 | Me: Ugh, what are you watching?
Lady: 30 Rock.
Me: I know, but…do you notice anything weird about it?
Her: No.
Me: You see that big, black border around the whole thing, and how it looks and sounds all cruddy?
Her: No. I don’t.
Me: Really? You don’t see how the picture is all shrunk down in the screen and everything’s a little chunky and blurry?
Her: No. I don’t care.
Me: Okay, watch this. [Goes through the guide up to the 400s where the HD is.] Okay, are you watching?
Her: [Not watching. Playing with the dog and laughing because he did something cute.] Me: Okay, are you watching? [Swaps channels, engulfed in a glorious wave of fidelitous sound and image.]
Her:…
Me: You see that?
Her: No. I don’t care.
Me: …
Her: …
Me: I love you.
Her: [Laughs at the stupid dog.] |
✖ Via lonelysandwich: “A glorious wave of fidelitous sound and image”, August 6th, 2010 Same thing goes with aspect ratio. I know people (whom I love and respect) who are able to watch a whole film in the wrong aspect ratio (they’ll watch 16/9 in 4/3). You’ll tell them: “Those cowboy sure are thin and tall…” and they’ll go “Huh?” Lonely Sandwich is Adam Lisagor Tumblr blog. Alongside Merlin Mann and Scott Simpson, Lisagor runs You Look Nice Today “an audio-based Journal of Emotional Hygiene” (more about it). |
• Aug 08, 2010 link notes reblogged from lonelysandwich [via] tagged:
technology
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consumer
television
high definition
HD
aspect ratio
film
picture
culture
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media
 | A lot of the people who read a bestselling novel, for example, do not read much other fiction. By contrast, the audience for an obscure novel is largely composed of people who read a lot. That means the least popular books are judged by people who have the highest standards, while the most popular are judged by people who literally do not know any better. An American who read just one book this year was disproportionately likely to have read ‘The Lost Symbol’, by Dan Brown. He almost certainly liked it. |
✖ Via The Economist, “A World of Hits”, Nov. 26, 2009 Very interesting article offering a critic of the “long tail” model developped by Wired editor Chris Anderson. The article was written last November. By now, Avatar has become the second highest grossing film of all time, just behind Titanic (1997). In the summer of 1998, a few months after the success of Titanic, the relative failure of Godzilla had some analyst wondering if the “blockbuster era” was coming to an end. At the time, Peter Bart (then Variety’s editor-in-chief) offered a good portrait of the situation in his book The Gross (Amazon link). Previously on Skandalon: First feedback from audience and critics for James Cameron’s Avatar |
• Jan 10, 2010 link notes [via] tagged:
art
technology
communication
mass
crowd
Consumption
marchandise
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best-seller
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America
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statistics