But is it a collectible work of art? Those who own it are trying to find out. In an unusual twist even for a picture outside the norms — its Oscar-winning lead, William Hurt, paused his red-hot career to play a film-struck homosexual for almost no fee when that still seemed more suicidal than savvy — David Weisman, the movie’s producer, and David S. Phillips, who joined him later in acquiring its rights, are planning in coming weeks to offer “Kiss of the Spider Woman” for sale as an artwork. By that, they mean an object of beauty. The film is now available in its entirety — its copyright, negatives, prints, digital video masters and more — along with a carefully preserved archive that includes 313 boxes of 35-millimeter outtakes, five drafts of the screenplay by Leonard Schrader and a stack of rejection letters from studio executives who were sure that the movie would never work.
✖ Via The New York Times: “Movie’s Owners Want to Know if a Film Is Fit for Framing” by Michael Cieply, July 9th, 2010

First spotted via Bifurcations, Sarah Choukah’s research blog. Learn more about her work here.



• Jul 18, 2010 link notes tagged: art  communication  technology  medium  cinema  film  social  status  collector  original  origin  truth  copyright  product  consumption  studio 
communication technology catastrophe animal destruction death responsability shock image representation human oil bp british_petroleum disaster copyright fair_use constitution media press freedom zapruder
✖ Via Boston.com / The Big Picture: A Brown Pelican is seen on the beach at East Grand Terre Island along the Louisiana coast on Thursday, June 3, 2010. (AP Photo/Charlie Riedel)

I first found this photo over at Washington’s Blog. The post where it appears makes a (short) argument about the ban of media coverage apparently imposed by BP and US officials and the alleged suspension of the 1st Amendment of the US Constitution it represents. At the very end of the post, the author seems to put forward a legal argument supporting the publication of such pictures as the one shown above:

In addition, use of such images is also protected under the First Amendment to the United States Constitution. Specifically, reproduction is protected under the “Mai Lai/Zapruder line of cases”, since:

(1) The images are of historical significance;

(2) They show facts which cannot be conveyed effectively in any other manner, and

(3) Therefore the Constitution trumps copyright law. (more)

Now, what exactly are those “Mai Lai/Zapruder line of cases” ? It’s not a law, but a “line of cases” and it could plausibly be used to challenge the ban of some media access to the site of the catastrophe (see The New York Times: “BP and Officials Block Some Coverage of Golf Oil Spill”). More thoughts about this over at Aphelis.



• Jul 14, 2010 link notes tagged: communication  technology  catastrophe  animal  destruction  death  responsability  shock  image  representation  human  oil  BP  British Petroleum  disaster  copyright  fair use  constitution  media  press  freedom  Zapruder 

TWO centuries after Gutenberg invented movable type in the mid-1400s there were plenty of books around, but they were expensive and poorly made. In Britain a cartel had a lock on classic works such as Shakespeare’s and Milton’s. The first copyright law, enacted in the early 1700s in the Bard’s home country, was designed to free knowledge by putting books in the public domain after a short period of exclusivity, around 14 years. Laws protecting free speech did not emerge until the late 18th century. Before print became widespread the need was limited. Now the information flows in an era of abundant data are changing the relationship between technology and the role of the state once again. Many of today’s rules look increasingly archaic. Privacy laws were not designed for networks. Rules for document retention presume paper records. And since all the information is interconnected, it needs global rules. New principles for an age of big data sets will need to cover six broad areas: privacy, security, retention, processing, ownership and the integrity of information.
✖ Via The Economist: “A special report on managing information: New rules for big data”, Feb 25th, 2010.

• Mar 21, 2010 link notes  [via] tagged: technology  communication  rules  law  regulation  privacy  copyright  data  network  Internet  security  ownership 
psychoanalysis book author copyright public_domain author news
✖ Via Life - Hosted by Google: Sigmund Freud

All works by Sigmund Freud have entered the public domain as of January 1st, 2010:

“Under European Union law all books, poems and paintings pass into the public domain 70 years after the death of their creator. At midnight last night the works of artists and thinkers who died throughout 1939 slipped out of copyright, meaning they can be reprinted and posted on the internet without incurring royalties.” (Telegraph.co.uk: “WB Yeats and Sigmund Freud works posted on Wikipedia as copyright expires” by Matthew Moore, Jan 1st, 2010)

Read also “Public Domain Day or welcome out Sigmund Freud” on Digital-Rights.net. You can browse major works by Sigmund Freud on Wikipedia.



• Jan 18, 2010 link notes tagged: psychoanalysis  book  author  copyright  public domain  author  news 

LOS ANGELES — After a nine-month hunt, Federal Bureau of Investigation agents arrested a Bronx man on Wednesday suspected of posting an unfinished version of the 20th Century Fox movie “X-Men Origins: Wolverine” on the Web before it was released in theaters.
✖ Via ‘X-Men’ Piracy Hunt Leads to Arrest of Bronx Man - NYTimes.com

“Study finds pirates 10 times more likely to buy music” (Guardian.co.uk, April 21st, 2009)
Similar studies (a simple Google search)
A poll on a website providing information about new scene release.



• Jan 03, 2010 link notes  [via] tagged: communication  technology  torrent  pirate  copyright  film  movie  Internet  distribution  marketing  study  poll  consumption  marchandise 

An Argentinean judge’s recent decision to drop charges against a philosophy professor for alleged copyright infringement is being seen as a stepping stone to drawing attention to copyright issues in Latin America, according to advocates.
Professor Horacio Potel created open source websites to post foreign philosophers’ work in Spanish. The websites were named “Nietzsche in Spanish,” “Heidegger in Spanish,” and “Derrida in Spanish.
✖ Via IP-Watch : “Restoration Of French Philosopher’s Work Online In Argentina Seen As An Opening” by Catherine Saez, December 14, 2009

Horacio Potel’s site are working again : http://www.jacquesderrida.com.ar/ and http://www.heideggeriana.com.ar/

This story first began in March 2009. Read more about it HERE and HERE.



• Dec 17, 2009 link notes tagged: communication  philosophy  book  copyright  Internet  digital  intellectual  property  Derrida  technology 

Here’s an overview of the 10 most downloaded books on BitTorrent this year. The list shows us that illicit book downloads are not yet threatening the best selling authors you’ll find in the New York Times list.
✖ Via FreakBits: The 10 Most Pirated eBooks of 2009.

1. Kamasutra 2. Adobe Photoshop Secrets 3. The Complete Idiot’s Guide to Amazing Sex 4. The Lost Notebooks of Leonardo da Vinci 5. Solar House – A Guide for the Solar Designer 6. Before Pornography – Erotic Writing In Early Modern England 7. Twilight – Complete Series 8. How To Get Anyone To Say YES – The Science Of Influence 9. Nude Photography – The Art And The Craft 10. Fix It – How To Do All Those Little Repair Jobs Around The Home

“FreakBits is a side project from the people who run TorrentFreak.” (about)



• Sep 16, 2009 link notes tagged: communication  technology  computer  torrent  book  author  evolution  internet  pirate  copyright 
✖ Via Boing Boing: “Iraq Campaign 1991” by Phil [video link]

“San Francisco-based video artist Phil Patiris transforms network news footage, clips from Star Trek, and sports coverage (all used without permission) into a devastating critique of the media/industrial complex.”

Artist statement: “To the extent I see the mass media culture drag standards of intelligence, creativity and ethics down to the lowest common denominator… and then turn around and generate more slick and profitable news programming bemoaning the resulting deterioration in our streets, schools and elective offices (not to mention our art and civilization), that’s the extent I will point my own electromagnetic finger.

To the extent self-serving, misleading, and deliberately manipulative psychological associations are made (and not just through advertising) is the extent I will break those associations, since they are subjective, and therefore rightly subject to counter-assault.” (read more).

The video was originally posted on Illegal Art: “The laws governing “intellectual property” have grown so expansive in recent years that artists need legal experts to sort them all out. Borrowing from another artwork—as jazz musicians did in the 1930s and Looney Tunes illustrators did in 1940s—will now land you in court. If the current copyright laws had been in effect back in the day, whole genres such as collage, hiphop, and Pop Art might have never have existed.The irony here couldn’t be more stark. Rooted in the U.S. Constitution, copyright was originally intended to facilitate the exchange of ideas but is now being used to stifle it.

The Illegal Art Exhibit will celebrate what is rapidly becoming the “degenerate art” of a corporate age: art and ideas on the legal fringes of intellectual property. Some of the pieces in the show have eluded lawyers; others have had to appear in court.” (read more). See more video here.



• Jul 30, 2009 link notes tagged: art  communication  technology  critic  video  montage  television  America  revolution  Iraq  war  copyright 
technology art design poster copyright
✖ Via

spacesick : Don’t Copy That Floppy



• Jan 13, 2009 link notes tagged: technology  art  design  poster  copyright 

skandalon


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