Told you so, everyone who has tried to convince me that our elevators’ door-close buttons did anything
✖ Via Marco Arment’s reaction to Nick Paumgarten’s recent piece he wrote for The New Yorker about elevators.

Arment, as do so many others, really wants to believe that the door-close button does nothing in an elevator. There are stories going around about this: door-close buttons aren’t really working in elevators, they are just there so you can feel like you’re in control. For his article, Paumgarten may have got some information about this from Otis representative:

In most elevators, at least in any built or installed since the early nineties, the door-close button doesn’t work. It is there mainly to make you think it works. (It does work if, say, a fireman needs to take control. But you need a key, and a fire, to do that.) Once you know this, it can be illuminating to watch people compulsively press the door-close button. That the door eventually closes reinforces their belief in the button’s power. It’s a little like prayer. (more)

But there’s no specific references in his article : who did confirm this to him? Is it true about all elevators? All brands? Everywhere? Can an elevator be configured one way while another elevator, identical in brand and model, be configured another way? There’s no hard fact about this in the article. Nothing to prove that all door-close buttons are fake. And nothing to disprove it.

And that’s why Arment reaction is so interesting. He doesn’t know for a fact if the door-close button work or not in a given elevator. But he wants to feel in control : he doesn’t want to be controlled by an elevator’s fake button (eh, come on, nobody’s that stupid : we’re not monkeys, right?). So he will likely dismissed any piece of information telling him the very opposite of what he wants to believe. Just like those who believe in the door-close button will dismiss any delay in the closing of the door as being a sign that they did not controlled its action. Arment, though, will be very interested in information (Paumgarten’s article for example) that reinforce his belief. Just like the door-close button believers will consider any closing door as being an empirical proof of the control they can have on the elevator.

And thus, those who think the door-close button is just a fake are not smarter than those who think the door-close button works. It’s just two different ways to cope with a lack of adequate information, a certain degree of uncertainty : without hard facts about this issue, we’re all but believers trying to stay in control in front of an ambiguous situation.

[Update : July 17th, 2010] The same argument goes for Slavoj Zizek:

Zizek loves to correct viewpoints when precisely the opposite is considered correct. He calls this counterintuitive observation. His favorite thought form is the paradox. Using his psychoanalytical skills, he attempts to demonstrate how liberal democracy manipulates people. One of his famous everyday observations on this subject relates to the buttons used to close the door in elevators. He has discovered that they are placebos. The doors don’t close a second faster when one presses the button, but they don’t have to. It’s sufficient that the person pressing the button has the illusion that he is able to influence something. The political illusion machine that calls itself Western democracy functions in exactly the same way, says Zizek. (Spiegel Online: “Welcome to the Slavoj Zizek Show” by Philipp Oehmke, July 8th, 2010)


• Jun 27, 2010 link notes reblogged from marco  [via] tagged: communication  technology  elevator  interface  machine  control  computer  intelligence  uncertainty  anxiety  order  ambiguity  information  beliefs  black box  science 

Why? and automatically answering, out of the blue, for no reason, just opening my mouth, words coming out, summarizing for the idiots: “Well, though I know I should have done that instead of not doing it, I’m twenty‑seven for Christ sakes and this is, uh, how life presents itself in a bar or in a club in New York, maybe anywhere, at the end of the century and how people, you know, me, behave, and this is what being Patrick means to me, I guess, so, well, yup, uh…” and this is followed by a sigh, then a slight shrug and another sigh, and above one of the doors covered by red velvet drapes in Harry’s is a sign and on the sign in letters that match the drapes’ color are the words THIS IS NOT AN EXIT.
✖ Via American Psycho by Bret Easton Ellis, 1991, p. 568

More news about Bret Easton Ellis: a new novels, a film in production and maybe another one in the pipeline (an no, I’m not talking about Glamorama).

“Ellis speculated that Fox Searchlight might make his upcoming Hollywood novel Imperial Bedrooms (his seventh) into a film. […] Lunar Park is in pre-production, said Ellis; Jude Law may replace Benicio Del Toro, who Ellis knows and likes. He was set to play the role, but Ellis thought Del Toro was miscast. Ellis doesn’t see himself as Jude Law either.” (more)


• May 31, 2010 link notes tagged: art  novel  book  author  Easton Ellis  chaos  exit  system  closure  end  world  uncertainty  anxiety  representation  New York: Vintage Books 

Willard Van Orman Quine wrote his doctoral thesis on a 1927 Remington typewriter, which he used ever since. However, he “had an operation on it” to change a few keys to accommodate special symbols. “I found I could do without the second period, the second comma – and the question mark.” “You don’t miss the question mark?” “Well, you see, I deal in certainties.
✖ Via A Brief History of The Paradox: philosophy and the labyrinths of the mind by Roy A. Sorensen, Oxford University Press, 2003, p. 349.

About Willard Van Orman Quine:

“Willard Van Orman Quine (June 25, 1908 – December 25, 2000) (known to intimates as “Van”) was an American philosopher and logician in the analytic tradition. From 1930 until his death 70 years later, Quine was continuously affiliated with Harvard University in one way or another, first as a student, then as a professor of philosophy and a teacher of mathematics, and finally as a professor emeritus who published or revised several books in retirement. He filled the Edgar Pierce Chair of Philosophy at Harvard, 1956–78. A recent poll conducted among philosophers named Quine as one of the five most important philosophers of the past two centuries.” (wikipedia)


• May 24, 2010 link notes reblogged from fuckyeahphilosophy  [via] tagged: communication  logic  grammar  Quine  paradox  certainty  uncertainty  anxiety  anguish  order  chaos 
art television series lost animal thriller suspens etymology order chaos unknown uncertainty anxiety anguish deception cartoon humor illustration illustrator
✖ Via The New Yorker: “People watching a thriller about bunny rabbits” by Bruce Eric Kaplan, May 3rd, 2010, p. 60

This is for all Lost’s fans out there.

About Bruce Eric Kaplan:

“Every morning (to this day, I have the same routine, except now I have a desk, albeit a pretty crappy one), I sit down and think about why I am disgruntled or why I am not as disgruntled as I was yesterday and out come these little drawings … after much angst and staring into space and occasional lying on the ground moaning. And each week I send off 10 or so to The New Yorker. And maybe the magazine buys one or two. (Or very often, none. I might mention here that sometimes I merely pump out insane bile that wouldn’t interest one single person on the planet, just like any other journal writer.) And then, finally, they are published. Mostly in The New Yorker, but sometimes in other places as well, such as L.A. Weekly. Maybe they appear days after I did them, but sometimes it is weeks, or months, or even years. And when I look at them, I think back to why I drew whatever I drew and I laugh. Or sometimes cringe. Or, every now and then, just wonder what the hell was wrong with me.” (more)


• May 23, 2010 link notes tagged: art  television  series  lost  animal  thriller  suspens  etymology  order  chaos  unknown  uncertainty  anxiety  anguish  deception  cartoon  humor  illustration  illustrator 

skandalon


1 2



ARCHIVE / TUMBLTAPE / RSS / CONTACT / Theme based on D&D