art photograph photographer photomontage hack manipulation image simulacrum meat woman girl face anatomy bw vintage
✖ Via Higher Pictures: “Untitled” by Alfred Gescheidt, vintage gelatin silver print, 1970
Alfred Gescheidt is a professional photographer born in Queens, New York on December 19, 1926. He won a scholarship to the Art Students’ League and studied with Will Barnet and Harry Sternberg. He served briefly in the Navy during World War II, then went to the University of New Mexico and studied with Raymond Johnson. He decided to become a photographer and transferred to the Los Angeles Art Center School and here studied with George Hoyningen-Huene. In the 1950s he documented life on city streets and beaches of America. (Escape Into Life: Alfred Geischeidt)

Previously on Skandalon



• Oct 21, 2010 link notes tagged: art  photograph  photographer  photomontage  hack  manipulation  image  simulacrum  meat  woman  girl  face  anatomy  BW  vintage 
art photograph photographer junk wire network texture surface bw biology ecology
✖ Via John Clendenen: no 2 from his Early series [click for hi-res]

Previously on Skandalon



• Oct 20, 2010 link notes tagged: art  photograph  photographer  junk  wire  network  texture  surface  BW  biology  ecology 
art photograph photographer fall falling lost young youth body sky sunset space
✖ Via Ryan McGinley: Photographs, “Falling Sunset”, 2006

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• Oct 19, 2010 link notes tagged: art  photograph  photographer  fall  falling  lost  young  youth  body  sky  sunset  space 
✖ Via Life ― Hosted by Google: “Full frame of movie audience wearing special 3D glasses to view film “Bwana Devil” which was shot with new “natural vision” 3 dimensional technology.” photo by J.R. Eyerman, Paramount Theater, Hollywood, California, November 26, 1952.

This photo is well known, though it’s origin is not. It appears on the cover of the English translation of Guy Debord La Société du Spectacle (The Society of the Spectacle, tr. by Fredy Perlman and Jon Supak, Black & Red, 1970; available online). It was originally taken by Life photographer J.R. Eyerman (1906-1985) at “the premiere screening of film ‘Bwana Devil,’ directed by Arch Oboler, the 1st full-length, color 3D (aka ‘Natural Vision’) motion picture” (Life.com). I don’t know for sure if it ever appeared in Life Magazine itself, though it was later used in 1984 on the cover of the brochure that accompanied an exhibition of photographs from Life Magazine held at the International Center of Photography (New York) and entitled: The Second Decade, 1946-1955 (Boston: Little, Brown, 1984; used copies still available online).

Here’s what Thomas Y. Levin has to say about this photo in his essay “Dismantling the Spectacle: The cinema of Guy Debord”

This picture, taken by J.R. Eyerman, has since become a veritable cliché not only for the alienation of late consumer culture but also for the ten years following World War II: it appears, for example, on T-Shirts, bags, and buttons as well as on the cover of the brochure that accompanied an exhibition of photographs from Life magazine held at the International Center of Photography (New York) and entitled: The Second Decade, 1946-1955. Few realize, however, that this depiction of the latest stage in the drive towards cinematic verisimilitude exists in at least two versions: the one, employed for the cover of the Society of the Spectacle (Detroit, Black & Red, 1970, repr. 1977 and 1983), depicts its elegantly attired audience in a virtually trance-like state of absorption, their faces grim, their lips pursed, in the other shot of the same audience, however, the 3-D spectators are laughing, their expressions of hilarity conveying the pleasure of an uproarious, active spectatorship.

(‘Dismantling the spectacle. The Cinema of Guy Debord’, in On the passage of a few people through a rather brief moment in time. The Situationist International 1957-1972, MIT Press : Cambridge 1989, pp. 72-123; available online at the Media Art Net website.

I first found the reference to this photo via Beetle In A Box Tumblr blog, though it needs some correction : the photo did not appeared in any of Life Magazine November issues of 1952.



• Oct 06, 2010 link notes tagged: art  photograph  photographer  film  movie  cinema  3D  vintage  BW  crowd  audience  spectator  spectacle  Debord  entertainment  America  50s  technology  vision  Debord  society 
art photographer photograph sun heat summer solar crowd bungalow
✖ Via

Andrew B. Myers: Solar Eclipse 2 (crowd watch), 2009 from the Solar Maximum series

Andrew B. Myers is a photographer and digital image maker that resides in Toronto. His colourful and detailed pictures are very carefully crafted, with an approach that always plays both analog as well as digital techniques to achieve a certain look and sensibility. He is currently completing his studies at Ryerson University and has been exhibited in the Toronto area. (About)



• Sep 18, 2010 link notes tagged: art  photographer  photograph  sun  heat  summer  solar  crowd  bungalow 
art photography photographer teenager america vintage 40s bw theater love movie film cinema romance united_states
✖ Via Life ― Hosted by Google: “Teenagers “necking” in a movie theater” photographed by Nina Leen, Webster Groves, MO, US, December 11, 1944 [click for hi-res]
Nina Leen fascination with the world veiwed through a camera lens extends to both the human and animal kingdom. Born in Russia, Leen grew up in Germany, Italy, and Switzerland, where she achieved acclaim as an animal photographer. Upon first arriving in the United States in 1939, her reporter’s eye led to a series of wryly amusing works on the habits and rituals of her newly adopted homeland. Her series on, “A Teenager Monopolizes the Telephone,” or her descriptions and images of “The American Male,” are timeless evocations of symbols of modern American society. (read on)

Read The New York Times obituary for Nina Leen. Browse her “teenagers” series for Life Magazine.



• Sep 14, 2010 link notes tagged: art  photography  photographer  teenager  America  vintage  40s  BW  theater  love  movie  film  cinema  romance  United-States 
art photographer photograph decay destruction building event 21st_century american 9_11 nachtwey war terrorism media history
✖ Via Time: “Shattered” a collection of photographs by photojournalist James Nachtwey
James Nachtwey grew up in Massachusetts and graduated from Dartmouth College, where he studied Art History and Political Science (1966-70). Images from the Vietnam War and the American Civil Rights movement had a powerful effect on him and were instrumental in his decision to become a photographer. He has worked aboard ships in the Merchant Marine, and while teaching himself photography, he was an apprentice news film editor and a truck driver.

In 1976 he started work as a newspaper photographer in New Mexico, and in 1980, he moved to New York to begin a career as a freelance magazine photographer. His first foreign assignment was to cover civil strife in Northern Ireland in 1981 during the IRA hunger strike. Since then, Nachtwey has devoted himself to documenting wars, conflicts and critical social issues. He has worked on extensive photographic essays in El Salvador, Nicaragua, Guatemala, Lebanon, the West Bank and Gaza, Israel, Indonesia, Thailand, India, Sri Lanka, Afghanistan, the Philippines, South Korea, Somalia, Sudan, Rwanda, South Africa, Russia, Bosnia, Chechnya, Kosovo, Romania, Brazil and the United States.

Nachtwey has been a contract photographer with Time Magazine since 1984. He was associated with Black Star from 1980 - 1985 and was a member of Magnum from 1986 until 2001. In 2001, he became one of the founding members of the photo agency, VII. (Bio)

To learn more about James Nachtwey, I strongly recommend watching the documentary War Photographer (Christian Frei, 2001).



• Sep 11, 2010 link notes tagged: art  photographer  photograph  decay  destruction  building  event  21st century  American  9/11  Nachtwey  war  terrorism  media  history 
art photographer photograph bw vintage history bw mythology representation icon politic america united_states kennedy president loneliness
✖ Via Iconic Photos: “The Loneliest Job” July 18th, 2010

About the photo:

George Tames covered Washington D.C for four decades (1945-1985) and is best remembered for one, “The Loneliest Job,” a photograph of President John F. Kennedy looking out of the south window of the oval office. Tames took the photograph through the door of the Oval Office, after Kennedy thought he had left. From behind, it looks as if he is carrying the weight of the world. Kennedy – who had a bad back – simply was reading the newspapers standing up, as he often preferred to do.[…]

Although the photo was taken on Feb. 10, 1961 — just a few months into Kennedy administration — the image would later take on a more symbolic meaning as the Kennedy presidency waded into difficult waters. During the Cuban Missile Crisis, the New York Times christened the photo, “The loneliest job in the world.” The photo was a favourite of President Clinton, who hang it in the Treaty Room, the presidential private office on the second floor of the White House. The West Wing recreated it for its opening segment (below). (more)

This photo is part of the George Tames Collection hosted by The New York Times Agency. George Tames was a photographer for The New York Times from 1945 to 1985.



• Sep 10, 2010 link notes tagged: art  photographer  photograph  BW  vintage  history  BW  mythology  representation  icon  politic  America  United-States  Kennedy  president  loneliness 
art science technology book photographer photography food meat recipes chef restaurant blumenthal
✖ Via Domic Davies: “Saddle of venison” from the Fat Duck Cookbook

Domic Davies is responsible for the photographies displayed in the famous Big Fat Cookbook:

In this enormous, beautiful book, we hear the full story of the meteoric rise of Heston Blumenthal and The Fat Duck, birthplace of snail porridge and bacon-and-egg ice cream, and encounter the passion, perfection and weird science behind the man and the restaurant.

Heston Blumenthal is widely acknowledged to be a genius, and The Fat Duck has twice been voted the Best Restaurant in the World by a peer group of top chefs. But he is entirely self-taught, and the story of his restaurant has broken every rule in the book. His success has been borne out of his pure obsession, endless invention and a childish curiosity into how things work – whether it’s how smell affects taste, what different flavours mean to us on a biological level, or how temperature is distributed in the centre of a soufflé. (from the editor’s website)

See more excerpt from the book over at Daily Icon. Visit The Fat Duck official website (before being a book, it’s a three-Michelin-starred restaurant in the UK). Learn more about chef Heston Blumenthal on Wikipedia. If you can’t afford the full version of this book (it sells at around 150$ dollars on Amazon) don’t worry : there’s a lowered-price edition of it, selling at around 30$:

The cookbook hailed by the Los Angeles Times as a “showstopper” and by Jeffrey Steingarten of Vogue as “the most glorious spectacle of the season…like no other book I have seen in the past twenty years” is now available in a reduced-price edition. With a reduced trim size but an identical interior, this lavishly illustrated, stunningly designed, and gorgeously photographed masterpiece takes you inside the head of maverick restaurateur Heston Blumenthal. Separated into three sections (History; Recipes; Science), the book chronicles Blumenthal’s improbable rise to fame and, for the first time, offers a mouth-watering and eye-popping selection of recipes from his award-winning restaurant. He also explains the science behind his culinary masterpieces, the technology and implements that make his alchemical dishes come to life. Designed by acclaimed artist Dave McKean—and filled with photographs by Dominic Davies—this artfully rendered celebration of one of the world’s most innovative and renowned chefs is a foodie’s dream. (Amazon)

In any case, be sure to take a look at the Big Fat Undertaking blog: someone actually attempting to do more with this book than looking at the picture.



• Sep 01, 2010 link notes tagged: art  science  technology  book  photographer  photography  food  meat  recipes  chef  restaurant  Blumenthal 
art photograph photographer photomontage image representation manipulation simulacrum cigarette smoke pathology psychiatry phychanalysis compulsion
✖ Via Higher Pictures: “Untitled” from the 30 Ways To Stop Smoking series by Alfred Gescheidt, vintage gelatin silver print, 1964

Previously on Skandalon



• Aug 31, 2010 link notes tagged: art  photograph  photographer  photomontage  image  representation  manipulation  simulacrum  cigarette  smoke  pathology  psychiatry  phychanalysis  compulsion 
art photograph photographer photomontage montage manipulation simulacrum representation smoke smoking cigarette propaganda humor isolation
✖ Via Higher Pictures: “Untitled” from the 30 Ways To Stop Smoking series by Alfred Gescheidt, vintage gelatin silver print, 1964
In the 50s and 60s, as the whole ‘Mad Men’ advertising agency era was booming, no one came close to Gescheidt for innovative photography, and he created numerous campaigns, magazine, book, and album covers. His images often both flattered and mocked American sensibilities, and his ’30 Ways To Stop Smoking’ series from 1964 remains a landmark in satirical conceptual photography. (Field Of Vision: Alfred Gescheidt)

Previously on Skandalon



• Aug 29, 2010 link notes tagged: art  photograph  photographer  photomontage  montage  manipulation  simulacrum  representation  smoke  smoking  cigarette  propaganda  humor  isolation 
art photography photographer photograph object technology apparatus camera anatomy piece fragment decomposition separation part whole system element
✖ Via Benn Innes: “Polaroid SX-70” from the Separations series, c-print, 30”x40”, 2008
Studio series focusing on disused electronics, as well as flora and fauna.

About Benn Innes:

Born in Knoxville, TN, Ben Innes now works, eats and sleeps in Minneapolis, MN. He gained his BFA in photography from the Minneapolis College Of Art and Design in the spring of 2009. (About)

First spotted via Coudal Partners.



• Aug 27, 2010 link notes tagged: art  photography  photographer  photograph  object  technology  apparatus  camera  anatomy  piece  fragment  decomposition  separation  part  whole  system  element 
art photograph photographer photomontage image representation manipulation simulacrum animal humor technology telephone communication
✖ Via

Higher Pictures: “Untitled” by Alfred Gescheidt, vintage gelatin silver print, 1961

In an age when Photoshop seems to be a de facto part of nearly every photographer’s creative process, the ways of in-camera and darkroom trickery - montage, collage, double exposure, hand-retouching and re-photographing - are in danger of becoming a lost art. Alfred Gescheidt was a master of all these techniques and more, although his name has, rather unjustly, become largely unknown in recent years.

Once described by former New York Times photo editor John Durniak as “the Charlie Chaplin of the camera”, Geischeidt amassed a rich body of photographic work that was unique, satirical, idiosyncratic and at times even hallucinogenic. (Field of Vision: Alfred Gescheidt)



• Aug 23, 2010 link notes tagged: art  photograph  photographer  photomontage  image  representation  manipulation  simulacrum  animal  humor  technology  telephone  communication 
art movie cinema film hitchcock movie_still still photograph photographer actor humor hack hommage hollywood
✖ Via Vanity Fair: The Hitchcock Hollywood Portofolio, slide no. 10 : Seth Rogen photograph by Art Streiber. February 25th, 2008.
Alfred Hitchcock left a peerless legacy of the stylishly macabre. In this year’s Hollywood Portfolio, Keira Knightley, Javier Bardem, Seth Rogen, and other stars channel iconic moments from the director’s greatest hits. (see the whole slide show)

Spotted via Douglas Haddow’s Tumblr blog.

Previously on Skandalon : “Force By Northwest”



• Aug 23, 2010 link notes tagged: art  movie  cinema  film  Hitchcock  movie still  still  photograph  photographer  actor  humor  hack  hommage  Hollywood 
art music jazz singer obituary bw vintage classic photograph photographer
✖ Via Roberto Polillo photostream on Flickr: Abbey Lincoln, Milano, 1964
Abbey Lincoln, a singer whose dramatic vocal command and tersely poetic songs made her a singular figure in jazz, died on Saturday in Manhattan. She was 80 and lived on the Upper West Side.Her death was announced by her brother David Wooldridge. Ms. Lincoln’s career encompassed outspoken civil rights advocacy in the 1960s and fearless introspection in more recent years, and for a time in the 1960s she acted in films, including one with Sidney Poitier. (The New York Times: “Abbey Lincoln, Bold and Introspective Jazz Singer, Dies at 80” by Nate Chinen, August 14, 2010)

About photographer Roberto Polillo:

From 1962 (when I was 16) to 1974 I was lucky to photograph the most important jazz musicians of the time. These images have been almost hidden for many years, but recently I have made an outing… A selection of these images have been recently shown in personal exhibitions in Milano, Roma, Torino, Siena, Napoli, Genova, Verona and other places, and collected in a big photographic book, “Swing, Bop & Free” , which also cointains texts by my father Arrigo , who was a well known jazz critic and historician. (more)


• Aug 16, 2010 link notes tagged: art  music  jazz  singer  obituary  BW  vintage  classic  photograph  photographer 

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