Unlike, say, her performance at the Grammys, which was a perfect fusion of spectacle (a nine-months-pregnant woman rapping in a see-through dress) with content (Maya’s fervor was linked to the music), the video for “Born Free” feels exploitative and hollow. Seemingly designed to be banned on YouTube, which it was instantly, the video is set in Los Angeles where a vague but apparently American militia forcibly search out red-headed men and one particularly beautiful red-headed child. The gingers, as Maya called them, using British slang, are taken to the desert, where they are beaten and killed. The first to die is the child, who is shot in the head. While “Born Free” is heard in the background throughout, the song is lost in the carnage. As a meditation on prejudice and senseless persecution, the video is, at best, politically naïve. “The video was more than fine with me,” Jimmy Iovine told me later that night. Despite Maya’s efforts, he had seen it. “I didn’t even have a blink.” A canny showman, Iovine knew that the video would get attention, that Maya would get her visa (which she did) and that all the noise was good for business. He has a long history of driving record sales with violent imagery: in the 1990s, Interscope was home to Death Row Records, where Snoop Dogg, Dr. Dre and Tupac Shakur made millions rapping about all things gangsta. Iovine also appreciates the outrageous: Interscope’s biggest artist is Lady Gaga, who has melded big-time theatricality with disco-based pop, a kind of love child of Elton John and Madonna. |
Excellent article by Lynn Hirschberg and a great follow up on the “Born Free” music video controversy.
[UPDATE - August 16th, 2010] Apparently, M.I.A. didn’t like the article by Lynn Hirschberg:
MIA is upset about a New York Times Magazine cover story about her, so she tweeted the phone number of the piece’s writer, Lynn Hirschberg.
“917.834.3158 CALL ME IF YOU WANNA TALK TO ME ABOUT THE N Y T TRUTH ISSUE, ill b taking calls all day bitches ;)” she wrote.
Because MIA presented the number as her own, Hirschberg has been deluged with calls from fans wanting to hook up with MIA. (The Huffington Post: “M.I.A. Freaks Out At ‘New York Times,’ Tweets Reporter’s Phone Number”, June 2, 2010)
• Jun 08, 2010 link notes tagged: art video music pop culture mainstream entertainment industry consumption critic integration representation revolution simulacrum loser lost violence contradiction controversy media
“A video on YouTube gets 50% of its views in the first 6 days it is on the site, according to data from analytics firm TubeMogul. After 20 days, a YouTube video has had 75% of its total views.
That’s a really short life span for YouTube videos, and it’s probably getting shorter. In 2008, it took 14 days for a video to get 50% of its views and 44 days to get 75% of its views.
Why? In the last two years, YouTube has improved its user interface, which helps videos get seen early on. Also, the world has gotten more adept at embedding and sharing videos in real-time via Twitter and Facebook. (And there’s probably more video to choose from.)” (more)
Ephemeral culture.
• May 28, 2010 link notes tagged: technology communication video time culture life half-life media YouTube death ephemeral
“From one of our greatest living writers, Don DeLillo, a brief, unnerving, and hard-hitting new novel about a secret war advisor and a young filmmaker.”
DeLillo starts reading at page 17 of his book (Point Omega, New York: Scribner, 2010).
Previously on Skandalon: Point Omega, Don DeLillo.
• May 19, 2010 link notes tagged: art novel author video book movie film war DeLillo
“Although YouTube’s birthday is officially February 14, 2005, the first video was actually uploaded to the site exactly five years ago, on April 23, 2005.” (more)
I already posted this video, in relation with an interesting post on the The New York Times’ blog The Medium (by Virginia Heffernan)
• Apr 23, 2010 link notes tagged: technology communication YouTube anniversary video Internet evolution
Hofstadter’s presentation starts at 13’30”.
“In this Presidential Lecture, cognitive scientist Douglas Hofstadter examines the role and contributions of analogy in cognition, using a variety of analogies to illustrate his points.”
“Douglas Richard Hofstadter (born February 15, 1945 in New York, New York) is an American academic whose research focuses on consciousness, thinking and creativity. He is best known for his book Gödel, Escher, Bach: An Eternal Golden Braid, first published in 1979, for which he was awarded the 1980 Pulitzer Prize for general non-fiction.” (wikipedia).
Previously on Skandalon : analogy
• Mar 21, 2010 link notes reblogged from fuckyeahphilosophy [via] tagged: art communication cognition analogy philosophy metaphor knowledge science creativity author video
Nice : an allegory of the RGB color model.
• Mar 20, 2010 link notes tagged: art artist illustration illustrator girls technology television video color allegory
First discovered via Anathema Delight.
• Jan 29, 2010 link notes tagged: art video sport boxing history celebrity media life biography
About this video:
“A Dpt4D (F.P.S.) Original Series — Part One of an ongoing series that documents our search for the ultimate tastemakers. We begin in Venice, California over a coffee grinder…”
About Dpt4D:
“The Department of the 4th Dimension is a design and production studio that transforms ideas into engaging communications, experiences and interactions. It does many different things, for many different clients, but all of its projects secretly explore the interaction between design and storytelling. […] Established in 2006 by Creative Director Matt Checkowski, the DPT4D builds on more than a decade of experience in the design and entertainment industries.” (more)
About Intelligentsia:
“Intelligentsia Coffee’s mission is to provide our customers, staff, and community with an unparalleled and complete coffee and tea experience in an environment steeped in understanding, knowledge, skill, service and mutual respect.” (more).
The barista featured in this video is Kyle Glanville, winner of the 2008 United States Barista Championship (more here). He was featured a couple of times on Boing Boing TV.
• Jan 24, 2010 link notes tagged: art coffee technology machine espresso video
Download any Youtube movies, clips or videos directly from your Chromium Browser [works with FireFox, Safari and Opera as well]. It will Instantly get the link from the webpage even if it’s not yet finished loading. No Website or software is needed. |
The most important part about this hack is the possibility to download Flash and MP4 (HQ, 720p and 1080p) videos using simple dedicated bookmarklets (one for each format). I’m done with Zamzar.
Learn more about YouTube playback formats.
• Jan 09, 2010 link notes [via] tagged: technology YouTube video hack codec
“When this technique of redundancy was used in the films of Godard, it was considered the height of sophistication, a comment on the way movies pile on information: they show, they narrate and they describe. The elephants are unmistakable to viewers, and yet Karim identifies them. Then he names the iconic shape right in front of us — “long trunks” — lest anyone miss that long trunks equal elephants equal long trunks. This founding clip makes and repeats a larger point, too, with every pixel: Video — trivial or important — can now quickly and at no cost be published, broadcast and shared. “Me at the Zoo” also sets a style standard for the classic YouTube video: visually surprising, narratively opaque, forthrightly poetic.”
About The Medium : “With television and the Internet converging at last, who’s going to watch all this here-goes-nothing online video? Everything from political propaganda videos to pseudo-candid celebrity rants seems to expect an audience. “The Medium” will find, review and make sense of all those senseless new images.”
• Sep 27, 2009 link notes tagged: art communication technology YouTube video online Internet broadcast history movie film
“San Francisco-based video artist Phil Patiris transforms network news footage, clips from Star Trek, and sports coverage (all used without permission) into a devastating critique of the media/industrial complex.”
Artist statement: “To the extent I see the mass media culture drag standards of intelligence, creativity and ethics down to the lowest common denominator… and then turn around and generate more slick and profitable news programming bemoaning the resulting deterioration in our streets, schools and elective offices (not to mention our art and civilization), that’s the extent I will point my own electromagnetic finger.
To the extent self-serving, misleading, and deliberately manipulative psychological associations are made (and not just through advertising) is the extent I will break those associations, since they are subjective, and therefore rightly subject to counter-assault.” (read more).
The video was originally posted on Illegal Art: “The laws governing “intellectual property” have grown so expansive in recent years that artists need legal experts to sort them all out. Borrowing from another artwork—as jazz musicians did in the 1930s and Looney Tunes illustrators did in 1940s—will now land you in court. If the current copyright laws had been in effect back in the day, whole genres such as collage, hiphop, and Pop Art might have never have existed.The irony here couldn’t be more stark. Rooted in the U.S. Constitution, copyright was originally intended to facilitate the exchange of ideas but is now being used to stifle it.
The Illegal Art Exhibit will celebrate what is rapidly becoming the “degenerate art” of a corporate age: art and ideas on the legal fringes of intellectual property. Some of the pieces in the show have eluded lawyers; others have had to appear in court.” (read more). See more video here.
• Jul 30, 2009 link notes tagged: art communication technology critic video montage television America revolution Iraq war copyright
About the video: “Sunday, the first single from Sonic Youth’s 1998 album A Thousand Leaves, features a music video directed by Harmony Korine and starring Macaulay Culkin and his wife at the time, Rachel Miner. The music video for Sunday can be found on the Sonic Youth DVD Corporate Ghost, released on R1 DVD in the US on June 8, 2004. It includes an optional commentary by the band.” (more).
You may already know Harmony Korine for his films Kids (1995), Gummo (1997) or Julien Donkey-Boy (1999) (among others).
• Jul 26, 2009 link notes tagged: art film movie video music kids filmmaker alone loneliness