The better I got to know him, the more his productivity awed me. I have always been a plodder, a person who anguishes and struggles over each sentence, and even on my best days I do no more than inch along, crawling on my belly like a man lost in the desert. The smallest word is surrounded by acres of silence for me, and even after I manage to get that word down on the page, it seems to sit there like a mirage, a speck of doubt glimmering in the sand. Language has never been accessible to me in the way that it was for Sachs. I’m shut off from my own thoughts, trapped in a no-man’s-land between feeling and articulation, and no matter how hard I try to express myself, I can rarely come up with more than a confused stammer. Sachs never had any of these difficulties. Words and things matched up for him, whereas for me they are constantly breaking apart, flying off in a hundred different directions. I spent most of my time picking up the pieces and gluing them back together, but Sachs never had to stumble around like that, hunting through garbage dumps and trash bins, wondering if he hadn’t fit the wrong pieces next to each other.
✖ Via Leviathan by Paul Auster, New York: Penguin, 1992, p. 55

• Jul 27, 2010 link notes tagged: art  author  novel  writing  word  thing  creation  creativity  composition  relation  fragment  destruction  Paul Auster  Leviathan 

For the epistemologist, the notion of ‘application’ in an expression such as ‘applied psychoanalysis’ is simply flabby. It would seem to imply that a body of theory, more or less rigorously formulated, can be applied without modification to a set of data or to a field of study (in this case, works of art) different from that for which it was constructed (the set of psycho-neurotic symptoms and abnormal psychic phenomena). If this were so, the two domains would be indistinguishable; if they are not, then the attempt at application requires modifications that, however trivial, make that body of theory different from what it was in its first ‘state’.
✖ Via “Beyond Representation” by Jean-François Lyotard, tr. by Jonathan Culler, reproduced in The Lyotard Reader, edited by Andrew E. Benjamin, Wiley-Blackwell, 1989, p. 155

About The Lyotard Reader:

“Jean-Francois Lyotard was one of the founding members of the College Internationale de philosophie. Ha has taught at Vincennes, Saint Denis and is currently Professor of Philosophy at the University of California at Irvine. Several of his books have appeared in English, notable The Postmodern Condition, Just Gaming and The Dirrerend.The Lyotard Reader is a collection of Jean-Francois Lyotard’s most important and significant papers to date. While they are all written from within philosophy, they seek to address subjects as wide-ranging as film, painting (Adami, Francken, Newman), psychoanalysis, Judaism and politics. The originality of Lyotard’s work means that it can not be readily situated within any one philosophical tradition. Instead he returns philosophy itself to debates across a range of areas and, in so doing, redefines the philosophical enterprise.A number of chapters in The Lyotard Reader appear for the first time in English. This is the most comprehensive collection available of Lyotard’s work, work has profoundly influenced debates on the Enlightenment, on modernity, on postmodernity, on the transmission f information, on literary theory and on philosophy.” (more)


• May 27, 2010 link notes tagged: art  representation  application  epistemology  domain  knowledge  world  data  theory  model  word  thing  Lyotard 

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