Previously on Skandalon

About Charles Barsotti:

Charles Barsotti is a cartoonist based in the United States. He was the cartoon editor of the The Saturday Evening Post and has been a staff cartoonist at The New Yorker since 1970. His work has also appeared in Playboy and Fast Company, among other publications. A signature artist whose rounded, elegant, sparsely detailed style evokes both the traditional world of a James Thurber and the contemporary sensibility of a Roz Chast. (wikipedia)

Visit Charles Barsotti official website.

Previously on Skandalon

This cartoon is an updated look at my original Facebook dogs, who kicked off Noise to Signal as the first cartoon under that name. And they are, of course, a reference/homage to Peter Steiner‘s iconic New Yorker cartoon. (more)

Noise to Signal is Rob Cottingham‘s take on the social web, online living and all that goes with it. N2S (as it’s known affectionately to, well, me) has appeared on such sites as the Huffington Post, PC World and TreeHugger. (more)

Read the Wikipedia entry about Steiner’s illustration for more info.

From The New York Times:

““Exit” is billed as “a Banksy film,” but Banksy, the notoriously reclusive British street artist, appears only rarely, face hooded and voice distorted. Even so, it is Banksy whom audiences will come hoping to see, stimulated by the canopy of hype that this artist has carefully erected, in interviews and on the festival circuit. What they will find is, like Banksy’s best work, a trompe l’oeil: a film that looks like a documentary but feels like a monumental con.” (more)

Visit the film’s official website.

This is for all Lost’s fans out there.

About Bruce Eric Kaplan:

“Every morning (to this day, I have the same routine, except now I have a desk, albeit a pretty crappy one), I sit down and think about why I am disgruntled or why I am not as disgruntled as I was yesterday and out come these little drawings … after much angst and staring into space and occasional lying on the ground moaning. And each week I send off 10 or so to The New Yorker. And maybe the magazine buys one or two. (Or very often, none. I might mention here that sometimes I merely pump out insane bile that wouldn’t interest one single person on the planet, just like any other journal writer.) And then, finally, they are published. Mostly in The New Yorker, but sometimes in other places as well, such as L.A. Weekly. Maybe they appear days after I did them, but sometimes it is weeks, or months, or even years. And when I look at them, I think back to why I drew whatever I drew and I laugh. Or sometimes cringe. Or, every now and then, just wonder what the hell was wrong with me.” (more)

First spotted via The Daring Fireball.

Previously on SKandalon : Dilbert.

“Ken Kagami is best known in America for his package design for Deerhoof’s Milkman album. This zine finds Ken exploring the characters Snoopy and Charlie Brown, in a series of risque marker drawings.”

Visit Ken Kagami official website.

Previously on Skandalon: Barry Blitt