The future has already arrived. It’s just not evenly distributed yet.

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…meanwhile, my work will continue to appear weekly in the observer for david mitchell’s column - here is this week’s illustration, out on sunday.

Here’s the related Observer’s article.

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David Foldvari was born in Budapest, Hungary, but has lived in the UK for the last 20 years. His work often tackles issues of alienation, identity and belonging, formed by a preoccupation with his eastern European roots, combined with his experience of growing up in the UK.

David’s work is bold, darkly humorous and often political in tone, his considered and energetic draftsmanship having led to a prolific output both personally and commercially. Some of his previous clients include the New York Times, Greenpeace, Random House, Penguin Books, Dazed & Confused and Island Records. (Bigactive.com)

Visit David Foldvari’s blog. Some of his artwork can be purchase over at the Product of God online gallery.

Hark! A Vagrant! is an comic series by Kate Beaton:

Kate Beaton was born in Nova Scotia, took a history degree in New Brunswick, paid it off in Alberta, worked in a museum in British Columbia, then came to Ontario to draw pictures. (About)

Kate owns a degree in History and Anthropology from Mount Allison University.

If you mouse over the comic over at XKCD website, you get this comment:

‘Fucking ineffable’ sounds like someone remembering how to do self-censorship halfway through a phrase

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About The Burt Britton Collection of artists’ self-portraits:

Picking up a bartending shift at the Village Vanguard, the famous New York jazz joint where he usually worked the door, Burt Britton found himself alone at last-call with just one final patron, Norman Mailer. After pouring the esteemed author a final drink, the question was put to Burt, “What do you want from me, Kid?” Exasperated at the end of the long shift, Burt inexplicably responded, “draw me your self-portrait,” handed him a piece of folded paper, and that, simply put, is how it all began.

That night in the mid-Sixties Mailer produced and gave to Britton an amazing object of self-expression, the first of hundreds to come, a self-portrait of the author more revealing than 1000 words. Inspired by Mailer’s product, Britton started to collect. Still at the Vanguard, he gathered self-portraits by Miles Davis and Herbie Hancock after landmark 1966 concerts, he even got a portrait from a New York high-school basketball phenomenon, Lew Alcindor, later the champion Kareem Abdul-Jabbar. Moving to the legendary Strand bookstore in about 1968, Britton encountered novelists, poets, journalists, and critics, both the highly regarded and those just starting out. He would respectfully ask local and visiting literary luminaries such as Truman Capote, Tennessee Williams and Jorge Luis Borges to add their self-portrait to his album with the same democratic spirit that he offered the young John Irving, just months away from the fame that came with The World According to Garp. (Bloomsbury’s auction catalogue : PDF)

Bloomsbury’s catalogue contains every items in the Burt Britton Collection along with details and explanations about the Collection in general and some specific explanations about each self-portrait as well. Alternatively, one can browse the collection over at the Bloomsbury Auctions official website. Back in 2009, there was a story about this collection in The New York Times: “Self-Portraits Speak More Than Words” by James Barron, September 23th, 2009.

Previously on Skandalon : Don DeLillo

Previsously on Skandalon

Previously on Skandalon: Peanuts.

In the 50s and 60s, as the whole ‘Mad Men’ advertising agency era was booming, no one came close to Gescheidt for innovative photography, and he created numerous campaigns, magazine, book, and album covers. His images often both flattered and mocked American sensibilities, and his ’30 Ways To Stop Smoking’ series from 1964 remains a landmark in satirical conceptual photography. (Field Of Vision: Alfred Gescheidt)

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