The plea bargain is the moment when the case pivoted from the story of what Polanski did to Samantha Gailey to the story of what the system did to him. Polanski’s detractors focus on the first, his supporters on the second, but the two are interwined, and both were shaped by the influence of Polanski celebrity.
✖ Via The New Yorker: “The Celebrity Defense. Sax, fame and the case of Roman Polanski” by Jeffrey Toobin, Dec. 14, 2009, p. 57

Excellent article on the subject : Toobin makes an explicite effort to restrain himself to the presentation of hard (legal) facts.

Jeffrey Toobin is a staff writer to The New Yorker. He is also “the author of five books, including The Nine: Inside the Secret World of the Supreme Court, which won the 2008 J. Anthony Lukas Book Prize” (TNY). Check his official website.



↳Share Feb 26  link  notes journalism  celebrity  film  filmmaker  law  justice  United-States  culture  sex  girls 

English edition (2009)

English edition (2009)

Gleen Beck on  FOX News

Gleen Beck on FOX News

Original French edition (2007)

Original French edition (2007)

✖ Via The Coming Insurrection by The Invisible Committee, translated from French, published by Semiotext(e), [2007]2009

Full English translation available online free of charge. Amazon link. Learn more about it on Wikipedia. Official website of The Invisible Committee

As of today, this book is no17 in the Amazon.com Books Bestsellers list. Explanation ? Glenn Beck hates it (and asked its viewer to read it) :

“It’s undoubtedly the last thing he wanted to happen, but when Fox News’s vocal right-wing presenter Glenn Beck described French anarchist revolution manual The Coming Insurrection as “quite possibly the most evil thing I’ve ever read” he sent it soaring to the top of the bestseller charts.” (Guardian.co.uk)

The Guardian got it wrong on one point : Glenn Beck did ask its viewer to read the book. Here’s what happenned to the book :

“At the time he mentioned the book (5:13pmET on February 10), the edition of the book Beck held up was ranked #432 at Amazon and #20,609 at BN. 24 hours later, the book had moved up to #7 at Amazon and #14 at BN.” (more)

It happens last week, on Feb. 10 (watch it on YouTube @ 3’44”), but Glenn started to talk about this book back in July 2009.

Beck actually use the book as an example illustrating the 20th “global debt time bombs that could go off and change the world” listed by Paul B. Farrell. Here’s the full quotation from the show aired on Feb. 10, 2010:

“20. The Coming Populous Rebellion Bombs: This one I love because those in the media are gonna tell you it’s the Tea Parties. Well let me show you what it really is. It’s Van Jones: […] A 9/11 Truther, radical communist who set up organizations to defend cop killers. He was in the White House and now is going out on a speaking tour with a senator from New York. […] Let me show you what it looks like — the finished product — I told you last summer, to read this book: “The Coming Insurrection” by Invisible Committee. This is quite possibly the most evil thing I’ve ever read. It’s about to play out in the streets of Greece. It’s been played out in France. What’s the story? […] People who are actual communists have been masquerading as Democratic socialists: We’re not Marxists, we’re just like you. They fell into bed with their politicians […] and they were backed, and according to the book […] there was an unspoken understand: Bring the socialist utopia. This is their manifest. Message is: Everyone in government has been lying to you. That’s why they call for an insurrection. This is evil stuff. These are the things that will free the worker.” (the transcript on fox news webiste is inaccurate)

It shouldn’t come as a suprise for those familiar with Tiqqun and the Tarnac affair. One could safely predict that the book will fall off the English bestsellers list in a few weeks. We should just remember that the social phenomenon this book takes (or is trying to take) into account is in no way limited to the sales of the book itself.


↳Share Feb 21 notes communication  critic  revolution  book  economy  society  destruction  people  culture 
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✖ Via idsgn (a design blog): “The Helvetica man”

“Long before modern icon libraries like Helveticons, designers and sign-makers were forced to use a mishmash of symbols. Until the Helvetica man came along… — By 1974, the U.S. Department of Transportation (DOT) realized the problem of using inconsistent symbols and commissioned the AIGA to produce a standard set for the Interstate Highway System, resulting in Symbol Signs. Sometimes referred to as the ‘Helvetica’ of pictograms (or specifically the Helvetica Man as coined by Ellen Lupton, and interviewed by Designer Observer), the project gave us the most common pictograms we see today. […] The AIGA team (which consisted of Thomas Geismar, Seymour Chwast, Rudolph de Harak, John Lees, and Massimo Vignelli) worked with designers Roger Cook and Don Shanosky to study the various pictogram systems in use around the world at the time, drawing inspiration from airports, train stations, and the Olympic Games.

A set of 34 symbols was published in 1974, receiving one of the first Presidential Design Awards. In 1979, 16 more symbols were added, creating a total of 50. Over the years, the symbols have become a standard in wayfinding, resulting in a set of icons we see and recognize on a daily basis (like the popular restroom and no smoking signs).

The copyright-free symbols, available for download from AIGA’s website, were released in the public domain and can be used by anyone without license.” (read more).


↳Share Feb 05  link  notes art  communication  human  symbole  icon  man  helvetica  font  typeface  history  culture  design 
art film movie quote still credit philosophy philosopher author book power war culture
✖ Via Conan the Barbarian by John Milius, 1982

Conan the Nietzschean… Way to go, Conan.

The quote is taken from Twilight of the Idols (Die Götzen-Dämmerung, 1895). It’s the 8th maxim from the section “Maxims and arrows” (the very first section of the book, after the preface). Here is a slightly different translation : “Out of life’s school of war: What does not destroy me, makes me stronger.” (tr. by Walter Kaufmann and R.J. Hollingdale here).


↳Share Jan 26  link  notes art  film  movie  quote  still  credit  philosophy  philosopher  author  book  power  war  culture 
art technology visualization infographic data social city pattern movie film economy culture
✖ Via The New York Times: “Netflix Rental Pattern by Neiborhood”, infographic by Matthew Bloch, Amanda Cox, Jo Craven McGinty and Kevin Quealy, Jan 10, 2010
“Examine Netflix rental patterns, neighborhood by neighborhood, in a dozen cities. Some titles with distinct patterns are Mad Men, Obsessed and Last Chance Harvey.”

In New York City, people who watch Mad Men mainly live in the Financial District and in Downtown Brooklyn. Those are two of the most important central business district of NYC.


↳Share Jan 14  link  notes art  technology  visualization  infographic  data  social  city  pattern  movie  film  economy  culture 

McManus: What now, briefly, is this thing called media ecology?

McLuhan: It means arranging various media to help each other so they won’t cancel each other out, to buttress one medium with another. You might say, for example, that radio is a bigger help to literacy than television, but television might be a very wonderful aid to teaching languages. And so you can do some things on some media that you cannot do on others. And, therefore, if you watch the whole field, you can prevent this waste that comes by one conceling the other out.

✖ Via Understanding Me: Lectures and Interviews, by Herbert Marshall McLuhan, edited by Stephanie Mcluhan and David Staines, McClelland & Stewart, [2003]2005, p. 271 [Google books overview]

Previously on Skandalon: the Media Ecology Association



↳Share Jan 10  link  notes communication  technology  media  ecology  evolution  culture  book  author 
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✖ Via Golden Age Comic Book Stories: Norman Rockwell, The Saturday Evening Post, Dec. 16, 1939

“Norman Percevel Rockwell (February 3, 1894 – November 8, 1978) was a 20th century American painter and illustrator. His works enjoy a broad popular appeal in the United States, where Rockwell is most famous for the cover illustrations of everyday life scenarios he created for The Saturday Evening Post magazine over more than four decades. (Wikipedia)

Read “The History Behind Norman Rockwell and the Saturday Evening Post Covers” over at the Norman Rockwell Museum of Vermont website.


↳Share Dec 21  link  notes art  illustration  illustrator  painting  Santa  Christmas  vintage  retro  design  cover  America  culture  tradition 
book celebrity culture marchandise design
✖ Via Books By The Foot

“With pricing starting at $6.99 per linear foot, we provide you with attractive “like new” hardback books. These books will display attractively and offer your clients great value. We can also quote you unit pricing should your specs require.”

If you have more money, try Strand Books : apparently, they “put together” library for client such as Steven Spielberg and Polo Ralph Lauren… For 400$/foot you can have “Beautiful antique leather books with gold tooling, mostly 19th Century books in good condition.” That’s not all: “Your library of fine antique leather books can be customized by language or color for a higher price.”

No need to read them.


↳Share Dec 15  link  notes book  celebrity  culture  marchandise  design 

Professionnel de l’insertion de clin d’œil culturel, le réalisateur peut aussi passer à la demande en mode rafale de name-dropping. Dans Les Inrocks du 2 décembre il parvient à placer dans une interview de quatre pages Melville, Samuel Fuller, Béla Bartòk , Lester Young, Van Gogh, William Blake, une série de groupes de rock (Boris, Black Angels, Thee Oh Sees, les Rolling Stones, les Kinks, les Animals), Keith Richards, Neil Young, Michel Cassé (un physicien nucléaire spécialiste de Rimbaud, rien que ça), Don DeLillo, Paul Auster, Joe Strummer, les westerns-spaghettis, Nicholas Ray, L’Oulipo, Brian Eno, Antonioni, Tarkovski, Rivette et même les pythagoriciens (au cas où la liste précédente paraîtrait un peu convenue).
✖ Via Slate.fr: “Pourquoi Jarmusch rend la critique hystérique” by Jean-Laurent Cassely (Monday 7, December 2009).

It’s all about the critical reception of Jim Jarmusch’s latest film The Limits of Control



↳Share Dec 13  link  notes art  movie  film  cinema  Jarmusch  critic  culture  France 
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✖ Via Alison Jackson @ M+B Gallery: “Tom teaches Suri Scientology”, 2006, chromogenic print, signed, dated and numbered verso.

Artist’s statement: “This work is about simulation. Creating a clone or a copy of the “real” on paper. It is not a fake, it takes the place of the “real” for a moment, whilst looking at the image. The aim is to create likenesses of icons, where in the image, the simulations of icons, threatens the difference between “true” and “false,” between “real” and “imaginary”. The “real” subject becomes not necessary. The photographic image or the icon is more important and more seductive. It doesn’t matter to the viewer if the portrayal is not the “real”—as long as it looks like him or her—it creates a temporary confusion. This is the confusion the work searches to create. We think we are looking at something real, but we’re not. They are false images of look-alikes of the real thing.” (Read more)


↳Share Sep 15  link  notes photo  photograph  hack  simulation  philosophy  movie  star  culture  art  artist 

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