He stood in the street. There was nothing to do. He hadn’t realized this could happen to him. The moment was empty of urgency and purpose. He hadn’t planned on this. Where was the life he’d always led? There was nowhere he wanted to go, nothing to think about, no one waiting. How could he take a step in any direction if all direction were the same?
✖ Via Cosmopolis by Don DeLillo, New York: Scribner, 2003, p. 180

Previously on Skandalon: Cosmopolis, Don DeLillo



• Jun 25, 2010 link notes tagged: art  novel  book  author  DeLillo  Cosmopolis  lost  space  gnomon  direction  sense  orientation  lost  loser  life 

The term ‘MacGuffin’ was coined by Hitchcock’s Scottish friend, screenwriter Angus MacPhail, for something that sets the film’s plot revolving around it. It’s really just an excuse and a diversion. In a whimsical anecdote told by Hitchcock, he compared the MacGuffin to a mythical ‘apparatus for trapping lions in the Scottish Highlands’. In other words, it could be anything - or nothing - at all. In Notorious, it’s just a lot of fizz: uranium-ore hidden in [wine] bottles. In North by Northwest, it’s ‘government secrets’, whatever they may be. (Hitchcock considered that this was his ‘best’ MacGuffin, because virtually non-existent.) Actually North by Northwest turns out to be one vast MacGuffin, being full of ‘nothings’ like the ‘O’ in Roger O. Thornhill’s name, or the empty prairie, or the non-existent agent named Kaplan. In effect, the function of a MacGuffin is like the ‘meaning’ of a poem - which T.S. Eliot compared to the bone
thrown by a burglar to distract the watchdog of the mind while the poem goes about its own, deeper business. Hitchcock’s most prescient MacGuffin is in Torn Curtain, whose ‘Gamma Five’ project, concerning an anti-missile missile, anticipated by more than a decade President Reagan’s ‘Star Wars’ project.
✖ Via The Alfred Hitchcock Story by Ken Mogg, UK edition, 1999, p. 101 [Amazon]

More over at Ken Mogg site. Wikipedia entry for the MacGuffin.

In a sense, a MacGuffin is a mean (an apparatus) as well as an end. Or at least it pretends to be the goal, or the aim of a narrative, it’s conclusion whereas it’s never shown. It’s representing something that is never represented. Maybe it could be understand as the simulacrum capable of sustaining a journey with no end.



• May 15, 2010 link notes tagged: art  technology  apparatus  sense  representation  mean  end  movie  cinema  film  auhtor  book  plot  teleology  Agamben  MacGuffin 

[A “cosmology episode” is] An incident in which “people suddenly and deeply feel that the universe is no longer a rational, orderly system”. “People…[generally] act as if events cohere in time and space and that change unfolds in an orderly manner. These orderly cosmologies are subject to disruption. And when they are severely disrupted, I call this a cosmology episode (Weick, 1985: 51-52)…What makes such an episode so shattering is that both the sense of what is occurring and the means to rebuild it collapse together. Stated more informally, a cosmology episode feels like vu jàdé—the opposite of déjà vu: I’ve never been here before, I have no idea where I am, and I have no idea who can help me.
✖ Via “The collapse of sensemaking in organizations : The Mann Gulch disaster” by Weick, K. E., Administrative Science Quarterly, Vol. 38, No. 4, p. 633-634, Dec. 1993 [PDF]
“The purpose of this article is to reanalyse the Mann Gulch fire disaster in Montana described in Norman Maclean’s (1992) award-winning book Young Men and Fire to illustrate a gap in our current understanding of organizations. I want to focus on two questions: Why do organization unravel? And how can organization be made more resilient?”

About the author: “Karl E. Weick (born October 31, 1936 in Warsaw, Indiana) is an American organizational theorist who is noted for introducing the notions of “loose coupling”, “mindfulness”, and “sensemaking” into organizational studies. He is the Rensis Likert Distinguished University Professor at the Ross School of Business at the University of Michigan. He earned his bachelor’s degree at Wittenberg College in Springfield, Ohio and his Ph.D. in organizational psychology from Ohio State University in 1962.” (wikipedia)



• Apr 29, 2010 link notes reblogged from leftoverfest  [via] tagged: communication  community  organization  disaster  order  sense  cosmos  universe  lost  catastroph  human  anxiety 
technology communication experience ipad apple innovation sense interaction interface intelligence community epistemology extension meida kids  reblog
✖ Via I’m Not Actually a Geek : “Apple iPad and the Radical Innovation of Meaning” by Hutch Carpenter, Feb. 2, 2010
“OK, if iPad is innovating meaning even more than it is technology, what meaning might that be? Here’s my best guess:

iPad is tapping into an emerging dynamic of a more interactive, tactile experience with digital technology and information. These interactions make technology less of an interface, and more of an extension of ourselves and our environment.

The tweets above are a couple that show the natural way children engage with technology. Given the iPhone experience, they turn around and want to apply it to other devices. Buttons on devices, our traditional form of interaction, are divorced from the screen. They provide a measure of distance from the digital experience.

Touch, however, represents a new level of intimacy in the digital experience. In technology terms, it’s just an alternative form of interface. Touch, mouse, tab, whatever. But touch is a vital human sense, and a core part of experience. It’s how we interact with others, how we shop, experience textures and so much more.”

About Hutch Carpenter:

“I am the VP of Product for Spigit. Spigit helps companies manage innovation, providing idea management and prediction market software for enterprises. The goal is enable easy capture of ideas by employees, customers and partners, and convert the most promising to innovative initiatives. Spigit recently received a $10 million equity investment from Warburg Pincus.” (more)


• Feb 02, 2010 link notes reblogged from infoneer-pulse  [via] tagged: technology  communication  experience  iPad  Apple  innovation  sense  interaction  interface  intelligence  community  epistemology  extension  meida  kids 

Of course, I still love real books. One of the things missing from eBooks is a sense of each book’s physical size. I bet most of us approach a book differently if it’s 600 pages long rather than a skimpy 150. But it’s hard to tell what you’re getting into on the iPhone.
✖ Via Physicalising ebooks (Phil Gyford’s website)

• Dec 30, 2008 link notes tagged: technology  book  sense  ebook  iphone  stanza  Classics 

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