Another way of saying this, as Viktor Shklovsky did in his seminal 1916 essay, “Art as Technique,” is that art’s aim “is to make objects ‘unfamiliar,’ to make forms difficult, to increase the difficulty and length of perception.” Through difficulty, through impeded progress (rather than through predictability and velocity), art offers us a return to apprehension and thought.
✖ Via The Quarterly Conversation, “DeLillo’s 24-hour psycho” by Lance Olsen, March 1st, 2010
“Lance Olsen’s most recent novel is Head in Flames (Chiasmus, 2009). He teaches narrative theory and practice at the University of Utah.”


• Apr 08, 2010 link notes tagged: art  time  speed  entertainment  distraction  shock  world  experience  DeLillo  book  novel  author  review 
✖ Via 24 Hour Psycho by Douglas Gordon, United Kingdom, 1993
24 Hour Psycho is a film made and produced by the British artist Douglas Gordon in 1993. The film consists entirely of Alfred Hitchcock’s 1960 Psycho slowed down to approximately two frames a second, rather than the usual 24. As a result it lasts for exactly 24 hours, rather than the original 109 minutes” (wikipedia)

Artist’s statement:

“24 Hour Psycho, as I see it, is not simply a work of appropriation. It is more like an act of affiliation… it wasn’t a straightforward case of abduction. The original work is a masterpiece in its own right, and I’ve always loved to watch it. … I wanted to maintain the authorship of Hitchcock so that when an audience would see my 24 Hour Psycho they would think much more about Hitchcock and much less, or not at all, about me…” (more)

About Doulgas Gordon:

“Gordon was born in Glasgow and studied art first there (at the Glasgow School of Art) from 1984-1988 and later at the Slade School of Fine Art, University College London, from 1988-1990. His first solo show was in 1986. Gordon won the Turner Prize in 1996 and the following year he represented Britain at the Venice Biennale. In 2005 he put together an exhibition at the Deutsche Guggenheim Berlin called ‘The Vanity of Allegory’. In 2006 there was an exhibition of his at the Museum of Modern Art (MoMA) in New York, called “Timeline”. In 2008, he won the Roswitha Haftmann prize. In 2006 Douglas Gordon Superhumanatural opened at the National Galleries of Scotland complex in Edinburgh. This was Gordon’s first major solo exhibition in Scotland since he presented his now celebrated work, 24 Hour Psycho, at Tramway in Glasgow in 1993.” (wikipedia)


• Apr 05, 2010 link notes tagged: art  film  movie  speed  time  artist 

The internet may kill newspapers; but it is not clear if that matters. For society, what matters is that people should have access to news, not that it should be delivered through any particular medium; and, for the consumer, the faster it travels, the better. The telegraph hastened the speed at which news was disseminated. So does the internet. Those in the news business use the new technology at every stage of newsgathering and distribution. A move to electronic distribution—through PCs, mobile phones and e-readers—has started. It seems likely only to accelerate.
✖ Via The Economist: “Newspapers and technology: Network effects” Dec 17th, 2009

Interesting article overall. But the quotation above is problematic, for it could be argued that a change of medium would result in a change of message (right Marshall?). The anticipated disappearance of traditional newspapers should be studied (before being condemned or celebrated) as a global change in the means we use to shape our experience of the world and, thus, in the world itself. The news won’t be the same. Our experience of the news will change.



• Jan 12, 2010 link notes  [via] tagged: communication  technology  history  evolution  newspaper  news  journalism  telegraph  twitter  Internet  speed  medium  media 
photo technology communication vintage death past love speed
✖ Via More Interpretations photostream on Flickr: “Instant” (More Interpretations is Forrest Lucero photostream)

Well, Polaroid is dead. Do the math.



• Aug 02, 2009 link notes  [via] tagged: photo  technology  communication  vintage  death  past  love  speed 

skandalon


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