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✖ Via PDN Photo of the Day: Hiroshi Sugimoto’s Lightning Fields 128, 2009.

Artist statement:

“The word electricity is thought to derive from the ancient Greek elektron, meaning “amber.” When subject to friction, materials such as amber and fur produce an effect that we now know as static electricity. Related phenomena were studied in the eighteenth century, most notably by Benjamin Franklin. To test his theory that lightning is electricity, in 1752 Franklin flew a kite in a thunderstorm. He conducted the experiment at great danger to himself; in fact, other researchers were electrocuted while conducting similar experiments. He not only proved his hypothesis, but also that electricity has positive and negative charges. In 1831, Michael Faraday’s formulation of the law of electromagnetic induction led to the invention of electric generators and transformers, which dramatically changed the quality of human life. Far less well-known is that Faraday’s colleague, William Fox Talbot, was the father of calotype photography. Fox Talbot’s momentous discovery of the photosensitive properties of silver alloys led to the development of positive-negative photographic imaging. The idea of observing the effects of electrical discharges on photographic dry plates reflects my desire to re-create the major discoveries of these scientific pioneers in the darkroom and verify them with my own eyes.” (artist’s official website)

About PDN :

“PDN Photo of the Day displays photographs selected by the editors of Photo District News, a publication for photo professionals.” (read more).

Previously on Skandalon


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The problem with people saying that others have deceptive goals (such as manipulation, hidden strategies and conspiracies, which can fit into what Habermas calls “systematic distortion” in The theory of communicative action, volume 1, 1984, Boston: Beacon press at page 332) while communicating is that if no other ground of justification is provided aside from an alternative view of the deceptive party’s real intentions, that hidden-but-revealed ground means not much more than the accuser’s own preconceptions of the world and the motives of those who participate in it (example: “corporations control our desires” is an assertion which is hardly grounded in any alternative view. As corporations reach into deeper layers of our psyche, as they permeate every aspect of our daily lives, and mostly, as they predate our own generation, who is to know what a genuine desire feels like or how it is autonomously produced ?). The latent character of deception provides a specular avowal of its discoverer’s self-interest (like the weird idea of genuine desire). His accusation cannot be extracted from its context to mean something more “real” or “true”, only another attempt at control or deception.
✖ Via Leftovers

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✖ Via Conan the Barbarian by John Milius, 1982

Conan the Nietzschean… Way to go, Conan.

The quote is taken from Twilight of the Idols (Die Götzen-Dämmerung, 1895). It’s the 8th maxim from the section “Maxims and arrows” (the very first section of the book, after the preface). Here is a slightly different translation : “Out of life’s school of war: What does not destroy me, makes me stronger.” (tr. by Walter Kaufmann and R.J. Hollingdale here).


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The almost insoluble task consists of refusing to allow oneself to be rendered dumb, either by the power of others or by one’s own powerlessness.
✖ Via Minima Moralia: Reflections From Damaged Life by Theodor W. Adorno, Suhrkamp Verlag, [1944]1951, part 1, §34.
“Theodor Ludwig Wiesengrund Adorno (September 11, 1903 – August 6, 1969) was a German-born international intellectual, sociologist, philosopher, musicologist, and composer. He was a member of the Frankfurt School along with Max Horkheimer, Walter Benjamin, Herbert Marcuse, Jürgen Habermas, and others.” (Wikipedia)


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Laziness and cowardice are the reasons why so great a proportion of men, long after nature has released them from alien guidance (naturaliter maiorennes), nonetheless gladly remain in lifelong immaturity, and why it is so easy for others to establish themselves as their guardians. It is so easy to be immature. If I have a book to serve as my understanding, a pastor to serve as my conscience, a physician to determine my diet for me, and so on, I need not exert myself at all. I need not think, if only I can pay: others will readily undertake the irksome work for me.
✖ Via KANT, Immanuel (1784). “Answering the Question: What is Enlightenment?”.

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✖ Via “Beantwortung der Frage: Was ist Aufklärung?” by Immanuel Kant (1784) Shown here : the first page of the 1799 version.

“”Answering the Question: What is Enlightenment?” (German: “Beantwortung der Frage: Was ist Aufklärung?”) is the title of a 1784 essay by the philosopher Immanuel Kant. In the December 1784 publication of the Berlinische Monatsschrift (Berlin Monthly), edited by Friedrich Gedike and Johann Erich Biester, Kant replied to the question posed a year earlier by the Reverend Johann Friedrich Zöllner, who was also an official in the Prussian government. Zöllner’s question was addressed to a broad intellectual public, in reply to Biester’s essay entitled: “Proposal, not to engage the clergy any longer when marriages are conducted” (April 1783) and a number of leading intellectuals replied with essays, of which Kant’s is the most famous and has had the most impact. Kant’s opening paragraph of the essay is a much-cited definition of a lack of Enlightenment as people’s inability to think for themselves due not to their lack of intellect, but lack of courage.” (Wikipedia)

Complete English translation of Kant’s essay here.


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Whatever fortunes our activity might have known, it was Potlatch alone that filled the void in the cultural ideas of an era — that gaping hole in the middle of the 1950’s. It is already certain that history will see it not as a witness to the fidelity of the modern spirit during the reign of reactionary parody, but as a document of the experimental research that would be the central concern of the future. But this future is now — it is the game of every one of our lives. The real success that may be attributed to Potlatch is in its serving to unite the situationist movement on a new and greater field of operations.

Potlatch took its name from the North American Indian word for a pre-commercial form of circulation of goods, founded on the reciprocity of sumptuous gifts. The non-salable goods which such a free bulletin could distribute were desires and unedited problems; and it was their profundity for others that constituted a gift in return.

✖ Via DEBORD, Guy (1959). «The Role of Potlatch, Then and Now», Potlatch, no 30, July 15. Translated from the French by Reuben Keehan.

About the site where this translation is hosted: «NOT BORED! is an autonomous, situationist-inspired, low-budget, irregularly published, photocopied journal.»

Potlatch, as a circulation ritual (studied by Marcel Mauss), can be used to offer a different understanding of communication process. See Bataille (1933), Debord (1954) et Baudrillard (1972).



↳Share Nov 30  link  notes communication  author  sacrifice  theory  media  critic  philosophy  game  play  power 
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✖ Via Documenting The American South: “Knowledge Wins : Public Library Books Are Free” (Dan Smith, between 1914 and 1918)

Published by the American Library Association. Subject : Soldier moving from trenches to city over a bridge of books.

About the DocSouth project : “Documenting the American South (DocSouth) is a digital publishing initiative that provides Internet access to texts, images, and audio files related to southern history, literature, and culture. Currently DocSouth includes thirteen thematic collections of books, diaries, posters, artifacts, letters, oral history interviews, and songs. The University Library of the University of North Carolina at Chapel Hill sponsors Documenting the American South, and the texts and materials come primarily from its southern holdings. The UNC University Library is committed to the long-term availability of these collections and their online records. An editorial board guides development of this digital library.” (read more)

More propaganda posters related to World War I at the DocSouth project.


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✖ Via

9 0 0 0: The Brand


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✖ Via David Zaitz: Photo Spot (main portofolio).

Previously on Skandalon.


↳Share Sep 14  link  notes art  communication  editorial  humor  landscape  photo  photographer  technology  communication  power  network  wire 

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