Nina Leen fascination with the world veiwed through a camera lens extends to both the human and animal kingdom. Born in Russia, Leen grew up in Germany, Italy, and Switzerland, where she achieved acclaim as an animal photographer. Upon first arriving in the United States in 1939, her reporter’s eye led to a series of wryly amusing works on the habits and rituals of her newly adopted homeland. Her series on, “A Teenager Monopolizes the Telephone,” or her descriptions and images of “The American Male,” are timeless evocations of symbols of modern American society. (read on)

Read The New York Times obituary for Nina Leen. Browse her “teenagers” series for Life Magazine.

Previously on SKandalon: 9 0 0 0

About this project:

Often love affairs are instable, fleeting and unpredictable. It seems emotions change in a chaotic way. On this assumptions some mathematicians recently modeled a love relationship in terms of dynamic system. One of the case study of this kind of works is Jules et Jim, the autobiographical novel of Henri Pierre Roché and his cinematographic version by François Truffaut. The main psycho-physical features of the three characters and their long and turbulent triadic relationship have been synthesized in a mathematical model enlightening the relationship as a real chaotic system.

Since we strongly agree with Kurt Richardson that «there exists an infinitude of equally valid, non-overlapping, potentially contradictory descriptions» for any complex system. And there is «the need for synthesizing a wide variety of perspectives in an effort to better understand the problem at hand, and how we might collectively act to solve it» and we strongly agree with Paul Cilliers that when: «dealing with complexity there are simultaneous roles for the natural and the human sciences, for both mathematics and imagination», we asked our student to model the Jules, Jim and Catherine System form their point of view, using the designer visual attitude, to better understand it. (Density Design: “Jules et Jim” by Donato Ricci, January 23rd, 2009)

About Density Design:

Density Design is a research and teaching program. Born as a laboratory course in the final year of the Master Degree in Communication Design at the Politecnico di Milano, it develops into a research group. Using complexity as a keyword to understand reality, combining it with a continuous research for information aesthetics and representation, DensityDesign explores the emergent relationships among communication design, information visualization and complex systems. (more)

At first, I found those visualizations much more confusing than the film. Thus, the problem of modeling or representing : a guy (Henri Pierre Roché) lived his life, tried to understand it, to make some sense out of what he experienced. He than tried to create a model so that he could explain what he thought he knew about his life to other : a novel was born our of this effort. Truffaut read the novel, he experienced it and tried to make sense of the story he read, maybe using his own experiences. Than, he proposed himself to show what he thought and felt by the means of movie making, BW film, Cinemascope ratio, fixed frame, voice over reading, music, etc. Finally, design students watch the film (I don’t know if they read the book) and tried to visually represent in a static form, using science and imagination, the way they felt about the film, the way they understand it. It’s a big challenge, to say the least.

Jules et Jim, François Truffaut, 1962

• I found the photo in sterile’s photostream on Flickr (click for hi-res).
• There’s a virtual exposition about the film at the Bibliothèque du Film (Cinémathèque Française). In French.
• An essay in English about Jules et Jim by John Powers hosted by The Criterion Collection website.
• Another essay, this time by Dudley Andrew over at Film Reference (in English).
• Technical information about the film in French (Cinémathèque Française).

Found this picture via This Isn’t Happiness who got it from The Thought Experiment. I was unable to find its original source but a hi-res cropped version of it can be found over at Erase Me, an unofficial fansite.

Browse the covert art gallery for DC’s Falling in Love series.

Learn more about “romance comics” on Wikipedia.

“This is my everyday project for 2010. Taking one lyric from a song every day and creating art or taking a photo inspired from that lyric.”

I first discovered Luke Beard’s work via Troubled By Insects

Godzilla Haiku : no 7

“Loving Godzilla 17 syllables at a time.” By SamuraiFrog