✖ Via Tom Gauld: “Two Rocks Converse”
↳Share Aug 18 link notes art cartoon illustration illustrator humor world time universe evolution past future conversation perspectivism
↳Share Aug 18 link notes art cartoon illustration illustrator humor world time universe evolution past future conversation perspectivism
 | This paradox of the carnival—which in the most general sense is the paradox of emotion, but in the most specific sense is the paradox of sacrifice- ought to be considered with the most critical attention. As children, we have all suspected it:perhaps we are all, moving strangely beneath the sky, victims of a trap, a joke whose secret we will one day know. This reaction is certainly infantile and we turn away from it, living in a world imposed on us as though it were “perfectly natural,” quite different from the one that used to exasperate us. As children, we did not know if we were going to laugh or cry but, as adults, we “possess” this world, we make endless use of it, it is made of intelligible and utilizable objects. It is made of earth, stone, wood, plants, animals. We work the earth, we build houses, we eat bread and wine. We have forgotten, out of habit, our childish apprehensions. In a word, we have ceased to mistrust ourselves. Only a few of us, amid the great fabrications of society, hang on to our really childish reactions, still wonder naively what we are doing on the earth and what sort of joke is being played on us. We want to decipher skies and paintings, go behind these starry backgrounds or these painted canvases and, like kids trying to find a gap in a fence, try to look through the cracks in the world. |
About Supervert.com :
If he were alive today, would the Marquis de Sade have a web site? (120 Days of Sodom, ancestor of the sex blog.) Would Charles Baudelaire employ venture capital for a sinister new internet startup, Fleurs du Mal Inc? Would Arthur Rimbaud use information technology to disorder the senses? Would any of them, were they alive today, find some way to advance literature by means of artificial intelligence?
Supervert is what an author can be when amplified by technology. Creator of books, web sites, and CD-ROMs, Supervert stands at the intersection of literature, technology, and perhaps also abnormal psychology — for in all its endeavors, Supervert utilizes the techniques of vanguard aesthetics to research the pathology of novel perversions. A sort of deviant Bauhaus, Supervert strives to create new experiences through the synthesis of art, technology, pornography, and philosophy. (more)
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✖ Via
Lady, That’s My Skull: New Universities Dictionary Illustrated, 1922
The book is all but disintegrated from age and weathering but I managed to save the artwork. No artist information can be found in the book though there seems to be a signature on the Plumage page. I can’t determine if that is the artist name or the previous owner of the book.
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| We have only to speak of an object to think that we are being objective. But, because we chose it in the first place, the object reveals more about us than we do about it. What we consider to be our fundamental ideas concerning the world are often indications of the immaturity of our minds. Sometimes we stand in wonder before a chosen object; we build up hypotheses and reveries; in this way we form convictions which have all the appearance of true knowledge. But the initial source is impure: the first impression is not fundamental truth. In point of fact, scientific objectivity is possible only if one has broken first with the immediate object, if one has refused to yield to seduction of the initial choice, if one has checked and contradicted the thoughts which arise from one’s first observation. |
Here’s the original French text:
Il suffit que nous parlions d’un objet pour nous croire objectifs. Mais par notre premier choix, l’objet nous désigne plus que nous le désignons et ce que nous croyons nos pensées fondamentales sur le monde sont souvent des confidences sur la jeunesse de notre esprit. Parfois nous nous émerveillons devant un objet élu; nous accumulons les hypothèses et les rêveries; nous formons ainsi des convictions qui ont l’apparence du savoir. Mais la source initiale est l’impure: l’évidence première n’est pas une vérité fondamentale. En fait, l’objectivité scientifique n’est possible que si l’on a d’abord rompu avec l’objet immédiat, si l’on a refusé la séduction du premier choix, si l’on a arrêté et contredit les pensées qui naissent de la première observation. (éd. Gallimard, coll. Idées, Paris, [1938]1949, p. 9)
Gaston Bachelard was a French epistemologist. Learn more on Wikipedia.
↳Share Jul 26 link notes communication epistemology objectivity knowledge separation relation perception idea world reality Bachelard understand stand object subject impression truth science philosophy poetry psychoanalysis fire Prometheus mediation media immediate observation contradiction
| The stupidities of the world appalled him, and underneath his jauntiness and good humor, you sometimes felt a deep reservoir of intolerance and scorn. |
↳Share Jul 11 link notes art author novel Leviathan Auster world perspective character intolerance stupidity
| In truth at first Chaos came to be, but next wide-bosomed Earth, the ever-sure foundation of all the deathless ones who hold the peaks of snowy Olympus, and dim Tartarus in the depth of the wide-pathed Earth, [120] and Eros(Love), fairest among the deathless gods, who unnerves the limbs and overcomes the mind and wise counsels of all gods and all men within them. |
↳Share Jun 17 link notes art literature book author classic antic genesis world mythology chaos order love communication relation representation
| [F]or as Earth, so he the World Built on circumfluous Waters calme, in wide Crystallin Ocean, and the loud misrule Of Chaos farr remov’d, least fierce extreames Contiguous might distemper the whole frame: And Heav’n he nam’d the Firmament: So Eev’n And Morning Chorus sung the second Day. |
↳Share Jun 14 link notes art representation order chaos world God religion mythology genesis creation literature classic book author lost paradise loser
| Why? and automatically answering, out of the blue, for no reason, just opening my mouth, words coming out, summarizing for the idiots: “Well, though I know I should have done that instead of not doing it, I’m twenty‑seven for Christ sakes and this is, uh, how life presents itself in a bar or in a club in New York, maybe anywhere, at the end of the century and how people, you know, me, behave, and this is what being Patrick means to me, I guess, so, well, yup, uh…” and this is followed by a sigh, then a slight shrug and another sigh, and above one of the doors covered by red velvet drapes in Harry’s is a sign and on the sign in letters that match the drapes’ color are the words THIS IS NOT AN EXIT. |
More news about Bret Easton Ellis: a new novels, a film in production and maybe another one in the pipeline (an no, I’m not talking about Glamorama).
“Ellis speculated that Fox Searchlight might make his upcoming Hollywood novel Imperial Bedrooms (his seventh) into a film. […] Lunar Park is in pre-production, said Ellis; Jude Law may replace Benicio Del Toro, who Ellis knows and likes. He was set to play the role, but Ellis thought Del Toro was miscast. Ellis doesn’t see himself as Jude Law either.” (more)
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✖ Via The New York Times: “The Haunted Household” by Christoph Niemann, May 25, 2010
This is Niemann’s latest instalment published on his New York Times’ blog Abstract City :
“Maintaining a home is an uphill battle. For quite some time Iʼve suspected that little goblins are sabotaging my efforts. We try to keep our place tidy. I broom the floor, I sit back, relax and ponder my good work, yet … a few seconds later … ta-dah! One of those little beasts jumps out to mock me.” (more)
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| For the epistemologist, the notion of ‘application’ in an expression such as ‘applied psychoanalysis’ is simply flabby. It would seem to imply that a body of theory, more or less rigorously formulated, can be applied without modification to a set of data or to a field of study (in this case, works of art) different from that for which it was constructed (the set of psycho-neurotic symptoms and abnormal psychic phenomena). If this were so, the two domains would be indistinguishable; if they are not, then the attempt at application requires modifications that, however trivial, make that body of theory different from what it was in its first ‘state’. |
About The Lyotard Reader:
“Jean-Francois Lyotard was one of the founding members of the College Internationale de philosophie. Ha has taught at Vincennes, Saint Denis and is currently Professor of Philosophy at the University of California at Irvine. Several of his books have appeared in English, notable The Postmodern Condition, Just Gaming and The Dirrerend.The Lyotard Reader is a collection of Jean-Francois Lyotard’s most important and significant papers to date. While they are all written from within philosophy, they seek to address subjects as wide-ranging as film, painting (Adami, Francken, Newman), psychoanalysis, Judaism and politics. The originality of Lyotard’s work means that it can not be readily situated within any one philosophical tradition. Instead he returns philosophy itself to debates across a range of areas and, in so doing, redefines the philosophical enterprise.A number of chapters in The Lyotard Reader appear for the first time in English. This is the most comprehensive collection available of Lyotard’s work, work has profoundly influenced debates on the Enlightenment, on modernity, on postmodernity, on the transmission f information, on literary theory and on philosophy.” (more)
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