according the Christian Science Monitor. His earlier book, Does IT Matter?, published in 2004, “lays out the simple truths of the economics of information technology in a lucid way, with cogent examples and clear analysis,” said the New York Times. He is working on a new book, The Shallows: What the Internet Is Doing to Our Brains, which will be published in 2010. Carr’s books have been translated into more than a dozen languages. (Bio)

Three things: 1) It’s yet another good reason to try and differentiate between information and knowledge (one could say that information is to knowledge what grapes are to wine : its raw material); 2) It would be a mistake to think that gadgets or the Internet are changing our brain configuration. Not because it’s wrong, but because it’s an incomplete statement. What then, should one ask, caused the gadgets to change? What caused the Internet? 3) The form of this post can be understand as an illustration of what the content of the post is about.



• Aug 25, 2010 link notes tagged: technology  communication  gadget  Internet  epistemology  order  medium  media  tool  McLuhan  apparatus  brain  knowledge  information  determinism  cause  effect  book  author 
book illustration art artist brain anatomy
✖ Via Kyungduk Kim: from Books Are Contagious series (5 of 6).

Previously on Skandalon



• Jun 01, 2010 link notes tagged: book  illustration  art  artist  brain  anatomy 
art technology meds drug alcohol artist influence brain creativity chart statistics ressource
✖ Via Lapham’s Quarterly: “Under The Influence”, Arts & Letters issue, spring 2010

About Lapham’s Quarterly:

“Each issue of Lapham’s Quarterly adopts and explores a single theme. Our first four issues were dedicated, respectively, to War, Money, Nature, and Education, each created with an aim to help readers find historical threads from Homer to Queen Elizabeth I to George Patton, from Aesop to Edith Wharton to Joan Didion. New essays from writers such as Stanley Fish, Fritz Stern, and Andrew Delbanco then knotted each theme together. A typical issue features an introductory Preamble from Editor Lewis H. Lapham; approximately 100 “Voices in Time” — that is, appropriately themed selections drawn from the annals and archives of the past — and newly commissioned commentary and criticism from today’s preeminent scholars and writers.” (more)

First spotted via This Isn’t Happiness.



• May 01, 2010 link notes tagged: art  technology  meds  drug  alcohol  artist  influence  brain  creativity  chart  statistics  ressource 
derrida brain code communication difference dreams grammar movie philosophy poster psychoanalysis translation identity representation
✖ Via Internet Movie Poster Awards: Paprika by Satoshi Kon, 2006
“The dreamer invents his own grammar. No meaningful material or prior text exists which he might simply use, even if he never deprives himself of them. Such is, despite their interest, the limitation of the Chiffriermethode and the Traumbuch. As much as of the generality and the rigidity of the code, that limitation is a function of an excessive preoccupation with contents, an insufficient concern for relations, locations, processes, and differences (…)”

Quoted from “Freud and the scene of writing” by Jacques Derrida ([1966]1972), tr. by Jeffrey Mehlman, Yale French Studies, no 48, p. 89 (PDF available upon subscription to JSTOR).

Previously on Skandalon : Freud



• Feb 02, 2010 link notes  [via] tagged: Derrida  brain  code  communication  difference  dreams  grammar  movie  philosophy  poster  psychoanalysis  translation  identity  representation 
technology chart brain anatomy human animal intelligence evolution
✖ Via

Scientific American, vol. 301 no 3 Sept 2009 p. 48.



• Oct 23, 2009 link notes tagged: technology  chart  brain  anatomy  human  animal  intelligence  evolution 
art photography photographer idea concept medication drug brain anatomy body mind
✖ Via Horacio Salinas: “Brain Repair” for The New York Time Magazine.

“Horacio Salinas is a conceptual, still life photographer in New York, New York.”



• Aug 31, 2009 link notes tagged: art  photography  photographer  idea  concept  medication  drug  brain  anatomy  body  mind 
art communication book ad brain human body anatomy
✖ Via Craig Andrew Smith: ad campaign for The Economist magazine.

Craig Andrew Smith is a creative director/art director. Check his career profile. This is how he explains his work: “i believe the creative process demands change. while compiling this site it was interesting to recall and plot that journey into some kind of order. i was tempted to use the word progress but that doesn’t feel right, it’s not just about progress for me, i prefer these words; provocation, activating, emotive, integrity and irreverence. did i mention fun? ideas should be bigger than advertising and i have pushed my thinking onto that path over past years. this is where i wish to focus the lion share of my remaining brain cells.” (read more). Check his portofolio.



• Jul 28, 2009 link notes  [via] tagged: art  communication  book  ad  brain  human  body  anatomy 
illustration technology mind brain human body
✖ Via Frank Stockton: “Confused by Tenchnology” half page for Popular Mechanics, February 2007.

Frank Stockton is an illustrator living in New York City. Read an interview over at The Tools Artists Use.



• Jul 13, 2009 link notes  [via] tagged: illustration  technology  mind  brain  human  body 
science brain human body anatomy design vintage cover
✖ Via

Joe Kral photostream on Flickr: Scientific American, volume 239, Issue 04, October 1978.



• Jul 09, 2009 link notes  [via] tagged: science  brain  human  body  anatomy  design  vintage  cover 
art sculptur body human anatomy brain
✖ Via designboom: Jan Fabre’s new work series From the cellar to the attic - From the feet to the brain, “The Brain” (in the trenches of the brain as an artist-lilliputian), wood, earth, polyester, wax, silicon, leather, cloth, human hair, installation view 3rd floor, photo: Markus Tretter, © Jan Fabre/VBK, wien, 2008, Kunsthaus Bregenz (press release in PDF)

From boomdesign: “With five room-filling sculptural tableaus, fabre created a mythical world of horror, beauty, and metamorphosis that was hardly conceivable inconventional artistic terms and constantly alternated between reality and dream. the installation followed the layout of the human body. Five exhibition levels with metaphoric titles borrowed from different zones of the body - starting with the feet in the basement and ending with the brain on the upper level. Courtesy of the Galleria d’Arte Moderna E Contemporaneadi bergamo (gamec), Studio Fabre, the Kunsthaus Bregenz and the support of Linda and Guy Pieters, Jan Fabre will be installing his five sculptural tableaus at the 53rd Venice Biennale, showing it to a broad international art audience.” Read the official invitation.



• May 13, 2009 link notes  [via] tagged: art  sculptur  body  human  anatomy  brain 
illustration anatomy girls death body brain
✖ Via Fernando Vincente at LiVEJOURNAL: “Vanitas” serie.

Fernando Vincente is a professional Spanish illustrator. See his official site and his blog



• Apr 23, 2009 link notes  [via] tagged: illustration  anatomy  girls  death  body  brain 
anatomy book writer science brain body illustration vintage map
✖ Via

“Engine of Our Ingenuity” (University of Houston) / Samuel Roberts Wells, “Symbolical Head, Illustrating the Natural Language of the Faculties.”, How to Read Character: A New Illustrated Hand-Book of Phrenology and Physiognomy, for Students and Examiners; with a Descriptive Chart, New York, Fowler & Wells Co., Pubs., [1870]1891, p.36.



• Apr 23, 2009 link notes  [via] tagged: anatomy  book  writer  science  brain  body  illustration  vintage  map 

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