art design flower colors pattern
✖ Via Joan Pon Moll: “Rosa” 2009

“Rose illustration for espaivirtual’s iniciative www.rosa.cat

About Joan Pon Moll:

“2001 - Graphic design degree at Elisava School of Design at Barcelona. 2003 - Starts working at Tactica. Postgraduate at graphic production and space design also at Elisava. 2004 - Illustration and space design degrees at Parson’s Univeristy of Design at New York City. 2005 - Hired by Enric Jardi graphic design studio at Barcelona, meanwhile gets multimedia degree at Idep School of Design. 2006 - Back to Menorca as a freelance. Starts working at Med Comunicacio. 2008 - Hired by Firstborn Multimedia from New York City. 2009 - Works as a freelance from Menorca. Digital image teachet at CAEB.” (more)

Follow him on Tumblr.



• Apr 07, 2010 link notes tagged: art  design  flower  colors  pattern 
art artist photo photographer america united_states margins lost rejects colors portrait
✖ Via National Gallery of Art: Untitled, 1989, Robert Bergman, Portraits, 1986–1995. View more photo.

About this exhibition: “Using a handheld 35mm camera and available light, Robert Bergman spent 12 years making a series of large color portraits that address not only his subjects’ physical presence but also their psychic state. Drawing on his finely tuned sense of form and an ability to establish a rapport with his subjects, he never sensationalized or objectified them. Instead, he explored their penetrating gazes, downcast eyes, or distant stares to reveal their startling array of emotions—suspicion with curiosity; despair with resilience—thus making clear each individual’s “strength and delicacy,” as Schapiro noted.” (read more). See the press checklist in PDF. The NGA offers other interesting online ressources here.

The book is available for sale over at Amazon.

About Robert Bergman: “Born in New Orleans in 1944, Bergman’s father was a doctor and his mother was a Shakespearean actress. He first began to photograph as a child and seriously embraced the medium in his early twenties. In the mid 1960s, he was deeply influenced by Robert Frank’s book The Americans. Like so many other “street photographers” of that generation, he abandoned the large-format view camera he had previously employed and began to use a 35mm format to make black-and-white photographs in the American urban environment. Although he worked in the rapidly changing cityscape, he, unlike many of his contemporaries, increasingly sought out quiet, meditative moments.

In the 1980s, Bergman began to make color photographs that combine the saturated and muted hues of both the city and his subjects’ attire to achieve a rich, painterly idiom. He resides in Minneapolis and New York City.” (read more)

Other Bergman’s exhibitions are currently being held by the P.S.1 Contemporary Art Center in New York and the Yossi Milo Gallery. Open the Yossi Milo’s press booklet in PDF (it contains, among others, article by The Wall Street Journal and The Washington Post : follow the links to enjoy these articles on their respective website).



• Dec 30, 2009 link notes  [via] tagged: art  artist  photo  photographer  America  United-States  margins  lost  rejects  colors  portrait 
art artist colors dark light painter painting photorealism realism flare
✖ Via Robert Standish: Untitled (Triptych Lights), 2008, oil on panel, 92 ⅜” x 186” combined - 92 ⅜” x 62” each panel.

Previously on Skandalon.



• Sep 08, 2009 link notes  [via] tagged: art  artist  colors  dark  light  painter  painting  photorealism  realism  flare 
art artist colors darkness hyperrealism light painter painting photorealism realism flare technology medium
✖ Via Robert Standish: Untitled (Lights #2), 2006, oil on panel, 27” x 27”.

Artist’s statement: “My work mirrors individuals’ private moments of introspection. I find myself compelled to capture the moments when a strong desire and need to feel comfortable in one’s own skin are present. Similarly, I want to capture a person’s attempt at reconnecting or discovering some form of greater magic (conventionally speaking, God) and the candid instant when a person reveals how far he or she feels from that magic.

In my most recent series, I explore the pervasive influence of commercialism on an individual’s psychology. To elicit a reaction beyond the status quo, I chose to implement advertising trends that will potentially appear in the near future. This work which features various corporate logos, was not intentionally created for a company’s commercial purposes, but instead to permit mutual exploitation by allowing the display of the company’s logo on my paintings. The aim of the series is to prompt reflection and introspection by the viewer of the psychological violations and absurdness of most advertising.” (Robert Standish biography). His official website.



• Aug 01, 2009 link notes  [via] tagged: art  artist  colors  darkness  hyperrealism  light  painter  painting  photorealism  realism  flare  technology  medium 

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