art vintage ad technology communication television future past evolution consumption shopping girls woman
✖ Via

x-ray delta one photostream on FLickr: “Shopping by TV” from the Populuxe album.



• Oct 19, 2010 link notes tagged: art  vintage  ad  technology  communication  television  future  past  evolution  consumption  shopping  girls  woman 

The man who works recognizes his own product in the World that has actually been transformed by his work: he recognizes himself in it, he sees in it his own human reality, in it he discovers and reveals to others the objective reality of his humanity, of the originally abstract and purely subjective idea he has of himself. By this act of finding itself by itself, then, the [working] consciousness becomes its own meaning-or-will; and this happens precisely in work, in which it seemed to be alien meaning-or-will.
✖ Via Introduction to the Reading of Hegel by Alexandre Kojève, Cornell University Press, [1947]1980, p. 27

Here’s the original French version:

L’homme qui travaille reconnaît dans le Monde effectivement transformé par son travail sa propre œuvre: il s’y reconnaît soi-même; il y voit sa propre réalité humaine; il y découvre et il révèle aux autres la réalité objective de son humanité, de l’idée d’abord abstraite et purement subjective qu’il se fait de lui-même.] Par cet acte-de-se-retrouver soi-même par soi-même, la Conscience [travaillante] devient donc sens-ou-volonté propre; et elle le devient précisément dans le travail, où elle ne semblait être que sens-ou-volonté étranger. (Introduction à la lecture de Hegel, éd. Gallimard, Paris, 1947, p. 31)

A complete PDF copy of this book is available online. A French version of the ‘Introduction’ of this book is available here.



• Oct 02, 2010 link notes tagged: technology  work  world  production  subjectivity  other  self  alienation  slave  master  Hegel  Kojève  philosophy  consumption  consumer  capitalism  creation  art 
art ad vintage girls juice fruit product consumption hand
✖ Via

x-ray delta one photostream on Flickr: “Florida Orange Juice” 1951, from the Populuxe album



• Sep 06, 2010 link notes tagged: art  ad  vintage  girls  juice  fruit  product  consumption  hand 
art photograph magazine celebrity star famous america counter_culture critic revolution politic representation capitalism irony simulacrum product consumption girl woman pin_up
✖ Via The Thought Experiment: Sharon Tate in Esquire, December 1967. Photo by William Helburn

Excerpt from the magazine:

The little red book which contains hightlights from The thought of Mao Tse-tung is the most influential volume in the world today. It is also extremely dull and entirely unmemorable. To resolve this paradox, we, a handful of editors in authority who follow the capitalist road, thought useful to illustrate certain key passages in such a way that they are more likely to stick in the mind. The visual aid is Sharon Tate and, to give credit where credit, God knows, is due, she will soon be seen in the Twentieth Century-Fox motion picture, Valley of the Dolls.

The Thought Experiment is a blog run by Elizabeth Lamanna:

This animal is a thought experiment. I will try to keep it upbeat and interesting, but it may occasionally swing through bat country, go off broadway, or veer into vapidity as I attempt to disentangle what feels like the crushing simultaneity of where my choices have lead my life.

I realized about a month from turning thirty that I had spent the past year acting like I was going to be audited, as if, casting my memory back through the past ten years, I panicked. Maybe not without reason. Throughout this last decade, I’ve jumped a few ships, burned a few bridges, worded up, partied down, hung loose, and obeyed my thirst, and been just about rolled under by the waves almost as many times as I deserved. The final countdown of my twenties suddenly woke me up to the fact that somewhere along the way, I’d lost track of myself. (more)


• Aug 14, 2010 link notes tagged: art  photograph  magazine  celebrity  star  famous  America  counter-culture  critic  revolution  politic  representation  capitalism  irony  simulacrum  product  consumption  girl  woman  pin-up 
art design poster machine computer retro vintage apple store consumption capitalism economy electronic information shopping disaffection psychiatry
✖ Via Retrofuturs: “iTunes store / Sociology of objects”

Previously on Skandalon : Stéphane Massa-Bidal. Follow him on Tumblr.

The quote he’s using in this illustration is attributed to Tammy Faye Bakker. She’s also purportedly said “I wake up every morning and I wish I were dead, and so does Jim”. Cheaper and maybe less effective, I would say. I’ll come back to it.



• Jul 30, 2010 link notes tagged: art  design  poster  machine  computer  retro  vintage  Apple  store  consumption  capitalism  economy  electronic  information  shopping  disaffection  psychiatry 

I thought all these other people. I thought how did they get to be who they are. It’s banks and car parks. It’s airline tickets in their computers. It’s restaurants filled with people talking. It’s people signing the merchant copy. It’s people taking the merchant copy out of the leather folder and then signing it and separating the merchant copy from the customer copy and putting their credit card in their wallet. This alone could do it.
✖ Via Cosmopolis by Don DeLillo, New York: Scribner, 2003, p. 195

Previously on Skandalon: Cosmopolis, Don DeLillo



• Jul 25, 2010 link notes tagged: art  novel  book  author  DeLillo  Cosmopolis  consumption  customer  money  economy  credit  debt  identity  existence  reality  being 
✖ Via California is a place: Honey Pie still photography by Zackary Canepari

About the Honey Pie project:

Her lips are full pink. Her teal green eyes are intense and inviting. Her black eyeliner accentuates her high cheekbones and her strawberry hair complements her light African skin. Her metallic halter dress holds her supple thighs and pushes on her round breast. She is the result of careful attention and workmanship. When you see her up close, you can’t help but stare. At $6000, she’s certainly not a cheap date. For creator Matt McMullen, she’s a work of art. For everyone else, she’s a Real Doll.

California is a place also produced a video of their visit to the Real Doll factory. Read an interview with Matt McMullen over at the MONK Magazine. Visit the official website of Real Doll and learn more about those on wikipedia.

California is a place is produced, directed, and shot by Drea Cooper & Zackary Canepari. Full credit for the Honey Pie project :

On Camera: Matt McMullen
Produced by: Zackary Canepari & Drea Cooper
Directed by: Drea Cooper & Zackary Canepari
Cinematography by: Drea Cooper & Zackary Canepari
Edited by: Drea Cooper
Still Photographer: Zackary Canepari
Music Composed & Produced by: Dave Janusko and Skyrider

The photos above were taken by Zackary Canepari : visit his blog and official website for more of his work.



• Jul 19, 2010 link notes tagged: art  technology  communication  doll  Real Doll  body  anatomy  object  consumption  female  woman  girl  together  sex  apparatus  loneliness  love  relation  relationship  simulacrum  representation  photograph  photographer  fragment  creature  monster  creation  surrogate 

But is it a collectible work of art? Those who own it are trying to find out. In an unusual twist even for a picture outside the norms — its Oscar-winning lead, William Hurt, paused his red-hot career to play a film-struck homosexual for almost no fee when that still seemed more suicidal than savvy — David Weisman, the movie’s producer, and David S. Phillips, who joined him later in acquiring its rights, are planning in coming weeks to offer “Kiss of the Spider Woman” for sale as an artwork. By that, they mean an object of beauty. The film is now available in its entirety — its copyright, negatives, prints, digital video masters and more — along with a carefully preserved archive that includes 313 boxes of 35-millimeter outtakes, five drafts of the screenplay by Leonard Schrader and a stack of rejection letters from studio executives who were sure that the movie would never work.
✖ Via The New York Times: “Movie’s Owners Want to Know if a Film Is Fit for Framing” by Michael Cieply, July 9th, 2010

First spotted via Bifurcations, Sarah Choukah’s research blog. Learn more about her work here.



• Jul 18, 2010 link notes tagged: art  communication  technology  medium  cinema  film  social  status  collector  original  origin  truth  copyright  product  consumption  studio 

Unlike, say, her performance at the Grammys, which was a perfect fusion of spectacle (a nine-months-pregnant woman rapping in a see-through dress) with content (Maya’s fervor was linked to the music), the video for “Born Free” feels exploitative and hollow. Seemingly designed to be banned on YouTube, which it was instantly, the video is set in Los Angeles where a vague but apparently American militia forcibly search out red-headed men and one particularly beautiful red-headed child. The gingers, as Maya called them, using British slang, are taken to the desert, where they are beaten and killed. The first to die is the child, who is shot in the head. While “Born Free” is heard in the background throughout, the song is lost in the carnage. As a meditation on prejudice and senseless persecution, the video is, at best, politically naïve.

“The video was more than fine with me,” Jimmy Iovine told me later that night. Despite Maya’s efforts, he had seen it. “I didn’t even have a blink.” A canny showman, Iovine knew that the video would get attention, that Maya would get her visa (which she did) and that all the noise was good for business. He has a long history of driving record sales with violent imagery: in the 1990s, Interscope was home to Death Row Records, where Snoop Dogg, Dr. Dre and Tupac Shakur made millions rapping about all things gangsta. Iovine also appreciates the outrageous: Interscope’s biggest artist is Lady Gaga, who has melded big-time theatricality with disco-based pop, a kind of love child of Elton John and Madonna.

✖ Via The New York Times: “M.I.A.’s Agitprop Pop” by Lynn Hirschberg, May 25th, 2010

Excellent article by Lynn Hirschberg and a great follow up on the “Born Free” music video controversy.

[UPDATE - August 16th, 2010] Apparently, M.I.A. didn’t like the article by Lynn Hirschberg:

MIA is upset about a New York Times Magazine cover story about her, so she tweeted the phone number of the piece’s writer, Lynn Hirschberg.

“917.834.3158 CALL ME IF YOU WANNA TALK TO ME ABOUT THE N Y T TRUTH ISSUE, ill b taking calls all day bitches ;)” she wrote.

Because MIA presented the number as her own, Hirschberg has been deluged with calls from fans wanting to hook up with MIA. (The Huffington Post: “M.I.A. Freaks Out At ‘New York Times,’ Tweets Reporter’s Phone Number”, June 2, 2010)


• Jun 08, 2010 link notes tagged: art  video  music  pop  culture  mainstream  entertainment  industry  consumption  critic  integration  representation  revolution  simulacrum  loser  lost  violence  contradiction  controversy  media 
art ad vintage consumption kitchen woman girls
✖ Via x-ray delta one photostream on Flickr: “Cosco, 1956”

X-Ray has a whole album dedicated to “Populuxe” :

“Populuxe (PAWP.yuh.luks, -looks) n. Low-cost consumer goods that are also perceived as being stylish or fashionable; a style that is reminiscent of or based on 1950s architecture and design.”
“”Populuxe” is a word created by the author and historian Thomas Hine for his 1986 book by the same name. It was this book that helped me to finally get a grasp on my interest and growing obsession with that period.”

“Populuxe is a synthetic word, created in the spirit of the many coined words of the time. Madison Avenue kept inventing words like “autodynamic,” which described a shape of car which made no sense aerodynamically. Gardol was an invisible shield that stopped bullets and hard-hit baseballs to dramatize the effectiveness of a toothpaste. It was more a metaphor than an ingredient. Slenderella was a way to lose weight, and maybe meet a prince besides. Like these synthetic words, Populuxe has readfly identifiable roots, and it reaches toward an ineffable emotion. It derives, of course, from populism and popularity, with just a fleeting allusion to pop art, which took Populuxe imagery and attitudes as subject matter. And it has luxury, popular luxury, luxury for all. This may be a contradiction in terms, but it is an expression of the spirit of the time and the rationale for many of the products that were produced. And, finally, Populuxe contains a thoroughly unnecessary “e,” to give it class. That final embellishment of a practical and straightforward invention is what makes the word Populuxe, well, Populuxe.” (more)


• May 13, 2010 link notes tagged: art  ad  vintage  consumption  kitchen  woman  girls 
consumption heidegger blog communication consumer haul haul_vlogger junk lost makeup_haul mall_haul network object product social technology trash veblen baudrillard blippy
✖ Via Boing Boing: “Haul vloggers: young women videoblogging clothes and makeup they buy”. above screen capture from chanelbluesatin

The Boing Boing post links back to Susannah Breslin’s personal blog which is not very informative. More information can be found about this phenomenon under the term “haul video”, “haul videos”, “mall haul” or “makeup haul”:

“Haul videos are the democratization of the home shopping network. They typically feature teen girls just back from the mall, shopping bag in hand, gushing over their purchases (or “haul”) to their webcam to be uploaded to YouTube for the world to see. […]A search for Haul at YouTube returns 105,000 videos. A spot check reveals that surprisingly few of these videos are for U-Haul or another unrelated topic. What more could a retailer ask for that enthusiastic, peer-to-peer endorsements of their shopping experiences? Retailers should be cultivating if not deliberately encouraging the creation of these videos.” (read more over at David Erikson’s blog)

Have the consumer buy form you, have the consumer work for you:

“On YouTube, there are a new set of viral videos called “Haul” videos. These are videos posted by everyday people talking about the stuff they bought on their most recent shopping spree. Some name each items with cost, some are just showing off the items they bought. Some people are showing off how much they saved. There are a few videos that get more then 200,000 viewers them. This could be a treasure trove for local businesses.” (A Guide to Haul Viral Videos)

A “haul” is a cargo. Thus “haul vloggers” could be understand as human carriers, loaded with objects, speaking about those things (or literaly through them, as in the screen capture above), existentialy concerned by all this equipment. Now two things about that :

1) In its general form, it’s not a new phenomenon. Thorstein Veblen coined the term “conspicuous consumption” back in 1899 in his book The Theory of the Leisure Classe. Veblen was a major inspiration for Baudrillard’s The Consumer Society (1970);

2) It will be a mistake to associate this phenomenon strictly with teen girls. We all brag to a certain degree about what we buy, may it be books, DVDs, CDs, tools, wine, etc. We may not do it in front of a camera, but we speak about it, we post about it, we tell friends about it (Marco Arment, the lead developer of Tumblr, is currently buying a new BMW). That may be why some are thinking Blippy ―a kind of Twitter where you post about items you just bought― could become the next big thing (it launched last December).



• Mar 14, 2010 link notes tagged: Consumption  Heidegger  blog  communication  consumer  haul  haul vlogger  junk  lost  makeup haul  mall haul  network  object  product  social  technology  trash  Veblen  Baudrillard  Blippy 

A lot of the people who read a bestselling novel, for example, do not read much other fiction. By contrast, the audience for an obscure novel is largely composed of people who read a lot. That means the least popular books are judged by people who have the highest standards, while the most popular are judged by people who literally do not know any better. An American who read just one book this year was disproportionately likely to have read ‘The Lost Symbol’, by Dan Brown. He almost certainly liked it.
✖ Via The Economist, “A World of Hits”, Nov. 26, 2009

Very interesting article offering a critic of the “long tail” model developped by Wired editor Chris Anderson. The article was written last November. By now, Avatar has become the second highest grossing film of all time, just behind Titanic (1997). In the summer of 1998, a few months after the success of Titanic, the relative failure of Godzilla had some analyst wondering if the “blockbuster era” was coming to an end. At the time, Peter Bart (then Variety’s editor-in-chief) offered a good portrait of the situation in his book The Gross (Amazon link).

Previously on Skandalon: First feedback from audience and critics for James Cameron’s Avatar



• Jan 10, 2010 link notes  [via] tagged: art  technology  communication  mass  crowd  Consumption  marchandise  popular  blockbuster  best-seller  industry  America  audience  ressource  statistics 

LOS ANGELES — After a nine-month hunt, Federal Bureau of Investigation agents arrested a Bronx man on Wednesday suspected of posting an unfinished version of the 20th Century Fox movie “X-Men Origins: Wolverine” on the Web before it was released in theaters.
✖ Via ‘X-Men’ Piracy Hunt Leads to Arrest of Bronx Man - NYTimes.com

“Study finds pirates 10 times more likely to buy music” (Guardian.co.uk, April 21st, 2009)
Similar studies (a simple Google search)
A poll on a website providing information about new scene release.



• Jan 03, 2010 link notes  [via] tagged: communication  technology  torrent  pirate  copyright  film  movie  Internet  distribution  marketing  study  poll  consumption  marchandise 
communication food consumption culture popular_culture america vintage ads
✖ Via SA_Steve photostream on Flickr: “Soda Display from the year 1984”

About SA_Steve photostream: Many vintage sets about ads, computing, catalogs, 7-Up, tobaco advertising, signs, fast food ads, 1970s ads targeting African American consumers and more.



• Aug 13, 2009 link notes  [via] tagged: communication  food  consumption  culture  popular culture  America  vintage  ads 

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