LIFE – Hosted by Google: “The Youth Communes; New way of living confronts the U.S.” July 18th, 1969. Photo by John Olson

“Dolk Lundgren, or simply Dolk (Norwegian for dagger/knife), is a Norwegian stencil artist whose work has rapidly gained popularity since first being introduced to the masses via Wooster Collective (street works) and Pictures on Walls (POW) (commercially available prints). His “official” biography, courtesy of POW, stated, “The premier stencil artist in Norway and wise beyond his years, Dolk has been voted ‘most likely to succeed’ by his classmates at vandal school.” POW went on to say, “Direct from Bergen, Norway we present Dolk Lundgren. An exciting new artist who lists amongst his hobbies ‘sex, sex, and vandalism’.” Dolk’s profile from Stencil Revolution lists his occupation as “fluffer” and states his interests as “stencils, painting, exploring, sex.” (much more)

Visit the Dolk Forum.

“The father, the mother and their three kids live at the outskirts of a city. There is a tall fence surrounding the house. The kids have never been outside that fence. They are being educated, entertained, bored and exercised in the manner that their parents deem appropriate, without any influence from the outside world. They believe that the airplanes flying over are toys and that zombies are small yellow flowers. The only person allowed to enter the house is Christina. She works as a security guard at the father’s business. The father arranges her visits to the house in order to appease the sexual urges of the son. The whole family is fond of her, especially the eldest daughter. One day Christina gives her as a present a headband that has stones that glow in the dark and asks for something in return.”

Michael Haneke meets The Royal Tannenbaum.

“HE WAS A TOURIST, a quarter-million miles from home. And like any traveler, he wanted to bring home a special memory.

So Apollo16 astronaut Charles M. Duke Jr. came up with a plan. Several months before his scheduled 1972 mission to the moon, Duke receveid permission from NASA to leave behind a family photograph. The picture—of Duke, wife Dorothy, and sons Charles III and Thomas—was taken by a friend in the Dukes’ Houston, Texas, backyard several week before the April 16 liftoff.

Astronaut Duke was given intensive photography training prior to the mission. He was taught about f-stops, exposure, and learned how to operate a custom Hasselblad camera. He took thousands of practice pictures and hundreds on the moon. But he never considered himself much of a photographer. “Just a point-and-shoot man,” he said decades later.

In the final hour of the final day of his three-day visit to the moon, Duke took out the shrink-wrapped family snapshot and gingerly placed it on the lunar surface, near the crater Descartes. It was a gift, his message to whoever might one day stumble upon it. He then took a snapshot of a snapshot. Evidence. A memory.” (Who We Were by Michael Williams, Richard Cahan and Nicholas Osborn, Chicago Cityfiles Press, 2008, p. 238).

Actually, he took at least three snaphotd : AS16-117-18839, AS16-117-18840 and AS16-117-18841, though the last one is clearly the best shot.

Previously on Skandalon: Apollo, Nicholas Osborn.

Banksy: “TV has made us into monsters” (drawing).

The excitement of playing with white squares.

”Bicycle Thieves (Italian: Ladri di biciclette, also known as The Bicycle Thief) is a 1948 Italian neorealist film directed by Vittorio De Sica. It tells the story of a poor man searching the streets of Rome for his stolen bicycle, which he needs to be able to work. The film is based on the novel of the same name by Luigi Bartolini and was adapted for the screen by Cesare Zavattini. It stars Lamberto Maggiorani as the poor man searching for his lost bicycle and Enzo Staiola as his son.” (Wikipedia)