― Who wrote Woman is natural, therefore abominable?
― Baudelaire, on certain women of a certain world…
― Not at all! He meant women in general!
✖ Via Jules et Jim, François Truffaut, 1962

It’s a reference to My naked heart, Charles Baudelaire’s intimate journal (1864):

La femme est le contraire du Dandy. Donc elle doit faire horreur.
La femme a faim, et elle veut manger ; soif, et elle veut boire.
Elle est en rut, et elle veut être f…
Le beau mérite !
La femme est naturelle, c’est-à-dire abominable.
Aussi est-elle toujours vulgaire, c’est-à-dire le contraire du Dandy. (Charles Baudelaire, Mon coeur mis à nu, 1864)

Full English transcript of Jules and Jim can be found over at Drew’s Script-O-Rama.



• Aug 08, 2010 link notes tagged: art  film  movie  cinema  filmmaker  poetry  poem  nature  horror  woman  women  horror  monster  Truffaut  Baudelaire 
art poem poet history united_states statue_of_liberty liberty representation immigration lost loser land hope community hobbes leviathan monster politic novel author communication
✖ Via Library of Congress ― From Haven to Home: “The New Colossus” [titled “Sonnet” in notebook] by Emma Lazarus, 1883, manuscript poem, bound in journal.
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tossed to me,
I lift my lamp beside the golden door!”

The Statue of Liberty as a female counterpart of Hobbes’ Leviathan (Lazarus’ poem is mentioned in Auster’s novel Leviathan); the United-States as the land of the “wretched refuse”. Is this the “community of those who are without community” (“all of us, from now on” writes Jean-Luc Nancy) ? Read more about Lazarus’ poem on wikipedia.

About the exhibition From Haven to Home:

From Haven to Home is a Library of Congress exhibition marking 350 years of Jewish life in America. The exhibition features more than two hundred treasures of American Judaica from the collections of the Library of Congress, augmented by a selection of important loans from other cooperating cultural institutions. (more)


• Jul 12, 2010 link notes tagged: art  poem  poet  history  United-States  Statue of Liberty  liberty  representation  immigration  lost  loser  land  hope  community  Hobbes  Leviathan  monster  politic  novel  author  communication 

Why do leaves commit suicide
when they feel yellow?
✖ Via The Book of Questions by Pablo Neruda, tr. by William O’Daly, Copper Canyon Press, 1991 [Amazon]

Previously on Skandalon



• Mar 24, 2010 link notes tagged: art  poem  poet  life  death  suicide  color  automn 

Of the many men whom I am, whom we are,
I cannot settle on a single one.
They are lost to me under the cover of clothing
They have departed for another city.

When everything seems to be set
to show me off as a man of intelligence,
the fool I keep concealed on my person
takes over my talk and occupies my mouth.

On other occasions, I am dozing in the midst
of people of some distinction,
and when I summon my courageous self,
a coward completely unknown to me
swaddles my poor skeleton
in a thousand tiny reservations.

When a stately home bursts into flames,
instead of the fireman I summon,
an arsonist bursts on the scene,
and he is I. There is nothing I can do.
What must I do to distinguish myself?
How can I put myself together?

All the books I read
lionize dazzling hero figures,
brimming with self-assurance.
I die with envy of them;
and, in films where bullets fly on the wind,
I am left in envy of the cowboys,
left admiring even the horses.

But when I call upon my dashing being,
out comes the same old lazy self,
and so I never know just who I am,
nor how many I am, nor who we will be being.
I would like to be able to touch a bell
and call up my real self, the truly me,
because if I really need my proper self,
I must not allow myself to disappear.

While I am writing, I am far away;
and when I come back, I have already left.
I should like to see if the same thing happens
to other people as it does to me,
to see if as many people are as I am,
and if they seem the same way to themselves.
When this problem has been thoroughly explored,
I am going to school myself so well in things
that, when I try to explain my problems,
I shall speak, not of self, but of geography.

✖ Via “We Are Many” by Pablo Neruda, in We Are Many (poems), translated by Alastair Reid, Cape Goliard Press, 1967, Grossman (New York, NY), 1968.

More of Neruda’s poems online over at PoemHunter.com

Compare with An Evening With Mr. Teste by Paul Valery (French poet, essayist and philosopher):

“Stupidity is not my strong point. I have seen many persons; I have visited several nation; I have taken part in divers enterprises without affecting them; I have eaten nearly everyday; I have tampered with women. I now recall several hundred faces, two or three great events, and perhaps the substance of twenty books. I have not retained the best nor the worst of these things. What could stick, did.
This bit of arithmetic spares me surprise at getting old. I could also add up the victorious moments of my mind, and imagine them joined and soldered, composing a happy life… But I think I have always been a good judge of myself. I have rarely lost sight of myself; I have detested, and adored myself―and so, we have grown old together.

(from the Selected Writings of Paul Valery, tr. byJackson Mathews, New Directions Publishing, 1964, p. 236)

See also The Who’s album Quadrophenia



• Jan 24, 2010 link notes tagged: art  experience  identity  individu  individuation  life  philosophy  poem  poet  self  subject  representation 
art communication love artist poet poem america painting
✖ Via All Things Amazing: Norman Bluhm and Frank O’Hara “Meet Me in the Park, if you love me” from Poem/Paintings, 1960.

“Norman Bluhm’s career has taken him through a series of significant moments in the art history of 20th century America. His studies in Chicago with Mies van der Rohe before and after WWII exposed him to the Bauhaus-inspired ideas of European exiles which were so crucial in the evolution of American art. In Paris during the late ’40s and ’50s, he joined other young American artists and writers in the vibrant expatriate scene. Moving to New York in the mid-’50s, Bluhm became a mainstay of the painters and writers who gathered at the Cedar Tavern, such Jackson Pollock, William de Kooning, Franz Kline and Frank O’Hara. The Bluhm/O’Hara poem paintings are among the prime artifacts of this legendary group.” (read more at Culture Port).



• Sep 28, 2009 link notes  [via] tagged: art  communication  love  artist  poet  poem  America  painting 

It is possible that to seem – it is to be,
As the sun is something seeming and it is,
The sun is an example. What it seems
It is and in such seeming all things are.
✖ Via Wallace Stevens, “Description without a place”, The Collected poems of Wallace Stevens, New York: Alfred A Knopf, p. 339.

• Jun 05, 2009 link notes tagged: poem  book  author  philosophy  art 

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