SO: ARE PRINTED BOOKS DEAD? Not quite. The rules for iPad content are still ambiguous. None of us has had enough time with the device to confidently define them. I have, however, spent six years thinking about materials, form, physicality and content and — to the best of my humble abilities — producing printed books. So, for now, here’s my take on the print side of things moving forward. Ask yourself, “Is your work disposable?” For me, in asking myself this, I only see one obvious ruleset:
- Formless Content goes digital.
- Definite Content gets divided between the iPad and printing.
Of the books we do print — the books we make — they need rigor. They need to be books where the object is embraced as a canvas by designer, publisher and writer. This is the only way these books as physical objects will carry any meaning moving forward.
✖ Via Craig Mod: “Books in the Age of the iPad” March 2010

Craig Mod is a “developer; writer; book designer; publisher; professional world-wide digital hobo”. Here’s what he has to say about books:

“I’ve always loved books. I’ve always loved computers. We are currently experiencing a very unique convergence point for things digital and analog. Because of this, I think that right now is a very exciting time to be involved with storytelling. The world is smaller than ever and the stories hidden in data and hitherto inaccessible cultures are just a few keystrokes or a plane ride away. I’m interested in engaging these stories, developing sustainable businesses that evoke thoughtful communities and finding ways to bridge cultures.” (more)

Check out the books he designed.



↳Share Mar 08  link  notes technology  communication  ipad  book  design  media  medium  design 

The internet may kill newspapers; but it is not clear if that matters. For society, what matters is that people should have access to news, not that it should be delivered through any particular medium; and, for the consumer, the faster it travels, the better. The telegraph hastened the speed at which news was disseminated. So does the internet. Those in the news business use the new technology at every stage of newsgathering and distribution. A move to electronic distribution—through PCs, mobile phones and e-readers—has started. It seems likely only to accelerate.
✖ Via The Economist: “Newspapers and technology: Network effects” Dec 17th, 2009

Interesting article overall. But the quotation above is problematic, for it could be argued that a change of medium would result in a change of message (right Marshall?). The anticipated disappearance of traditional newspapers should be studied (before being condemned or celebrated) as a global change in the means we use to shape our experience of the world and, thus, in the world itself. The news won’t be the same. Our experience of the news will change.



↳Share Jan 12  link  notes communication  technology  history  evolution  newspaper  news  journalism  telegraph  twitter  Internet  speed  medium  media 
art cartoon illustration illustrator medium communication technology message form novel essay humor critic
✖ Via Tom Gauld: 191.Novel vs Essay

The Medium is the message ? (again)

Previously on Skandalon


↳Share Dec 22  link  notes art  cartoon  illustration  illustrator  medium  communication  technology  message  form  novel  essay  humor  critic 
art artist city girls lights night painter painting realism photorealism focus technology medium
✖ Via Robert Standish: Girls, Girls, Girls (VIAGRA), 2006, oil on canvas/panel, 85” x 130 ¼”.

Previously on Skandalon.


↳Share Sep 02  link  notes art  artist  city  girls  lights  night  painter  painting  realism  photorealism  focus  technology  medium 
photo photograph reality philosophy medium modern art artist
✖ Via Bill Jacobson: “New Year’s Day”, 2003, chromogenic print.

“Bill Jacobson is an American photographer who was born in 1955 in Norwich, Connecticut. He earned a BFA in art and American studies from Brown University in 1977 and an MFA in photography from the San Francisco Art Institute in 1981. […] Since 1989, he has been making diffused out-of-focus photographs that negate (through the application of a defusing lens) the specificity of photographic vision in favor of an immateriality of light and form. His black and white pictures of isolated subjects suggested actions, moods, even narratives that were ethereal, haunting, and momentary.” (Wikipedia). More at The Museum of Contemporary Photography


↳Share Aug 31  link  notes photo  photograph  reality  philosophy  medium  modern  art  artist 
art artist colors darkness hyperrealism light painter painting photorealism realism flare technology medium
✖ Via Robert Standish: Untitled (Lights #2), 2006, oil on panel, 27” x 27”.

Artist’s statement: “My work mirrors individuals’ private moments of introspection. I find myself compelled to capture the moments when a strong desire and need to feel comfortable in one’s own skin are present. Similarly, I want to capture a person’s attempt at reconnecting or discovering some form of greater magic (conventionally speaking, God) and the candid instant when a person reveals how far he or she feels from that magic.

In my most recent series, I explore the pervasive influence of commercialism on an individual’s psychology. To elicit a reaction beyond the status quo, I chose to implement advertising trends that will potentially appear in the near future. This work which features various corporate logos, was not intentionally created for a company’s commercial purposes, but instead to permit mutual exploitation by allowing the display of the company’s logo on my paintings. The aim of the series is to prompt reflection and introspection by the viewer of the psychological violations and absurdness of most advertising.” (Robert Standish biography). His official website.


↳Share Aug 01  link  notes art  artist  colors  darkness  hyperrealism  light  painter  painting  photorealism  realism  flare  technology  medium 
communication technology book television medium media star celebrity photo photographer art editorial
✖ Via The New York Times / The Medium: “Bibliovision” by Virginia Heffernan (July 15, 2009)

“Books, which as objects of desire have seemed to have scant place in Hollywood’s slick, visual sensibility, have a new role in the business of television. Reality stars, who as nonunion actors are unreliably compensated (mostly in perks), have begun to see books as nearly mandatory, if they’re to cash in on their celebrity. A wide range of TV personalities — Chelsea Handler, Kate Gosselin, Bethenny Frankel, Countess LuAnn de Lesseps, Kathy Griffin, Melissa Gilbert, Mary Tyler Moore and Tori Spelling — have all produced memoirs and advice manuals recently. Maybe book publishing and the TV business, both of which are endangered by the Internet juggernaut, are a match made in heaven. TV gives books visibility; books give TV solidity and gravitas.”

Photo by Kevin Van Aelst: “Kevin was born in Elmira, New York and did most of his growing up in central Pennsylvania. He recieved a B.A. in Psychology from Cornell University in 2002 and an M.F.A. from the University of Hartford in 2005. He currently lives and works in New Haven, Connecticut. He has taught photography classes at the University of Hartford Art School, Middlesex Community College, and currently is teaching at Quinnipiac University and ACES/Educational Center for the Arts High School Program. He is a recipient of a 2008 fellowship grant from the Connecticut Commission on Culture and Tourism. Photos of his can be seen weekly illustrating “The Medium” in the New York Times Magazine.” (Van Aelst’s biography).

You may already know some of his work: the apple sculpted like the world, the fingerprints series, the fractal egg, and much more.

Artist’s statement: “My color photographs consist of common artifacts and scenes from everyday life, which have been rearranged, assembled, and constructed into various forms, patterns, and illustrations. The images aim to examine the distance between the ‘big picture’ and the ‘little things’ in life—the banalities of our daily lives, and the sublime notions of identity and existance. While the depictions of information—such as an EKG, fingerprint, map or anatomical model—are unconventional, the truth and accuracy to the illustrations are just as valid as more traditional depictions. This work is about creating order where we expect to find randomness, and also hints that the minutiae all around us is capable of communicating much larger ideas.”


↳Share Jul 22  link  notes communication  technology  book  television  medium  media  star  celebrity  photo  photographer  art  editorial 
art painting media medium popular_culture
✖ Via Michael Steele: “Retro Humb”, oil & acrylic on canvas, 24” x 24”, 2009.

Artist’s statement: “With this new series of artworks that I have created as part of the “Cluster” series, I have been able to explore various styles, techniques and mediums by portraying what I see around me and then present these influences artistically. These influences that I have portrayed come from various avenues, such as the media, memories, people, textures, technology and so on. A Cluster to me resembles images or objects grouped together to form something larger. I feel this gives images or objects a stronger presence, rather than being displayed by themselves, creating a much more dynamic experience for the viewer.” (More)


↳Share Jul 14  link  notes art  painting  media  medium  popular culture 
✖ Via

fred-wilson / Well, I guess the medium is the fucking message.


↳Share reblogged from Fred Wilson Dot VC Jan 11 notes movie  technology  medium 

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