Paul Stiff, a reader in typography and graphic communication at the University of Reading in the United Kingdom, studies information design, and he is fascinated by these fragments of “demotic” wayfinding. Stiff has been accumulating homespun maps for three decades now. One of his very first finds: a map picked up from the floor of a corridor at his work, something that was “literally, a back-of-the-envelope sketch. Stiff believes that we amateurs have something to teach the pros. Our maps are efficient—they edit out unnecessary information.
✖ Via Slate: “Do You Draw Good Maps?” by Julia Turner, March 4, 2010

This article is part of an ongoing series by Julia Turner focusing on “The Secret Language of Signs”.

Previously on Skandalon: maps.



↳Share Mar 11  link  notes reblogged from Bobulate technology  communication  map  space  orientation  data  visualization  design  graphic 
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✖ Via I Am Paddy: “4 Pixels or Less” by Paddy Donnelly

About the project:

“Well, feeling inundated with the amount of fonts, brushes, images, patterns, gradients, drop shadows and copy I generally squeeze into each day, I set myself a little minimalistic design challenge. The challenge : represent a range of movies in 4 pixels or less.” (more)

About Paddy Donnelly:

“Anyway, I am an Irish web designer, blogger, interviewer and illustrator currently living in Belgium. My official title over at Nascom is somewhere between ‘user experience designer’ and ‘information architect’. I’m a big fan of my own little mini projects and I generally spend way too much time on the Internet. I learned most of what I know from my degree in Interactive Multimedia Design, my Masters in Multi-Disciplinary Design and Wikipedia.” (more)

↳Share Mar 09  link  notes technology  art  design  movie  film  computer  pixels 

I’m doing this because I like accountability and transparency, and I believe in public service. And it is the complete opposite of everything else I do. Maybe I’ll learn something. The practical consequence is that I will probably go to Washington several days each month, in addition to whatever homework and phone meetings are necessary.
✖ Via Edward Tufte: “Edward Tufte Presidential Appointment” March 7th, 2010
“Edward Tufte is Professor Emeritus of Political Science, Statistics, and Computer Science at Yale University. He wrote, designed, and self-published The Visual Display of Quantitative Information, Envisioning Information, Visual Explanations, and Beautiful Evidence, which have received 40 awards for content and design. He is a Fellow of the American Academy of Arts and Sciences, the Guggenheim Foundation, the Center for Advanced Study in the Behavioral Sciences, the Society for Technical Communication, and the American Statistical Association. He received his PhD in political Science from Yale University and BS and MS in statistics from Stanford University.”

Previously on Skandalon



↳Share Mar 08  link  notes reblogged from Casey A. Gollan: Notes + Links communication  design  visualization  data  statistics  politic  economy 

SO: ARE PRINTED BOOKS DEAD? Not quite. The rules for iPad content are still ambiguous. None of us has had enough time with the device to confidently define them. I have, however, spent six years thinking about materials, form, physicality and content and — to the best of my humble abilities — producing printed books. So, for now, here’s my take on the print side of things moving forward. Ask yourself, “Is your work disposable?” For me, in asking myself this, I only see one obvious ruleset:
- Formless Content goes digital.
- Definite Content gets divided between the iPad and printing.
Of the books we do print — the books we make — they need rigor. They need to be books where the object is embraced as a canvas by designer, publisher and writer. This is the only way these books as physical objects will carry any meaning moving forward.
✖ Via Craig Mod: “Books in the Age of the iPad” March 2010

Craig Mod is a “developer; writer; book designer; publisher; professional world-wide digital hobo”. Here’s what he has to say about books:

“I’ve always loved books. I’ve always loved computers. We are currently experiencing a very unique convergence point for things digital and analog. Because of this, I think that right now is a very exciting time to be involved with storytelling. The world is smaller than ever and the stories hidden in data and hitherto inaccessible cultures are just a few keystrokes or a plane ride away. I’m interested in engaging these stories, developing sustainable businesses that evoke thoughtful communities and finding ways to bridge cultures.” (more)

Check out the books he designed.



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✖ Via Samantha Loman: “Underskin” (on the behance network)

About Samantha Loman:

“Sam or in case you are wondering her full name is Samantha Patricia Loman was born on August 7, 1983. She studied Illustration at the academy of arts in Rotterdam the Netherlands and received her Bachelor of Design in January 2005. A year before her graduation she started her own design business. First as an illustrator but soon she extended her creative skills with graphic design, photography, product design and writing children and non-fiction books.” (more)

↳Share Mar 07  link  notes reblogged from Oueb Niouzes art  communication  technology  system  circulation  anatomy  transport  design  metaphor 
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✖ Via

idsgn (a design blog) – Now and then: How film titles have evolved

“Before the cinematic title sequences of today’s films, pioneered by the likes of Saul Bass and (more recently) Kyle Cooper, film titles were once a motionless work of art. In this ‘Now and then,’ we are pressing pause and exploring the art behind the film title.

Since the early days of cinema, artists have carefully designed film titles to captivate audiences and set the film’s mood. To bring attention to this often overlooked art form, Dutch graphic designer (and movie lover) Christian Annyas has put together The Movie Title Stills Collection. The website collects and neatly organizes film titles by decade, from the 1920’s to present. To illustrate how film titles have evolved over the years, we’ve chosen some of our favorites from the collection.”


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In recent years there have been big advances in displaying massive amounts of data to make them easily accessible. This is emerging as a vibrant and creative field melding the skills of computer science, statistics, artistic design and storytelling. “Every field has some central tension it is trying to resolve. Visualisation deals with the inhuman scale of the information and the need to present it at the very human scale of what the eye can see,” says Mr Wattenberg, who has since moved to IBM and now spearheads a new generation of data-visualisation specialists.
✖ Via The Economist: “A Special Report on Managing Information: Show Me” Feb 25th, 2010

About Martin Wattenberg:

“Martin Wattenberg is a computer scientist and artist. He is the founding manager of IBM’s Visual Communication Lab, which researches new forms of visualization and how they can enable better collaboration. The lab’s latest project is Many Eyes (http://www.many-eyes.com), an experiment in open, public data visualization and analysis.” (more)

Visit Martin Wattenberg official site.



↳Share Feb 27  link  notes technology  communication  art  data  visualization  chart  design 
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✖ Via GOOD.is: | The Biggest News Stories of the Year (Raw Image)
“A look back at this year’s biggest news stories, from the serious (financial collapse) to the bizarre (balloon boy), paints an interesting picture of what events held our attention in this last year of the decade. The website Journalism.org monitors the news from 55 outlets every week, calculating what percent of the week’s print, television, radio, and internet reporting is devoted to each story. Our latest Transparency is a look at the totals for all the news this year, divided into categories of politics, culture, business, and plain old bad news”

A collaboration between GOOD and Naz Şahin and Şerifcan Özcan.


↳Share Feb 26  link  notes communication  technology  news  press  media  year  statistics  data  visualization  design 
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✖ Via OMG Posters: “Knitting Factory” giclee print by iso50 (Scott Hansen)

About Scott Hansen:

“I am a San Francisco, California based musician (Tycho) and artist (ISO50). I created the ISO50 site originally to house my design work in a portfolio format but over the years it has grown to encompass a shop, clothing line, and blog.” (more)

↳Share Feb 24  link  notes technology  art  poster  design  vintage  machine  computer  kids 
art poster design animal illustration illustrator man monster revenge book author classic water sea boat violence lost
✖ Via KN | Kitsune Noir: “KN/PC Presents: Inside Look at Mark Weaver”

Poster design by Mark Weaver inspired by the book Moby Dick by Herman Melville (1851). The poster was designed for the Kitsune Noir Poster Club.

Follow the link to read an interview with Cody Hoyt about his creative process.

Previously on Skandalon : Mark Weaver, Kitsune Noir


↳Share Feb 12  link  notes art  poster  design  animal  illustration  illustrator  man  monster  revenge  book  author  classic  water  sea  boat  violence  lost 

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