✖ Via PhilipKDick.com: Letter to Jeff Walker at The Ladd Company - October 11, 1981
“The author shares his enthusiasm for the upcoming release of “Blade Runner” with the production company.”
“Philip K. Dick wrote this letter after seeing his first glimpse of Blade Runner in a television segment. To the best of the family’s knowledge, this letter has never been previously released to the public.”
Philipkdick.com is Philip K. Dick official web site:
“On behalf of Philip K. Dick’s children, welcome to the Official Philip K. Dick website. We endeavor to create a venue for new readers, as well as a valuable resource for the loyal fans who have enjoyed his works for years. It is a work in progress, but one nevertheless that we hope you will find useful, and also truly enjoy.”(more)
↳Share Mar 11 link notes reblogged from Innovation is Dead art technology future futurism science fiction author book Philip K. Dick film movie letter
✖ Via I Am Paddy: “4 Pixels or Less” by Paddy Donnelly
About the project:
“Well, feeling inundated with the amount of fonts, brushes, images, patterns, gradients, drop shadows and copy I generally squeeze into each day, I set myself a little minimalistic design challenge. The challenge : represent a range of movies in 4 pixels or less.” (more)
About Paddy Donnelly:
“Anyway, I am an Irish web designer, blogger, interviewer and illustrator currently living in Belgium. My official title over at Nascom is somewhere between ‘user experience designer’ and ‘information architect’. I’m a big fan of my own little mini projects and I generally spend way too much time on the Internet. I learned most of what I know from my degree in Interactive Multimedia Design, my Masters in Multi-Disciplinary Design and Wikipedia.” (more)
↳Share Mar 09 link notes technology art design movie film computer pixels
✖ Via
idsgn (a design blog) – Now and then: How film titles have evolved
“Before the cinematic title sequences of today’s films, pioneered by the likes of Saul Bass and (more recently) Kyle Cooper, film titles were once a motionless work of art. In this ‘Now and then,’ we are pressing pause and exploring the art behind the film title.
Since the early days of cinema, artists have carefully designed film titles to captivate audiences and set the film’s mood. To bring attention to this often overlooked art form, Dutch graphic designer (and movie lover) Christian Annyas has put together The Movie Title Stills Collection. The website collects and neatly organizes film titles by decade, from the 1920’s to present. To illustrate how film titles have evolved over the years, we’ve chosen some of our favorites from the collection.”
↳Share Mar 07 link notes art design movie film credit title still font typeface
✖ Via Abel Raises Cain, Jenny Abel and Jeff Hockett, 2004
About:
“ABEL RAISES CAIN is an unprecedented glimpse into the life and bizarre career of infamous underground media prankster, Alan Abel. Over the past half-century, Abel has made a name for himself several times over with stunts that are just ridiculous enough to be believable, especially to a media that feeds on salacious, far-fetched stories. Alan’s daughter, Jenny, tells her firsthand account of what it was like growing up with this lovable but slightly demented prankster for a father.”
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✖ Via Diabologum: musical arrangement for an excerpt of Jean Eustache’s film La Maman et la putain (1973)
About Diabologum:
“Diabologum is a french band from the 90’s, they released 3 LP’s and several Ep’s between 1993 and 1998. Their 3 albums were radically different, the first one was an arty lofi collage of sounds and songs, the second was a collection of Rock-pop song, the third was their manifesto: noise rock and cold hip hop. The band split in 1998, the last show was in NY Knitting factory. Today the members have other musical projects : Experience, Programme, Nonstop, Panti will, the Overnight Project, Kapla…”
↳Share Mar 01 notes art music film cinema movie BW boy girls love loneliness sex
 | ― I know it’s hard, Miles, but try to think of this experience as a miracle of science. ― A miracle of science is going to the hospital for a minor operation, I come out the next day, my rent isn’t months overdue. That’s a miracle of science. This is what I call a cosmic screwing. And then where am I anyhow? What happened to everybody? Where are all my friends? ― You must understand that everyone you knew in the past has been dead nearly two hundred years. ― BUT THEY ALL ATE ORGANIC RICE! |
Full script available over at Script-O-Rama.
↳Share Feb 25 link notes art movie film filmmaker future science fiction food health life death past evolution
| Film-makers have got better and better at constructing shots so that their lengths grab our attention,” says James Cutting, a psychologist at Cornell University in Ithaca, New York. He analysed 150 Hollywood movies and found that the more recent they were, the more closely their shot lengths tended to follow a mathematical pattern that also describes human attention spans. |
Professional website of James Cutting, author of the study. Full PDF of the study (James E. Cutting, Jordan E. DeLong and Christine E. Nothelfer, “Attention and the Evolution of Hollywood Film” Psychological Science, XX(X) 1-8, published online on Feb 5, 2010).
Interesting study (it’s far from being the first scientific attempt at explaining box office success), VERY BAD TITLE from the New Scientist. Nothing was “solved”, for at least two reasons.
1) Some common aspects were observed in 150 movies, after the fact. Therefore, the study could have the value of a good but limited deduction. Its inductive and predictive potential still needs to be demonstrated.
2) More importantly, one won’t be able to find any satisfactory description of what a “blockbuster” is in this study. In fact, there isn’t any mention of the word “blockbuster” in it. Instead, one will notice a normative effort to classify a number a films according to a certain number of criteria :
“We chose 150 films, 10 released in each of 15 years, every 5 years from 1935 to 2005. The Supplemental Material available on-line provides the complete list. Assembled from information in several on-line databases, the films from 1980 onward were among the highest grossing of their year and the earlier films were among those with the largest number of viewer ratings on the Internet Movie Database (IMDb; http://us.imdb.com). The films were also chosen, as best we could, to represent five genres—action, adventure, animation, comedy, and drama— although their distribution could not be uniform because of vagaries in Hollywood production and changes in social milieu and viewers’ taste. Genres were defined by the first-designated category for each film on the IMDb.”
Same problem with the title Neatorama chose for the post they published about the story : “The Code for Making Hollywood Blockbusters”. But Neatorama is no weekley international science magazine…
↳Share Feb 21 link notes reblogged from AUSTIN KLEON : TUMBLR art communication film movie blockbuster science critic mathematic study identity
