First discovered via Anathema Delight.
• Jan 29, 2010 link notes tagged: art video sport boxing history celebrity media life biography
First discovered via Anathema Delight.
The Fight, Norman Mailer, 1975
“There are sporting events that transcend the world of sports, and the 1974 heavyweight title fight in which Muhammad Ali regained his crown by improbably kayoing George Foreman in the middle of the African night was certainly one of them. Metaphorically, it was a writer’s dream: two imposing black warriors, one all grace, the other brute force, one the iconoclast, the other the blind patriot, battling each other. Fatefully, the appropriate writer threw his pen into the ring. Norman Mailer’s masterful account goes far beyond the ropes to capture the primal ethos of the sport, the larger social canvas this particular fight was drawn on, and the remarkable cast of personalities—not the least of which is Mailer himself—who converged to make this “Rumble in the Jungle” a landmark in sports history and a clear knockout in Mailer’s journalistic portfolio.” (Amazon)
Then he made a curious remark one could think about for the rest of the week. It was characteristic of a great deal about Foreman. “Excuse me for not shaking hands with you,” he said in that voice so carefully muted to retain his power, “but you see I’m keeping my hands in my pockets. |
The Fight is Norman Mailer’s account of the historical boxing match that took place on October 30th, 1974 between George Foreman and Muhammad Ali. Learn more about it on Wikipedia.
From the jacket of the first edition:
“The Fight shows off Norman Mailer in the sharpest writing trim of his career. Three champions ― Muhammad Ali, George Foreman, and Norman Mailer ― converge to Zaïre, Africa, for a fifteen-round, heavyweight-title “rumble in the jungle”, and the outcome is fast, funny, and truly explosive: Mailer’s most perceptive writing to date about the sport he knows best and the play of forces, the carnival of personalities, that surrounds him.”
About the project: “LE TOUR is an ambient photo study of the Tour de France. Often referred to as La Grande Boucle, it is the most famous and prestigious road bicycle race in the world. Held annually since 1903, interrupted only by World Wars I and II.” About Brent Humphreys: “Brent Humphreys is a photographer based in Austin, Texas with a passion for cycling. It began as a youngster when he would borrow his mother’s 35mm to take pictures of his friends racing BMX and skateboarding. Now each summer he migrates to the Tour de France as part of an ongoing book project. His work can be seen regularly on the pages of The New York Times, Texas Monthly and Wired magazines.” (read more on the project Le Tour’s site). Check his website.
30th anniversary of the Disco Demolition Night: “Disco Demolition Night (sometimes known as Disco Sucks Night) was a promotional event that took place on Thursday, July 12, 1979, at Comiskey Park in Chicago, Illinois. It was held between games of a twi-night doubleheader between the Chicago White Sox and the Detroit Tigers. During the event, rowdy fans surged onto the field, and a near riot ensued. It would ultimately prove to be one of the most notable promotional ideas and one of the most infamous since “Ten Cent Beer Night” in Cleveland in 1974. The event is regarded as the culmination of a backlash against disco music that had an effect on the decline of the genre.” (Wikipedia). Check Steve Dahl’s tribute to the Demolition Night.