Previously on Skandalon.

Previously on Skandalon

Ariel Levy wrote about McGinley:

“People fall in love with McGinley’s work because it tells a story about liberation and hedonism: Where Goldin and Larry Clark were saying something painful and anxiety-producing about Kids and what happens when they take drugs and have sex in an ungoverned urban underworld, McGinley started out announcing that “The Kids Are Alright,” fantastic, really, and suggested that a gleeful, unfettered subculture was just around the corner—still—if only you knew where to look.”

“That show, “The Kids Are Alright,” depicted a downtown neverland where people are thrilled and naked, leaping in front of graffiti on the street, sacked out in heaps of flannel shirts—everything very debauched and drug-addled and decadent, like Nan Goldin hit with a happy wand.” (New York Magazine)

I think it’s an inexact account of both McGinley and Clark works. Kids are happy from time to time in Larry Clark’s Kids. And young naked people seems to be a little fucked up in some on McGinley photographs. I would certainly not opposed those two artist that quickly.

Previously on Skandalon

Nationaal Archief’s photostream: “Boys cheering when their favorite team scores”, Velsen, Netherlands, October 18th, 1931.

“McGinley went on a two-year road trip, traveling to dozens of Morrissey concerts in the US, the UK, and Mexico. The resultant photos, many of which are densely saturated in the concerts’ colored lights, feature candid shots of fans, regularly zooming in for seductive close-ups of enamored youngsters—a celebration of the ecstatic cult of fame and its ardent enablers. A few oblique pics of Morrissey himself are scattered throughout the show, though the shots are careful to avoid the singer’s face.” (more)

About McGinley:

“Ryan McGinley (born October 17, 1977) is an American photographer living in New York City who began making photographs in 1998. In 2003, at the age of 24, McGinley was the youngest artist to have a solo show at the Whitney Museum of American Art. He was also named Photographer of the Year in 2003 by American Photo Magazine. In 2007 McGinley was awarded the Young Photographer Infinity Award by the International Center of Photography.” (wikipedia)

The ad was run during the 70s. See instance of it in 1970, 1971 and 1976 (from a National Geographic issue). Its rhetoric is discussed in S. Morris Engel’s book Fallacies and pitfalls of language: the language trap (1994).

“This lithograph, from the sixth edition of Maygrier’s Midwifery Illustrated, shows the accoucheur determining the state of pregnancy by what we would now call digital examination, but what was known then by the suitably understated term “touching the female.” Maygrier’s work, published in the early days of obstetrics when male physicians were vying with female midwives over (at least the institutional) the control of childbirth, illustrates the problematic situation early obstetricians were faced with. The idea was that the male physician could put his fingers wherever he wanted, but common decency in post-Empire France (or mid 19th-century America, for that matter) prevented him from actually looking.”

Check the whole blog entry for more plates and much more explanation. All of the plates are online at the BNF’s Gallica digital library.

“The father, the mother and their three kids live at the outskirts of a city. There is a tall fence surrounding the house. The kids have never been outside that fence. They are being educated, entertained, bored and exercised in the manner that their parents deem appropriate, without any influence from the outside world. They believe that the airplanes flying over are toys and that zombies are small yellow flowers. The only person allowed to enter the house is Christina. She works as a security guard at the father’s business. The father arranges her visits to the house in order to appease the sexual urges of the son. The whole family is fond of her, especially the eldest daughter. One day Christina gives her as a present a headband that has stones that glow in the dark and asks for something in return.”

Michael Haneke meets The Royal Tannenbaum.

Previously on Skandalon

About Scott Hansen:

“I am a San Francisco, California based musician (Tycho) and artist (ISO50). I created the ISO50 site originally to house my design work in a portfolio format but over the years it has grown to encompass a shop, clothing line, and blog.” (more)

“OK, if iPad is innovating meaning even more than it is technology, what meaning might that be? Here’s my best guess:

iPad is tapping into an emerging dynamic of a more interactive, tactile experience with digital technology and information. These interactions make technology less of an interface, and more of an extension of ourselves and our environment.

The tweets above are a couple that show the natural way children engage with technology. Given the iPhone experience, they turn around and want to apply it to other devices. Buttons on devices, our traditional form of interaction, are divorced from the screen. They provide a measure of distance from the digital experience.

Touch, however, represents a new level of intimacy in the digital experience. In technology terms, it’s just an alternative form of interface. Touch, mouse, tab, whatever. But touch is a vital human sense, and a core part of experience. It’s how we interact with others, how we shop, experience textures and so much more.”

About Hutch Carpenter:

“I am the VP of Product for Spigit. Spigit helps companies manage innovation, providing idea management and prediction market software for enterprises. The goal is enable easy capture of ideas by employees, customers and partners, and convert the most promising to innovative initiatives. Spigit recently received a $10 million equity investment from Warburg Pincus.” (more)

“More kids are getting mobile phones: Last year, more than 35% of U.S. children ages 10-11 had cellphones, almost double the amount in 2005, according to Mediamark data, via eMarketer. And even more than 5% of 6-7-year-olds had cellphones last year.”

About the Business Insider:

“Welcome! The Business Insider (TBI) is a new business site with deep financial, entertainment, green tech and digital industry verticals. The flagship vertical, Silicon Alley Insider, launched on July 19, 2007, led by DoubleClick founders Dwight Merriman and Kevin Ryan and former top-ranked Wall Street analyst Henry Blodget.” (read more)