About the photo:

George Tames covered Washington D.C for four decades (1945-1985) and is best remembered for one, “The Loneliest Job,” a photograph of President John F. Kennedy looking out of the south window of the oval office. Tames took the photograph through the door of the Oval Office, after Kennedy thought he had left. From behind, it looks as if he is carrying the weight of the world. Kennedy – who had a bad back – simply was reading the newspapers standing up, as he often preferred to do.[…]

Although the photo was taken on Feb. 10, 1961 — just a few months into Kennedy administration — the image would later take on a more symbolic meaning as the Kennedy presidency waded into difficult waters. During the Cuban Missile Crisis, the New York Times christened the photo, “The loneliest job in the world.” The photo was a favourite of President Clinton, who hang it in the Treaty Room, the presidential private office on the second floor of the White House. The West Wing recreated it for its opening segment (below). (more)

This photo is part of the George Tames Collection hosted by The New York Times Agency. George Tames was a photographer for The New York Times from 1945 to 1985.

“Long before modern icon libraries like Helveticons, designers and sign-makers were forced to use a mishmash of symbols. Until the Helvetica man came along… — By 1974, the U.S. Department of Transportation (DOT) realized the problem of using inconsistent symbols and commissioned the AIGA to produce a standard set for the Interstate Highway System, resulting in Symbol Signs. Sometimes referred to as the ‘Helvetica’ of pictograms (or specifically the Helvetica Man as coined by Ellen Lupton, and interviewed by Designer Observer), the project gave us the most common pictograms we see today. […] The AIGA team (which consisted of Thomas Geismar, Seymour Chwast, Rudolph de Harak, John Lees, and Massimo Vignelli) worked with designers Roger Cook and Don Shanosky to study the various pictogram systems in use around the world at the time, drawing inspiration from airports, train stations, and the Olympic Games.

A set of 34 symbols was published in 1974, receiving one of the first Presidential Design Awards. In 1979, 16 more symbols were added, creating a total of 50. Over the years, the symbols have become a standard in wayfinding, resulting in a set of icons we see and recognize on a daily basis (like the popular restroom and no smoking signs).

The copyright-free symbols, available for download from AIGA’s website, were released in the public domain and can be used by anyone without license.” (read more).