Artist’s statement:

“This photography project looked at childrens’ dream jobs, projecting the current employment problems onto one of the few timeless themes throughout childrens’ fantasies; Superheroes.”

Previously on Skandalon

The photo comes from the official website of Yellowstone National Park : visit the “Visitor Activities” section of the Yellowstone Digital File Slide to find more.

Image above taken from the Boobytraps series (2008):

“The last series, Boobytraps, is not photographic in nature, but has every thing to do with spread ing ter ror and cre at ing an atmosphere of invisible menace that sur­rounds us everywhere and could hit any of us any time. Taken from two US Army field manuals they show soldiers how to construct boobytraps out of literally every­thing available in the world of every day objects, including pipes, beds, couches and chocolates.” (read more)

Artist’s statement about his Boobytraps series:

“I have taken these images from two books “Boobytraps” (1965) and “Unconventional Warfare Devices and Techniques - References” (1966). These are two “Army Field Manuals” of the US Army. In these books, soldiers are taught to construct boobytraps out of literally everything available. The key point of these two books is not how to detect these exploding traps but how to construct them.

The basic idea of building a trap out of - let´s say - a tea kettle is to spread terror. If a simple tea kettle might be a bomb that could kill or maim me what is there left to trust. Everything might be a bomb and therefore, in the head of the potential victim,everything IS a trap.”

See the whole Boobytraps series. The complete catalog can be dowloaded in PDF (Texts German, 3.12MB). Here is Simon Menner official website.

About Mr. Deane:

“Mrs. Deane is a blog run by Beierle + Keijser, visual artists from respectively Ger­many and Holland. It is named in after a spiritistic medium from the beginning of the 20th century. For us, Mrs. Deane stands for the ambiguous and the undecidable that one finds one selfconfronted with near the borders of the perceptible and the prob­able. Here, every man has to decide for him self what he holds to be true and what not.” (read more)

About the book:

“Burns is an ophthamlic surgeon, but his true passion is vintage photography. He has assembled a collection of more than half a million images and has authored or coauthored works on memorial photography, medical photography, and hand-colored daguerreotypes. Here he presents 127 images in as many pages and then another 50 or so pages of notes, providing specifics of the photographs and extensive discussion of the condition or medical practices shown. More than a few gruesome images are included, though the warm tones of the printing and the antique dress have an anesthetizing effect on the viewer. There are also a good number of images depicting obsolete mid-19th-century practices. The chronological arrangement does impart a sense of progress as we move from images of horrible deformity through pictures of amputation during the Civil War to photos of reparative surgery following World War I. This stunning documentation of a world-class collection belongs not only where there is an interest in the history of photography but also in medical teaching and history collections.” (Amazon)

Artist’s statement:

“On a quiet winter night, I looked out a window. I could see a building far away, the windows where illuminated, and I could vaguely make out people inside their apartments. When I imagined what they might be doing, my mind fluttered between wild fantasies and mundane clichés. I was curious to compare my expectations to the reality of their lives. After months of continuous observation in different parts of the city I collected hundreds of photographs of strange, comical, and often haunting moments. At times, I was lucky enough to catch a glimpse of human nature when it was not guarded, not self-conscious and completely uninhibited. This provided me with a stage where it was possible to observe myself in the most secret and vulnerable moments of others.” (read more).

See more press coverage for this specific series.

If Charlie Parker Was a Gunslinger…: Before and After #205: Werner Herzog

See the same photo over at the Library of Congress Online Catalog (call number LC-H261- 29972[P&P]). No known restrictions on publication. About the Harris & Erwin Collection :

“The Harris & Ewing Collection of photographic negatives includes glass and film negatives taken by Harris & Ewing, Inc., which photographed people, events, and architecture, particularly in Washington, D.C., during the period 1905-1945. Harris & Ewing, Inc., gave its collection of negatives to the Library in 1955.” (read more)

Learn more about Harris & Ewin studio.

I first became aware of the Dioramas series via Modcult.

See more of Hiroshi Sugimoto’s dioramas on his officiel website. Artist’s statement:

“Upon first arriving in New York in 1974, I did the tourist thing. Eventually I visited the Natural History Museum, where I made a curious discovery: the stuffed animals positioned before painted backdrops looked utterly fake, yet by taking a quick peek with one eye closed, all perspective vanished, and suddenly they looked very real. I’d found a way to see the world as a camera does. However fake the subject, once photographed, it’s as good as real.”

PBS website has a page about Hiroshi Sugimoto offering multiple videos, interviews, bio, slideshow, etc. He was featured in the episode “memory” during the third season of PBS’s ongoing series Art In The Twenty-First Century. You can watch the whole episode online.

Previously on Skandalon

Artist’s statement:

“In this series, made with the private archives of a Greek collector in 1998, the artist did not use a camera. He cut directly into the film reels and framed the space between two images, which naturally creates an inversion between the upper and lower part of the frame. No other manipulation is involved. The cutting of the first image corresponds exactly to that of the image that follows, so that there is no loss in the inversion. The series comprises 13 photographs. “.

Previously on Skandalon.

Artist statement:

“The word electricity is thought to derive from the ancient Greek elektron, meaning “amber.” When subject to friction, materials such as amber and fur produce an effect that we now know as static electricity. Related phenomena were studied in the eighteenth century, most notably by Benjamin Franklin. To test his theory that lightning is electricity, in 1752 Franklin flew a kite in a thunderstorm. He conducted the experiment at great danger to himself; in fact, other researchers were electrocuted while conducting similar experiments. He not only proved his hypothesis, but also that electricity has positive and negative charges. In 1831, Michael Faraday’s formulation of the law of electromagnetic induction led to the invention of electric generators and transformers, which dramatically changed the quality of human life. Far less well-known is that Faraday’s colleague, William Fox Talbot, was the father of calotype photography. Fox Talbot’s momentous discovery of the photosensitive properties of silver alloys led to the development of positive-negative photographic imaging. The idea of observing the effects of electrical discharges on photographic dry plates reflects my desire to re-create the major discoveries of these scientific pioneers in the darkroom and verify them with my own eyes.” (artist’s official website)

About PDN :

“PDN Photo of the Day displays photographs selected by the editors of Photo District News, a publication for photo professionals.” (read more).

Previously on Skandalon