Another way of saying this, as Viktor Shklovsky did in his seminal 1916 essay, “Art as Technique,” is that art’s aim “is to make objects ‘unfamiliar,’ to make forms difficult, to increase the difficulty and length of perception.” Through difficulty, through impeded progress (rather than through predictability and velocity), art offers us a return to apprehension and thought.
✖ Via The Quarterly Conversation, “DeLillo’s 24-hour psycho” by Lance Olsen, March 1st, 2010
“Lance Olsen’s most recent novel is Head in Flames (Chiasmus, 2009). He teaches narrative theory and practice at the University of Utah.”


• Apr 08, 2010 link notes tagged: art  time  speed  entertainment  distraction  shock  world  experience  DeLillo  book  novel  author  review 

What is considered most fundamental about relationships is their formation and their subsequent withering, faltering and disintegration. Before that, they change enormously in increments inside the lapses of time necessary for any of them to become memories. It means the causalities attributed to define relationships are, at best, superfluous if their goal is to help understand their qualities. It also means that to understand their qualities, a careful attending to those almost forgotten moments constituting them (Novalis’ “differential of the function of future and past”¹) has to be undertaken. Once this perspective is adopted, relationships become incredibly rich and complex, and require the refinement of distinctions and observations a mind can rarely afford to maintain for a stable period of time. Hence the underlying stream of most change and notable exceptions demands much effort to be attended to, and some of life’s most fantastic glimpses of itself are apprehended in the form of illumination, when a moment is lived long enough not to be possibly remembered in its tainted and impaired state.

¹Novalis, Werke, ed. Ewald Wasmuth, Heidelberg, 1957, vol. I, p. 129 (fragment 417)

✖ Via Leftovers

• Mar 29, 2010 link notes reblogged from leftoverfest  [via] tagged: communication  relation  relationship  community  time  evolution  future  destruction  lost  memory  past  experience 

A decade later, there’s a new kind of Tamagotchi out there. And it’s us. New health-monitoring tools let us pay close attention to our state of being, how much exercise we’re getting, how much sleep we’re getting — and they make it easy to set a goal and improve ourselves. In other words, they turn our health into something of a game. And the reward is better health and a better life. These devices are popping up everywhere: The FitBit is a paper-clip sized device that you can clip onto your belt to monitor cadence, calories and sleep. A genius little display shows a flower that grows the more you move, offering a brilliant bit of feedback. The Zeo sleep system uses a rigorous biometric brain analysis to measure overall sleep quality; you can also drill down into the numbers to ascertain how much time you’re spending in light sleep versus deep sleep (the deeper the better). The BodyMedia Fit uses a combination of sensor technology to track cadence and calories, as well as respiration and heartrate. And the Philips DirectLife gizmo turns your data into a personal coaching kit that helps you adjust targets and meet goals.
✖ Via Wired: “You Are a Tamagotchi: Turning Your Health Into a Game” by Thomas Goetz, March 11, 2010
“Thomas Goetz is the executive editor of Wired magazine and author of the new book The Decision Tree: Taking Control of Your Health in the New Era of Personalized Medicine. As part of the reporting for the book, he had his genome scanned, was screened for more than a dozen diseases, and has tracked his sleep, blood pressure, weight, calories and oodles of other metrics. He holds a masters of public health from UC Berkeley.” (more)


• Mar 14, 2010 link notes reblogged from leftoverfest  [via] tagged: technology  communication  information  health  body  human  experience  feedback  machine  interface  user 
technology communication experience ipad apple innovation sense interaction interface intelligence community epistemology extension meida kids  reblog
✖ Via I’m Not Actually a Geek : “Apple iPad and the Radical Innovation of Meaning” by Hutch Carpenter, Feb. 2, 2010
“OK, if iPad is innovating meaning even more than it is technology, what meaning might that be? Here’s my best guess:

iPad is tapping into an emerging dynamic of a more interactive, tactile experience with digital technology and information. These interactions make technology less of an interface, and more of an extension of ourselves and our environment.

The tweets above are a couple that show the natural way children engage with technology. Given the iPhone experience, they turn around and want to apply it to other devices. Buttons on devices, our traditional form of interaction, are divorced from the screen. They provide a measure of distance from the digital experience.

Touch, however, represents a new level of intimacy in the digital experience. In technology terms, it’s just an alternative form of interface. Touch, mouse, tab, whatever. But touch is a vital human sense, and a core part of experience. It’s how we interact with others, how we shop, experience textures and so much more.”

About Hutch Carpenter:

“I am the VP of Product for Spigit. Spigit helps companies manage innovation, providing idea management and prediction market software for enterprises. The goal is enable easy capture of ideas by employees, customers and partners, and convert the most promising to innovative initiatives. Spigit recently received a $10 million equity investment from Warburg Pincus.” (more)


• Feb 02, 2010 link notes reblogged from infoneer-pulse  [via] tagged: technology  communication  experience  iPad  Apple  innovation  sense  interaction  interface  intelligence  community  epistemology  extension  meida  kids 

Of the many men whom I am, whom we are,
I cannot settle on a single one.
They are lost to me under the cover of clothing
They have departed for another city.

When everything seems to be set
to show me off as a man of intelligence,
the fool I keep concealed on my person
takes over my talk and occupies my mouth.

On other occasions, I am dozing in the midst
of people of some distinction,
and when I summon my courageous self,
a coward completely unknown to me
swaddles my poor skeleton
in a thousand tiny reservations.

When a stately home bursts into flames,
instead of the fireman I summon,
an arsonist bursts on the scene,
and he is I. There is nothing I can do.
What must I do to distinguish myself?
How can I put myself together?

All the books I read
lionize dazzling hero figures,
brimming with self-assurance.
I die with envy of them;
and, in films where bullets fly on the wind,
I am left in envy of the cowboys,
left admiring even the horses.

But when I call upon my dashing being,
out comes the same old lazy self,
and so I never know just who I am,
nor how many I am, nor who we will be being.
I would like to be able to touch a bell
and call up my real self, the truly me,
because if I really need my proper self,
I must not allow myself to disappear.

While I am writing, I am far away;
and when I come back, I have already left.
I should like to see if the same thing happens
to other people as it does to me,
to see if as many people are as I am,
and if they seem the same way to themselves.
When this problem has been thoroughly explored,
I am going to school myself so well in things
that, when I try to explain my problems,
I shall speak, not of self, but of geography.

✖ Via “We Are Many” by Pablo Neruda, in We Are Many (poems), translated by Alastair Reid, Cape Goliard Press, 1967, Grossman (New York, NY), 1968.

More of Neruda’s poems online over at PoemHunter.com

Compare with An Evening With Mr. Teste by Paul Valery (French poet, essayist and philosopher):

“Stupidity is not my strong point. I have seen many persons; I have visited several nation; I have taken part in divers enterprises without affecting them; I have eaten nearly everyday; I have tampered with women. I now recall several hundred faces, two or three great events, and perhaps the substance of twenty books. I have not retained the best nor the worst of these things. What could stick, did.
This bit of arithmetic spares me surprise at getting old. I could also add up the victorious moments of my mind, and imagine them joined and soldered, composing a happy life… But I think I have always been a good judge of myself. I have rarely lost sight of myself; I have detested, and adored myself―and so, we have grown old together.

(from the Selected Writings of Paul Valery, tr. byJackson Mathews, New Directions Publishing, 1964, p. 236)

See also The Who’s album Quadrophenia



• Jan 24, 2010 link notes tagged: art  experience  identity  individu  individuation  life  philosophy  poem  poet  self  subject  representation 

Que retenir de ce qu’on a vécu? Les joies et les peines sans nom – mais auxquels on a su en donner un. La vie dure ce que durent nos émois. Sans eux, elle est poussière vitale.
✖ Via Emil Cioran, Bréviaire des vaincus, §7, in Oeuvres, éd. Gallimard, coll. Quarto, [1993]1995, p. 516

This essay has yet to be translated in English. See Cioran’s bibliography on Cioran.eu.



• Aug 10, 2009 link notes tagged: art  author  book  philosophy  life  pain  death  experience 

skandalon


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