art photography photographer photograph object technology apparatus camera anatomy piece fragment decomposition separation part whole system element
✖ Via Benn Innes: “Polaroid SX-70” from the Separations series, c-print, 30”x40”, 2008
Studio series focusing on disused electronics, as well as flora and fauna.

About Benn Innes:

Born in Knoxville, TN, Ben Innes now works, eats and sleeps in Minneapolis, MN. He gained his BFA in photography from the Minneapolis College Of Art and Design in the spring of 2009. (About)

First spotted via Coudal Partners.


↳Share Aug 27  link  notes art  photography  photographer  photograph  object  technology  apparatus  camera  anatomy  piece  fragment  decomposition  separation  part  whole  system  element 

We have only to speak of an object to think that we are being objective. But, because we chose it in the first place, the object reveals more about us than we do about it. What we consider to be our fundamental ideas concerning the world are often indications of the immaturity of our minds. Sometimes we stand in wonder before a chosen object; we build up hypotheses and reveries; in this way we form convictions which have all the appearance of true knowledge. But the initial source is impure: the first impression is not fundamental truth. In point of fact, scientific objectivity is possible only if one has broken first with the immediate object, if one has refused to yield to seduction of the initial choice, if one has checked and contradicted the thoughts which arise from one’s first observation.
✖ Via Psychanlyse of Fire by Gaston Bachelard, tr. A. C. Ross, Beacon Press, [1938]1987, p. 1

Here’s the original French text:

Il suffit que nous parlions d’un objet pour nous croire objectifs. Mais par notre premier choix, l’objet nous désigne plus que nous le désignons et ce que nous croyons nos pensées fondamentales sur le monde sont souvent des confidences sur la jeunesse de notre esprit. Parfois nous nous émerveillons devant un objet élu; nous accumulons les hypothèses et les rêveries; nous formons ainsi des convictions qui ont l’apparence du savoir. Mais la source initiale est l’impure: l’évidence première n’est pas une vérité fondamentale. En fait, l’objectivité scientifique n’est possible que si l’on a d’abord rompu avec l’objet immédiat, si l’on a refusé la séduction du premier choix, si l’on a arrêté et contredit les pensées qui naissent de la première observation. (éd. Gallimard, coll. Idées, Paris, [1938]1949, p. 9)

Gaston Bachelard was a French epistemologist. Learn more on Wikipedia.



↳Share Jul 26  link  notes communication  epistemology  objectivity  knowledge  separation  relation  perception  idea  world  reality  Bachelard  understand  stand  object  subject  impression  truth  science  philosophy  poetry  psychoanalysis  fire  Prometheus  mediation  media  immediate  observation  contradiction 
art illustration comic vintage love heartbrake separation pain girls alcohol humor
✖ Via Lady, that’s my skull: “A toast to heartbrake!”, Falling in Love, no 22, October 1958.

Browse the covert art gallery for DC’s Falling in Love series.


↳Share Jun 17  link  notes art  illustration  comic  vintage  love  heartbrake  separation  pain  girls  alcohol  humor 

Widespread throughout Latin America, susto is a folk illness associated with a broad array of symptoms. It is considered by susceptible populations to be a sickness caused by the separation of soul and body which is precipitated by a supernatural force. Most studies of culture-bound diseases have relied on descriptive approaches that focus on pathologies derived from medical textbooks. This study takes an interdisciplinary approach, looking for explanations of susto in the interaction of social, physiological, and psychological factors.
✖ Via Susto. A Folk Illness by Arthur J. Rubel, Carl W. O’Nell, and Rolando Collado-Ardon, University of California Press, 1991, 195 p.

Previously on Skandalon : Hwabyeong, yet another culture-bound somatization disorder.

Both hwabyung and susto are quoted by the same character in Don DeLillo’s novel Cosmopolis.



↳Share Jun 09  link  notes illness  pathology  cultural  soul  sickness  separation  Cosmopolis  DeLillo 

People put so much effort into starting relationship and so little effort into ending one.
✖ Via Marina Abramovic, “Walking Through Walls” by Judith Thurman, The New Yorker, March 8, 2010, p. 25

Marina Abramovic is a performance artist. You may have heard about her ongoing exhibition at the MoMA The Artist is Present. Watch it live. Or check the photos on Flickr.



↳Share May 06  link  notes art  artist  performer  performance  relationship  couple  separation  life 

Contrary to “primitive” peoples, who endow everything that moves with personal expression ―or even the first Greeks, who deified every aspect and force of nature―modern humans are obsessed by the need to depersonalize (or impersonalize) all that they most admire. There are two reasons for this tendency. The first is analysis―that marvelous instrument of scientific research to which we owe all our advances, yet which allows the soul to escape from one undone synthesis after another, until we are left facing a pile of disassembled parts and evanescent particles. The second is the discovery of the sidereal world―which is such a vast subject that it seems to destroy all proposition between our own existence and the dimensions of the cosmos around us. A single reality appears to subsist that is capable of covering both the infinitesimal and the immense at once: energy, that universal floating entity from which everything emerges and into which everything falls back, as if into an ocean. Energy is the new spirit, the new god. The impersonal is at the Omega of the world as well as its Alpha.
✖ Via The Human Phenomenon by Pierre Teilhard de Chardin, tr. by Sarah Appleton Weber, Sussex Academic Press, [1956]1999, p. 183

Here’s the original French version:

“A l’inverse des « primitifs » qui donnent un visage à tout ce qui bouge, — ou même des premiers Grecs, qui divinisaient toutes les faces et toutes les forces de la Nature, l’Homme moderne est obsédé par le besoin de dépersonnaliser (ou d’impersonnaliser) ce qu’il admire le plus. Deux raisons à cette tendance. La première est l’Analyse, — ce merveilleux instrument de recherche scientifique, auquel nous devons tous nos progrès, mais qui, de synthèse en synthèse dénouées, laisse échapper l’une après l’autre toutes les âmes, et finit par nous laisser en présence d’une pile de rouages démontés et de particules évanescentes. — Et la seconde est la découverte du monde sidéral, objet tellement vaste que toute proportion paraît abolie entre notre être et les dimensions du Cosmos autour de nous. — Capable de réussir et de couvrir à la fois cet Infime et cet Immense, une seule réalité semble subsister : l’Énergie, entité flottante universelle, d’où tout émerge, et où tout retombe, comme dans un Océan. L’Énergie, le nouvel Esprit. L’Énergie, le nouveau Dieu. A l’Oméga du Monde, comme à son Alpha, l’Impersonnel.”

Éditions du Seuil, Paris, 1956, p. 177. PDF.

Previously on Skandalon: Point Omega.



↳Share Apr 11  link  notes technology  communication  energy  God  philosophy  ecology  media  medium  world  space  infinity  community  fragment  separation  analysis 

Systems work because they do not work. Nonfunctioning remains essential for functioning. And that can be formalized. Given, two stations and a channel. They exchange messages. If the relation succeeds, if it is perfect, optimum, and immediate, it disappears as a relation. If it is there, if it exists, that means it failed. It is only mediation.
✖ Via The Parasite by Michel Serres, tr. Lawrence R. Schehr, Minneapolis, University of Minesota Press, 2007, p. 79 [Amazon]

↳Share Feb 18  link  notes reblogged from Leftovers communication  technology  failure  system  communion  philosophy  lost  loser  separation  fragmentation  reject  waste  function 

Without further ado, the 2009 Word of the Year is: unfriend.

unfriend – verb – To remove someone as a ‘friend’ on a social networking site such as Facebook.

As in, “I decided to unfriend my roommate on Facebook after we had a fight.”

“It has both currency and potential longevity,” notes Christine Lindberg, Senior Lexicographer for Oxford’s US dictionary program. “In the online social networking context, its meaning is understood, so its adoption as a modern verb form makes this an interesting choice for Word of the Year. Most “un-” prefixed words are adjectives (unacceptable, unpleasant), and there are certainly some familiar “un-” verbs (uncap, unpack), but “unfriend” is different from the norm. It assumes a verb sense of “friend” that is really not used (at least not since maybe the 17th century!). Unfriend has real lex-appeal.”

✖ Via OUPblog, “Oxford Word of the Year 2009: Unfriend” (November 16, 2009).

About the OUPblog : “The talented authors, staff and friends of Oxford University Press provide daily commentary on nearly every subject under the sun, from philosophy to literature to economics. OUPblog is a source like no other on the blogosphere for learning, understanding and reflection.” (read more)



↳Share Nov 22  link  notes communication  technology  social  network  Facebook  friend  separation  humor  philosophy  Internet 
art communication technology television family critic fragmentation separation kids monster
✖ Via

Banksy: “TV has made us into monsters” (drawing).


↳Share Sep 16  link  notes art  communication  technology  television  family  critic  fragmentation  separation  kids  monster 

Amour, Amour, quand tu nous tiens ! Tu nous lâches.
✖ Via Le blog de Éric Chevillard / § 540

↳Share Apr 30  link  notes writer  love  lost  pain  separation 

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