An empirical test of ideas proposed by Martin Heidegger shows the great German philosopher to be correct: Everyday tools really do become part of ourselves. The findings come from a deceptively simple study of people using a computer mouse rigged to malfunction. The resulting disruption in attention wasn’t superficial. It seemingly extended to the very roots of cognition. “The person and the various parts of their brain and the mouse and the monitor are so tightly intertwined that they’re just one thing,” said Anthony Chemero, a cognitive scientist at Franklin & Marshall College. “The tool isn’t separate from you. It’s part of you.” Chemero’s experiment, published March 9 in Public Library of Science, was designed to test one of Heidegger’s fundamental concepts: that people don’t notice familiar, functional tools, but instead “see through” them to a task at hand, for precisely the same reasons that one doesn’t think of one’s fingers while tying shoelaces. The tools are us.
✖ Via Wired Science: “Your Computer Really Is a Part of You” by Brandon Keim, March 9, 2010

The study “A Demonstration of the Transition from Ready-to-Hand to Unready-to-Hand” by Dobromir G. Dotov, Lin Nie, Anthony Chemero is available online (PDF).

The “fondamental concept” to which Chemero is referring is the concept of “readiness-to-hand”. Heidegger explains this concept in section 15 of his book Being and Time : “The Being of the Entities Encountered in the Environment” (see Google Books). To understand this concept, one can get help from Wikipedia, from an online Glossary of Terms in Being and Time (edited by Roderick Munday, last updated in March 2009) and from Dean Heckles’ blog (Heckle “is a social–cognitive scientist and a PhD student at Stanford” and he specifically chose to name his blog… “Ready-to-hand” : great introduction to the concept if you’re into technology or communication or media studies).

For a good overview of what’s at stakes today when it comes to our relationship to technology, one should read the “General Introduction” of the first book of the Technics and Time trilogy by Bernard Stiegler. The book has been translated from French by Richard Beardsworth and George Collins. The “General Introduction” which run from page 1 to 18 is available via Google Books.

Previously on Skandalon: cognition and media ecology.



↳Share Mar 10  link  notes reblogged from Christopher Butler technology  communication  medium  media  philosophy  cognition  Heidegger  theory  Stiegler  author  book  ecology 

Although none of it (that I’m aware of) has been done to test media ecological principles, there’ve been a lot of neurological studies using fMRI technologies that supports this dichotomy of propositional versus presentational structures of thought. They’ve been able to track synaptic firings across specific neural pathways for different cognitive activities, and it turns out that we really do “think differently” when we read than we do when we use visual media.
✖ Via In the Dark: The Metaphysics of Media: “The Metaphysics of Media” by Peter K. Fallon, Feb. 17th, 2008.

This is an excerpt from the blog of Peter K. Fallon, author of The Metaphysics of Media (The University of Chicago Press, Amazon) and Associate Professor of Journalism at Roosevelt University in Chicago.

In this specific post, he takes a shot at Mike Wesch’s video A vision of Students. Mike Wensch is an Assistant Professor of Cultural Anthropology at Kansas State University. In 2007, Wensch received The John Culkin Award from the Media Ecology Association for his viral video “The Machine is Us/ing Us” (the “Web 2.0” in just under 5 minutes, so it says).

Mike Wesch actually commented Fallon’s post and an interesting discussion ensued.



↳Share Jan 23  link  notes technology  communication  book  author  media  theory  media ecology  internet  students 
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✖ Via The New York Times: “Mood Rings” by Rumors

“FOR DECADES, SOCIOLOGISTS and philosophers have suspected that behaviors can be “contagious.” In the 1930s, the Austrian sociologist Jacob Moreno began to draw sociograms, little maps of who knew whom in friendship or workplace circles, and he discovered that the shape of social connection varied widely from person to person. Some were sociometric “stars,” picked by many others as a friend, while others were “isolates,” virtually friendless. In the 1940s and 1950s, social scientists began to analyze how the shape of a social network could affect people’s behavior; others examined the way information, gossip and opinion flowed through that network. One pioneer was Paul Lazarsfeld, a sociologist at Columbia University, who analyzed how a commercial product became popular; he argued it was a two-step process, in which highly connected people first absorbed the mass-media ads for a product and then mentioned the product to their many friends. (This concept later bloomed in the 1990s and in this decade with the rage for “buzz marketing” — the attempt to identify thought-leaders who would spread the word about a new product virally.) Lazarsfeld also studied how political opinions flowed through friendship circles; he would ask a group of friends to identify the most influential members of their group, then map out how a political view or support for a candidate spread through and around those individuals. […]

Obesity was only the beginning. Over the next year, the sociologist and the political scientist continued to analyze the Framingham data, finding more and more examples of contagious behavior. Smoking, they discovered, also appeared to spread socially — in fact, a friend taking up smoking increased your chance of lighting up by 36 percent, and if you had a three-degrees-removed friend who started smoking, you were 11 percent more likely to do the same. Drinking spread socially, as did happiness and even loneliness. And in each case one’s individual influence stretched out three degrees before it faded out. They termed this the “three degrees of influence” rule about human behavior: We are tied not just to those around us, but to others in a web that stretches farther than we know.” (“Are Your Friends Making You Fat?” by Clive Thomson, September 10, 2009). Surprisingly enough, there isn’t one mention of Everett Rogers nor of Gabriel Tarde in this article.

About Rumors (illustration): “Rumors is a multi-disciplinary, Brooklyn-based design studio founded in 2008 by Holly Gressley, Renda Morton, and Andy Pressman. The studio works closely with clients and collaborators to consider the logic, function, and aesthetic of each project.” (read more).

First discovered this illustration via Stüff Stuff.


↳Share Jan 08  link  notes communication  technology  contagion  diffusion  social  society  loneliness  network  theory  book  author  sociology  illustration  illustrator  visualization  data  design  poster 

Whatever fortunes our activity might have known, it was Potlatch alone that filled the void in the cultural ideas of an era — that gaping hole in the middle of the 1950’s. It is already certain that history will see it not as a witness to the fidelity of the modern spirit during the reign of reactionary parody, but as a document of the experimental research that would be the central concern of the future. But this future is now — it is the game of every one of our lives. The real success that may be attributed to Potlatch is in its serving to unite the situationist movement on a new and greater field of operations.

Potlatch took its name from the North American Indian word for a pre-commercial form of circulation of goods, founded on the reciprocity of sumptuous gifts. The non-salable goods which such a free bulletin could distribute were desires and unedited problems; and it was their profundity for others that constituted a gift in return.

✖ Via DEBORD, Guy (1959). «The Role of Potlatch, Then and Now», Potlatch, no 30, July 15. Translated from the French by Reuben Keehan.

About the site where this translation is hosted: «NOT BORED! is an autonomous, situationist-inspired, low-budget, irregularly published, photocopied journal.»

Potlatch, as a circulation ritual (studied by Marcel Mauss), can be used to offer a different understanding of communication process. See Bataille (1933), Debord (1954) et Baudrillard (1972).



↳Share Nov 30  link  notes communication  author  sacrifice  theory  media  critic  philosophy  game  play  power 
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✖ Via Vaseline – Prescribe The Nation: “Who prescribed whom?”

Ad campaign create by Craig Andrew Smith for Vaseline. It’s an interesting illustration of Everett Rogers’ revised theory about the importance of social network for the diffusion process: that is “the process by which an innovation is communicated through certain channels over time among the members of a social system” (Diffusion of Innovations, 3rd ed., 1983, p. 5).

Find out more about this ad campaign on Craig Andrew Smith website.


↳Share Aug 22  link  notes communication  technology  ad  network  social  diffusion  theory  innovation  marketing  author 

(…) an idea whose theoretical untruth or incorrectness, and therewith its falsity, is admitted is not for that reason practically valueless and useless; for such an idea, in spite of its theoretical nullity, may have great practical importance.

Une idée dont on reconnaît la […] fausseté théorique n’est pas pour autant inutile et dénuée de valeur pratique.

✖ Via Hans Vaihinger’s preface for his book The Philosophy of ‘As If’: A System of the Theoretical, Practical and Religious Fictions of Mankind, trans. by C. K. Ogden, Barnes and Noble, New York, 1968 (First published in England by Routledge and Kegan Paul, Ltd., 1924, p. viii).

Interesting in regards of the Bouveresse/Debray debate. For an account of the debate, see Thomas Baldwin’s paper : “Jacques Bouveresse: Being UnFrench, Metaphorically” (2007). Full PDF available.



↳Share Jun 19  link  notes philosophy  fiction  Vaihinger  as if  science  theory 

Although The Dumpster by Golan Levin (working with Kamal Nigam and Jonathan Feinberg) can be related to traditional genres such as portraiture or documentary, as well as established new-media genres such as visualisation and database art, it is something new and different. I would like to call it a ‘social data browser’. It allows you to navigate between the intimate details of people’s experiences and the larger social groupings. The particular and the general are presented simultaneously, without one being sacrificed to the other.
✖ Via Lev Manovich, “Social Data Browsing”, TATE Intermedia Art, February 2006.

“Lev Manovich is a Professor of Visual Arts, University of California, San Diego and a Director of The Lab for Cultural Analysis at California Institute for Telecommunications and Information Technology. He is the author of Soft Cinema: Navigating the Database (The MIT Press, 2005), and The Language of New Media (The MIT Press, 2001).”



↳Share Apr 05  link  notes visualization  writer  theory  philosophy  communication  social  data  technology  media 

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